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Joined: 03 Nov 2003
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Location: Indianapolis, IN (formerly Mimiho Valley)
PostPosted: Mon Jun 26, 2017 12:13 pm Reply with quote
Spawn29, if all you're looking at are the most popular shows then yes, a goodly number of them are still shonen. That's because such shows are designed specifically for broad appeal rather than interest groups. Hence shonen will always be a prominent presence.

I will strongly disagree, though, that anime offerings in general over the past decade have been dominated by shonen. Each season the bulk of new offerings are not-shonen and you're entirely ignoring the rise of fujoshi-oriented and idol titles, few or none of which are shonen.
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Blood-
Bargain Hunter



Joined: 07 Mar 2009
Posts: 23769
PostPosted: Mon Jun 26, 2017 2:28 pm Reply with quote
Spawn29 wrote:
Blood- wrote:


Also, you claim the the OVA market was "one of the most popular" at the time. Are you sure about that? What is your source of info on that? I'm not necessarily disputing it because I genuinely don't know.


Well it's mostly true since OVAs was mostly produced at the time. In 1990, you had 42 OVA's and 20 new TV shows.

https://en.wikipedia.org/wiki/Category:1990_anime

Even in the US, most anime brought over was direct to video titles since they were popular as well. ADV, CPM and other companies release the most popular titles that were big in Japan too. It's not like anime fans in the 80's and 90's was living under rocks having no idea what was popular and new.


Just looking at the number of OVAs produced in a given year relative to the number of TV shows produced is not a very good metric for measuring "popularity." What would be more relevant would be to look at, say, video rentals and see whether TV volumes were being rented more than OVAs or vice-versa. In ay case, it doesn't really matter. A simple cataloguing of TV titles produced since, say, 2000 would easily show that there are more non-shonen titles than shonen. This is indisputable. Collectively, they are not as profitable or popular as shonen (generally), but there are definitely more of them.
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Alan45
Village Elder



Joined: 25 Aug 2010
Posts: 9840
Location: Virginia
PostPosted: Mon Jun 26, 2017 7:29 pm Reply with quote
@Spawn29 wrote:
Quote:
Even in the US, most anime brought over was direct to video titles since they were popular as well. ADV, CPM and other companies release the most popular titles that were big in Japan too.


US companies largely brought over OVAs mostly because they were short and therefore cheap to license and localize. I don't think they cared much about how popular a show was in Japan except as it effected the license price.

I can remember a columnist in Animerica Magazine who viewed with alarm the fact that most of the better OVAs had been licensed. They opined that most people in US fandom would not sustain interest in a TV series long enough to buy the whole thing. In the short term they were wrong. Many 26 episode series involved as many as 8 single disks. In the long run I suspect this was probably part of the demise of the singles market.
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louis6578



Joined: 31 Jul 2013
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PostPosted: Mon Jun 26, 2017 7:43 pm Reply with quote
Not sure what the general consensus of this is, since I've never seen this show talked about, but M.A.R. has better fillers than actual canonical content.
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Spawn29



Joined: 14 Jan 2008
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PostPosted: Tue Jun 27, 2017 11:43 am Reply with quote
I feel like CG in anime gets too much hate. Sure some of it looks low budget that you would see in a Syfy movie. However I seen great looking CG in anime and I feel like CG in Japan has improve. Besides, why is it okay for America to use CG for their cartoons, but not Japan? It's not like America has great looking CG for their movies and TV shows neither.
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Chiibi



Joined: 19 Dec 2011
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PostPosted: Thu Jun 29, 2017 9:02 pm Reply with quote
Spawn29 wrote:
I feel like CG in anime gets too much hate. Sure some of it looks low budget that you would see in a Syfy movie. However I seen great looking CG in anime and I feel like CG in Japan has improve. Besides, why is it okay for America to use CG for their cartoons, but not Japan? It's not like America has great looking CG for their movies and TV shows neither.


Unless it sticks out like a sore thumb against the 2D animation; I mean REALLY badly, I don't have a problem with it; honestly. And if it DOES stick out; I can put up with it if the other stuff in the anime are good, like the characters or the writing. Bad CGI has never made me drop a series.....save one exception (there was nothing else good about it lol)

Though I can find shows that are ALL CGI to be a turn-off...if it's done badly. If it's done well.....that means it's hard to tell that it's CGI. Anime hyper
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Spawn29



Joined: 14 Jan 2008
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PostPosted: Sat Jul 01, 2017 12:49 pm Reply with quote
I feel like Japanese CG animated shows for the most part look better than the CG American TV shows. Like the new Inspector Gadget CG show looks like dogshit and looks like a game for the original Xbox. At least Knights of Sidonia looks nicely done in my opinion
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louis6578



Joined: 31 Jul 2013
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PostPosted: Sat Jul 01, 2017 8:14 pm Reply with quote
The Berserk Golden Age Trilogy Movies had great CG, at least the latter two did. The first one still had far better CG than Berserk 2016/2017 does.
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Spawn29



Joined: 14 Jan 2008
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PostPosted: Tue Jul 04, 2017 10:44 pm Reply with quote
I can't get into HxH and I got up to Episode 15 of the newer anime series. The series comes off as another typical Shonen series to me and nothing special. From the creator of YYH, I was hoping for way more. With YYH, I was hook into the series by Episode 1.

I know people will be like "Wait until Episode 30" and I feel like it should not take that long for a show to get good. Otherwise people will turn it off and watch something else.
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louis6578



Joined: 31 Jul 2013
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PostPosted: Wed Jul 05, 2017 7:08 am Reply with quote
I know CG gets a lot of hate, but I don't particularly mind it as long as it's not terrible. By terrible, I mean Berserk 2016. Some people say "I'm fine as long as I don't notice it," but it's VERY obvious that the Berserker in Fate/Zero is mostly CG at first. That is not an issue, and I feel it was intentional to show that he has that otherwordly aura that prevents masters from reading his stats. I watched it with horrible, idiotic friends who decided to nitpick everything, and they were basically saying "UGH! DAT CG IS KILLING ME" every two seconds.
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Jose Cruz



Joined: 20 Nov 2012
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Location: South America
PostPosted: Thu Jul 06, 2017 5:45 pm Reply with quote
Spawn29 wrote:
Well it's true since the most popular anime in the last 15 years have been Shonen and most newer anime Shonen. Look at titles from 2000-now like Inuyasha, Naruto, One Piece (It came out very late 1999, so I consider it to be a 2000's anime), Digimon (Same with One Piece), Bleach, Love Hina, Vandread, .hack//Sign, Zatch Bell, Yu-Gi-Oh, Death Note, Shaman King, Zoids, Eyeshield 21, Samurai Deeper Kyo, Immortal Grand Prix, School Rumble, Fullmetal Alchemist, Neuro, Gurren Laggan, Soul Eater, Black Cat, D.Gray-man, Black Butler, Future Diary, Haruhi Suzumiya, Luck Star, Rosario + Vampire, Fairy Tail, A Certain Magical Index, Fate/stay night, Sword Art Online, Attack on Titan, Kill la Kill, Akame ga Kill, Mob Psycho 100, Toriko, Assassination Classroom, My Hero Academia, KonoSuba, Seven Deadly Sins and Keijo.

All of those titles are very popular or were very popular in the 2000's or in this current decade. Sure you get popular seinen titles sometimes, but most of it is buried by Shonen. Meanwhile the other adults like Ajin: Demi-Human and Joker Game got overshadow by stuff like My Hero Academi and Mob Psycho 100. Heck even in 2007, Kaiji and Shigurui got overshadow by stuff like Lucky Star and Gurren Laggan.

Even some of the newer sienen anime like One Punch Man, Is It Wrong to Try to Pick Up Girls in a Dungeon?, Tokyo Ghoul and Re; Zero still feel like shonen to me.

Shonen titles are fine at times, but I feel like the market has too many of them. What about the anime for the grown ups? In the late 80's and 90's, you mostly had seinen titles in Japan. Do people just stop liking anime when they turn 17 or 18 in Japan? Does the industry not care about them?


A very large fraction of titles made today are not shounen. In fact I believe we now have hit the peak number of actual adult anime made: stuff like Space Brothers, Hyouge Mono, Kobayashi's Dragon Maid was very rare 20 years ago.

Anyway, when talking about anime in general one should talk first about manga. Anime is historically mostly manga adaptions that copy almost exactly the art, writting and even the camera angles in the manga panels (I read One Punch Man and watched it, the show is basically the manga with animated and colored panels and voice acting). So essentially, what we call "anime" is just manga adapted for TV, which is the way westerners consume manga. In Japan, historically, manga was way more popular by the way than it's derivative TV shows.

In terms of manga, sales distribution between shounen, seinen, shoujo and josei in 1996 was roughly the following:

40.6% shounen
35.5% seinen (which stands as a generic term for "adult' manga actually and not aimed at men as it is conventionally assumed)
8.7% shoujo
6.5% josei
8.7% porn & alternative

source: Adult Manga: Culture and Power in Contemporary Japanese Society (2000)

Today I believe the relative distribution of sales is similar. Perhaps seinen and josei gained ground while shounen and shoujo declined as Japan's population is aging.

That was when manga sales peaked in absolute numbers. Today thanks to the aging population and the smarthphone (which is a substitute for the manga as an entertainment medium) Japan's manga culture is declining. However, what is still expanding is it's otaku culture, that evolved (mainly) from it.

What happened from 1996 to the present is that today it is much more likely for seinen titles to be adapted from manga (or anime that's adapted into seinen manga to be made). So today the anime medium is much more diverse than it was in the 1990's, when very few truly adult titles existed even though adult manga was already very popular.

Today we live in a golden age of anime, counting the numbers from MAL we have today about 800 cours or anime shows + OVAs + movies made per year while in the 1990's we had about 250 cours of anime shows + OVAs + movies made per year. And today about 80% of all shows are made for late night exhibition. Which doesn't mean they are adult though as actually half of late night shows made today are shounen/shoujo, but overall the shows made today are more mature than the ones made 20 years ago on average. That's why in Shirobako the animation studio depicted worked on children's anime back in the 1990's and now worked on anime made for adult otaku fans (a seinen magical girl show and a military moe show), is a reflection of the changing reality of the industry.

Quote:
I hate when to sound like a Nostalgia Tard, but I do like it in the past when the industry was not scared to take risk and give us really creative and fun titles instead of doing action shows for kids & teens, shows with moe girls or harems situations with no quality.


I should point out that just because a manga is classified as "shounen" its readers might not be kids (One Piece is a shounen and 90% of it's readers are adults).

Now, moe girls I think are a cool artistic development. No other medium for fiction besides manga/anime has developed the genre of CGDCT narrative. I have no complains.

About the low average quality? Well, in any medium 95% of everything is garbage, manga/anime is no exception to this universal rule. That's why I don't watch stuff randmonly (or read manga randmonly).
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niji9t



Joined: 12 Jul 2017
Posts: 18
PostPosted: Wed Jul 12, 2017 9:40 am Reply with quote
Just randomly barging in and I know I'll get a lot of hate for this but I freaking hate the attention Yuri on Ice gets. The setting is fantastic, I'll give you that, but the rest of the show was absolutely nothing special and had annoying main characters to boot. The use of fanservice in this one was just too much.
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louis6578



Joined: 31 Jul 2013
Posts: 1861
PostPosted: Wed Jul 12, 2017 10:47 am Reply with quote
Personally, I don't care one way or another. The Crunchyroll anime awards are garbage and most everyone knows it. No point complaining about it now. Though before I complain that something is overhyped, I always wonder if something I love can be considered overhyped and terrible to someone else (JoJo's Bizarre Adventure, One Piece, Fullmetal Alchemist, Your Name, etc.).
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Spawn29



Joined: 14 Jan 2008
Posts: 551
PostPosted: Thu Jul 13, 2017 11:24 am Reply with quote
Jose Cruz wrote:

In fact I believe we now have hit the peak number of actual adult anime made: stuff like Space Brothers, Hyouge Mono, Kobayashi's Dragon Maid was very rare 20 years ago.
.


I know that this is a old post, but Dragon Maid feels like a typical kid friendly moe series similar to K-On going from what I've watch of it. Hyouge Mono and Space Brothers are good series for grown ups and they would not be that rare like 20-30 years ago. We did had titles like Ghost in the Shell, Royal Space Force: The Wings of Honnêamise, Gunsmith Cats, Crying Freeman, Armored Trooper Votoms, Serial Experiments Lain, Yawara! and many others in the 80's & 90's.

I do remember how I was surprise that something like Psycho Pass did very well in today's fandom given how most modern anime and manga fans seem to be mostly into Shonen from what I've seen. I remember in 2006 when hardly anyone talk about Kemonozume and everyone was into Death Note, Bleach, Naruto, Haruhi Suzumiya, One Piece and Ouran High School Host Club that year.
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louis6578



Joined: 31 Jul 2013
Posts: 1861
PostPosted: Fri Jul 14, 2017 1:04 pm Reply with quote
Captain Tylor should be allowed to rest in peace. Sadly, he has been revived with unholy, black magic. His spirit is being corrupted and displayed in the form of Banjo Ueki Tylor.
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