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NEWS: Wandering Son by Aoi Hana's Shimura Listed in Amazon


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Synthesse



Joined: 26 Aug 2008
Posts: 1
PostPosted: Sat Mar 06, 2010 8:43 pm Reply with quote
Wow! I never expected this. Definitely picking this up when it comes out Very Happy
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Tenchi



Joined: 03 Jan 2002
Posts: 4469
Location: Ottawa... now I'm an ex-Anglo Montrealer.
PostPosted: Sat Mar 06, 2010 9:00 pm Reply with quote
Is this manga roughly what it'd be like if Touma Minami and Makoto/Mako-chan from Minami-ke got their own spin-off manga?

I'd read that.
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Patachu
Past ANN Contributor


Joined: 08 Jul 2004
Posts: 1325
Location: San Diego
PostPosted: Sun Mar 07, 2010 1:44 am Reply with quote
I'm surprised Aoi Hana wasn't picked up first considering that's the one with an anime adaptation.

But, this is the one that will get all the pundits and puffed-up pseudointellectuals (i.e. people who read Fantagraphics) talking because of the LGBT themes, whereas Aoi Hana is more straight out yuri. (Seven Seas, get to it)
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tuxedocat



Joined: 14 Dec 2009
Posts: 2183
PostPosted: Sun Mar 07, 2010 2:06 am Reply with quote
Really looking forward to this, despite never reading the scanlations.

From what I've read about this publisher, I have high expectations that the translation will be pretty good. I hope they eventually license Aoi Hana as well:

Quote:
Fantagraphics Books has been a leading proponent of comics as a legitimate form of art and literature since it began publishing the critical trade magazine The Comics Journal in 1976. By the early 1980s, Fantagraphics found itself at the forefront of the burgeoning movement to establish comics as a medium as eloquent and expressive as the more established popular arts of film, literature, poetry, et al. Fantagraphics quickly established a reputation as an advocacy publisher that specialized in seeking out and publishing the kind of innovative work that traditional comics corporations who dealt almost exclusively in super-heroes and fantasy either didn’t know existed or wouldn’t touch: serious, dramatic, historical, journalistic, political, and satirical work by a new generation of alternative cartoonists as well as many artists who gained prominence as part of the seminal underground comix movement of the '60s. Fantagraphics has since gained an international reputation for its literate and audacious editorial standards and its exacting production values
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Fronzel



Joined: 11 Sep 2003
Posts: 1906
PostPosted: Sun Mar 07, 2010 3:59 am Reply with quote
I actually found this one to be pretty dull. I will say it does perhaps the best job of simulating life I've ever seen (especially the fickleness of the human heart)...and maybe that's why it's so dull.
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Ashen Phoenix



Joined: 21 Jun 2006
Posts: 2907
PostPosted: Sun Mar 07, 2010 6:29 am Reply with quote
HellKorn wrote:
Holy shit. Hourou Musuko is licensed? Possibly the license of 2009 if that's the case. (Gonna be weird to get used to typing Wandering Son...)

vashfanatic wrote:
I wonder who's releasing it...?
The article and Amazong listing says Fantagraphics, one of the most respected comics publisher in North America.

*crying in joy* I couldn't stop grinning after I initially squealed with glee upon reading this.

I'm following HM now and while parts of it irritate me, the overall story is so engaging I'm positively giddy that it's licensed!! Anime hyper

You're right, typing its Jpn. title has been a challenge for me for whatever reason, but now switching over will likely be equally strange, at least at first.Anime exclamation
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Ashen Phoenix



Joined: 21 Jun 2006
Posts: 2907
PostPosted: Sun Mar 07, 2010 6:34 am Reply with quote
HellKorn wrote:
Holy shit. Hourou Musuko is licensed? Possibly the license of 2009 if that's the case. (Gonna be weird to get used to typing Wandering Son...)

vashfanatic wrote:
I wonder who's releasing it...?
The article and Amazong listing says Fantagraphics, one of the most respected comics publisher in North America.

*crying in joy* I couldn't stop grinning after I initially squealed with glee upon reading this.

I'm following HM now and while parts of it irritate me, the overall story is so engaging I'm positively giddy that it's licensed!! Anime hyper

You're right, typing its Jpn. title has been a challenge for me for whatever reason, but now switching over will likely be equally strange, at least at first.Anime exclamation
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Moomintroll



Joined: 08 Oct 2007
Posts: 1600
Location: Nottingham (UK)
PostPosted: Sun Mar 07, 2010 8:18 am Reply with quote
Patachu wrote:
pundits and puffed-up pseudointellectuals (i.e. people who read Fantagraphics)


Ah, inverse snobbery - last refuge of territorial, insecure fanboys everywhere.

There's a whole world of possibilities beyond your mother's basement, Carlo, and so long as nobody is forcing you to give up your body pillows and Negima doujinshi, you needn't be afraid if people want to explore them.
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vashfanatic



Joined: 16 Jun 2005
Posts: 3489
Location: Back stateside
PostPosted: Sun Mar 07, 2010 9:40 am Reply with quote
Moomintroll wrote:
vashfanatic wrote:
I'm looking at their webpage, it doesn't look like they've done a lot of translations...?


They've been putting out comics from all around the world for about 30 years now so they have plenty of translations from numerous different languages under their belt (including a number of Japanese titles). Fantagraphics can usually be relied upon to do a good job.

Examples? I'm having a little trouble finding anything on their site.
Quote:
But, this is the one that will get all the pundits and puffed-up pseudointellectuals (i.e. people who read Fantagraphics) talking because of the LGBT themes, whereas Aoi Hana is more straight out yuri. (Seven Seas, get to it)

1) See that "L" in LGBT? (it's LGBTQ, btw) That's "lesbian." Or as they call it in Japanese slang, "yuri." Aoi Hana, with actual lesbian characters (not just eternal BFFs and "we'll get over it when we're grown-ups") deals with LGBTQ issues as much as Hourou Musuko.
2) Hourou Musuko is, at least as far as I've read it, a really good story. You don't have to be a "puffed-up pseudointellectual" to appreciate it, it portrays the characters well and really brings you into their troubled lives. It isn't preachy, it isn't even that intellectual, it's touching and well-written.

I really don't understand the hate in your reply here. Is it against Fantagraphics? Or do you have something against anything that isn't just gobs of girls for you to ogle?
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Moomintroll



Joined: 08 Oct 2007
Posts: 1600
Location: Nottingham (UK)
PostPosted: Sun Mar 07, 2010 12:38 pm Reply with quote
vashfanatic wrote:
Moomintroll wrote:
vashfanatic wrote:
I'm looking at their webpage, it doesn't look like they've done a lot of translations...?


They've been putting out comics from all around the world for about 30 years now so they have plenty of translations from numerous different languages under their belt (including a number of Japanese titles). Fantagraphics can usually be relied upon to do a good job.


Examples? I'm having a little trouble finding anything on their site.


Presuming you mean examples of Japanese stuff rather than translations in general, you'll only find a couple of book-length examples in their main catalogue - Sake Jock (an anthology of underground manga from Garo magazine) and Anywhere But Here by Tori Miki - along with a few short manga stories in The Comics Journal and in international anthologies like Bete Noir (e.g. Yoshiharu Tsuge's Screw-Style, Moto Hagio's Hanshin: Half God and Kan Takahama's Seduction).

You won't see most of their manga releases on their main page though, because they're published through their Eros Comix imprint. Not being a fan of porn comics I couldn't tell you off the top of my head what titles they've published but I think there's been a fair few of them and I'm sure you can find a link to the Eros Comix website via Fantagraphics' main page.
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vashfanatic



Joined: 16 Jun 2005
Posts: 3489
Location: Back stateside
PostPosted: Sun Mar 07, 2010 3:46 pm Reply with quote
Moomintroll wrote:
Presuming you mean examples of Japanese stuff rather than translations in general, you'll only find a couple of book-length examples in their main catalogue - Sake Jock (an anthology of underground manga from Garo magazine) and Anywhere But Here by Tori Miki - along with a few short manga stories in The Comics Journal and in international anthologies like Bete Noir (e.g. Yoshiharu Tsuge's Screw-Style, Moto Hagio's Hanshin: Half God and Kan Takahama's Seduction).

So do they have a "type" of manga that they specialize in? I've just never heard of the company, so I find it intriguing.

Quote:
You won't see most of their manga releases on their main page though, because they're published through their Eros Comix imprint. Not being a fan of porn comics I couldn't tell you off the top of my head what titles they've published but I think there's been a fair few of them and I'm sure you can find a link to the Eros Comix website via Fantagraphics' main page.

That's fine, I'm not much of a fan of them either! Wink
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tuxedocat



Joined: 14 Dec 2009
Posts: 2183
PostPosted: Sun Mar 07, 2010 3:56 pm Reply with quote
Patachu wrote:
I'm surprised Aoi Hana wasn't picked up first considering that's the one with an anime adaptation.

But, this is the one that will get all the pundits and puffed-up pseudointellectuals (i.e. people who read Fantagraphics) talking because of the LGBT themes, whereas Aoi Hana is more straight out yuri. (Seven Seas, get to it)


Don't feed the troll. --Even if they are part of ANN's staff! Razz

I notice that Zac sometimes trolls certain people (who usually take the bait). I usually find those pretty funny.

This one is whining about lack of wank material? Dorky.
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Moomintroll



Joined: 08 Oct 2007
Posts: 1600
Location: Nottingham (UK)
PostPosted: Sun Mar 07, 2010 8:07 pm Reply with quote
vashfanatic wrote:
So do they have a "type" of manga that they specialize in? I've just never heard of the company, so I find it intriguing.


They've never really specialised in any one thing. They're known for alternative comics (stuff like Love And Rockets and Ghost World), collections of classic newspaper strips (e.g. Peanuts, Popeye, Krazy & Ignatz), stuff from '60s underground cartoonists (Robert Crumb, Vaughn Bodé etc.), Euro-comics (by people like Jason, Francesca Ghermandi and Lewis Trondheim), anthologies of up and coming artists (MOME and suchlike), comics history and reference books, periodicals (i.e. The Comics Journal), artbooks and collections of gag cartoons, peculiar art-comic stuff (like their recent Abstract Comics collection) and some relatively mainstream stuff (Usagi Yojimbo springs to mind - though I suppose nothing could be more mainstream than the aforementioned The Complete Peanuts collections).

And that's just scratching the surface. They don't publish superhero stuff or media tie-ins but pretty much everything else is fair game.

Their manga releases, porn aside, have been equally random. Sake Jock is about as underground and artsy as manga gets, Anywhere But Here is a surreal gag manga (it's often compared to The Farside) that originally ran in Japan in a popular TV listings magazine, Hanshin is classic shoujo, Screw-Style is avant garde gekiga and Seduction is josei. They've also put out a Junko Mizuno piece in one of their collections - I'm not sure how best to categorise her work.
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