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Poll: What do you think of Moe?


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Richard J.



Joined: 11 Aug 2006
Posts: 3367
Location: Sic Semper Tyrannis.
PostPosted: Wed Apr 11, 2007 10:17 pm Reply with quote
Malintex Terek wrote:
In the 1950's there was a little something called censorship, whereby material that could be considered "corrupting the youth" by glorifying behaviour that acted countrary to the moral status quo was not permitted to air on television. Censorship has largely given way to corporate greed, and moderate morality has deteriorated because of apathy or hyper-sensitivity.

Banning visual media isn't required, and jailing people for no crime isn't legal; all we need is a crack-down on what is acceptable material.
So you want to go back to the way the entertainment world was in the 1950's? Wow, that'd be fun. Rolling Eyes

Well, according to you, I'm stupid anyway and a future child molestor to boot, so I guess I should bow to your superior intellect and mighty vision of the future. Yes, let's all go back to the way things were in the 1950's! (Say, didn't virtually all of the pro-civil rights and women's equality movements start in the 70's? Hm, 1950's entertainment would be mostly whilte male dominated stories wouldn't they?)

Why don't you try living in a country that heavily censors it's media for a while and let us know how you like it.

Malintex Terek wrote:
The real danger of "moe", "loli", "shota", "traps" and the whatnot is that like an annoying meme it's imitated so many times people lose sense of reality because they've been dulled by the sheer amount of caricaturizations, losing a sense of barriers between acceptable behaviour in anime or in the corpreal world.
So to protect society, we must ensure that all entertainment promotes only pro-social activies! Yes, I see the light! We must all learn to think, act, and look the same so that no one ever feels inferior or superior to anyone else. What a wonderful world it will be when the human race stagnants and becomes as interesting as a piece of dry toast.

Yeah, you keep telling yourself it's all Mr. TV's fault. Blame evil fan-service. After all, we know that prior to the invention of pornographic and violent entertainment there was no crime and everyone lived in perfect harmony. Wink
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Mirrinus



Joined: 31 Jan 2007
Posts: 230
Location: La Thiene Plateau
PostPosted: Wed Apr 11, 2007 11:59 pm Reply with quote
Malintex Terek wrote:
Mirrinus wrote:

Hmm, how odd. Here we are quoting stuff like Azumanga Daioh and Lucky☆Star as pure moe shows, and I'm having a very difficult time seeing your point. What describes the cast of these shows better? "Weak, sensitive, and totally dependant on men," or "independent, strong-willed, and capable individuals"?


I can't comment since I haven't seen either nor do I have access to either, but Lucky☆Star was based on an eroge so I could probably imagine with some accuracy the kinds of "moe" it proports. Not positive at all.

Azumanga is one I really know nothing about, so I'll give you the benefit of the doubt here and assume that the "moe" portrayed by the characters is more positive than the misogynous drivel most weeaboo are trying to pass off as a legitimate pastime. I'd argue that to be progressive, but there is potential for abuse in the doujin world; provided that kind of "bastardization" doesn't get spread beyond the doujin world, it's relatively benign, though I'd feel uncomfortable because of the popularity of doujin in Japan and its growing presence in the ESW.


Well, I was going to point out just how flat-out wrong you are about Lucky☆Star being an eroge, but I think others have already done so. You bring up an interesting point about doujins, but I highly doubt that irreputable doujins are limited by how much moe is in a show. I wonder whether or not there exists any anime at all that doesn't have some sort of distasteful doujin based off of it. Tell me, what doesn't have potential for abuse in the doujin world? The doujin world is limited only by a person's imagination, and that's not something that's easy to overestimate.

I agree with you that there are some forms of moe that I believe are not very flattering representations of the female gender. However, I disagree with you in that you are trying to generalize everything that could be called moe by just this one definition. If a moe show is one that contains women who are "weak, sensitive, and totally dependant on men," then using your argument I'd like to make a case for how Mushishi would be more moe than Azumanga Daioh. I mean, that girl in episode 6 fits that description better than most eroge adaptation characters, IMHO. This discussion isn't going to get anywhere if we can't even agree on a definition. Actually, I didn't expect this to get anywhere in the first place...

Hmm...on a personal rant note, I also think it's mightily odd how you're using terms like "sensitive" and "dependant" as negative terms. Sure, I'm not trying to advocate for anachronistic practices like relegating women to being second-class citizens, but since when was being sensitive percieved as a vice? Likewise, I personally find myself unable to agree with many of the implications of the modern "cult of individualism," as I think that dependance on others is something all people may desire. It is by no means always bad like you're trying to suggest, nor is it limited only to women. I have nothing against empowering women with political rights long due to them, but why must we also act with hostility towards traits that are not inherently wrong anyway? If a man were to act sensitive or dependant on others, would you consider it a negative representation as well?
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Tenchi



Joined: 03 Jan 2002
Posts: 4469
Location: Ottawa... now I'm an ex-Anglo Montrealer.
PostPosted: Thu Apr 12, 2007 1:34 am Reply with quote
I voted "I love moé!" even if it's largely only because of one series, Strawberry Marshmallow, that somehow struck a chord with me on some kind of deep nostalgic* level with its sweet-but-mischevous brand of slice-of-life comedy, though I suppose that I didn't fall in love with that show in a total vaccuum, as much of my anime/manga collection either features moé characters in major supporting roles (i.e. Sasami, Skuld, Chibi-Peorth) or are shows for young girls that features characters that could be seen as moé even if they weren't primarily intending to pande... I mean "cater" to that particular audience.



* Yes, "nostalgic", the all-purpose excuse/justification word for when there's a mental rock or two you'd rather not look under too thoroughly to explain to yourself why you find Strawberry Marshmallow so captivating.
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Malintex Terek
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PostPosted: Thu Apr 12, 2007 1:59 am Reply with quote
WrathsPuppet wrote:

Can you show me where it says this? From my understanding, Lucky Star is based on a series of 4komas and not an eroge.
Ahh? My mistake, then. I have absolutely no idea about the title, and I guess the same could be said of my source. Anime smile

Great Scott, it seems I was wrong about something! Instead of resorting to name-calling and size 1 text, I think I'll just accept it and move on!
Richard J. wrote:

So you want to go back to the way the entertainment world was in the 1950's? Wow, that'd be fun. Rolling Eyes


Yeah, I know everyone looks at the '50s with rose-tinted glasses, but there were SOME pluses to that era. People knew their neighbors and the world was a lot safer, for instance.

Viral marketing was also the rule of day. D:

Richard J. wrote:

Well, according to you, I'm stupid anyway and a future child molestor to boot, so I guess I should bow to your superior intellect and mighty vision of the future. Yes, let's all go back to the way things were in the 1950's! (Say, didn't virtually all of the pro-civil rights and women's equality movements start in the 70's? Hm, 1950's entertainment would be mostly whilte male dominated stories wouldn't they?)


Don't put words in my mouth; I think everyone has the potential to be a pedophile. Heck, even the ecclesiastics in my church, considered among the most pious men alive today, went after altar boys in the 1980's. Only an arrogant fool would say otherwise.

Despite the nasty stuff you could bring up about the fifties, and the cool stuff from the twenties and sixties, the reason I'm harking back to the fifties is that it was a safer time, and a lot less morally bankrupt. The sixties were full of sex and violence, the seventies full of suffering and disgust. Then Reagan came along and made everything nine times worse, and because of a few coincidences he gets praised for a lot of stuff he didn't do.

Even if the fifties social climate sucked royally, we can still strive for the level of safety and personality that was ubiquitous back then.

Richard J. wrote:

Why don't you try living in a country that heavily censors it's media for a while and let us know how you like it.


Rolling Eyes

I already do.

Richard J. wrote:

So to protect society, we must ensure that all entertainment promotes only pro-social activies! Yes, I see the light! We must all learn to think, act, and look the same so that no one ever feels inferior or superior to anyone else. What a wonderful world it will be when the human race stagnants and becomes as interesting as a piece of dry toast.


Uh huh, not sure where you went with that.

...

"impact" in a media sense comes from a dissonance caused by people comparing reality with what they're being fed through a medium, which could result in humour, sexual pleasure, surprise, etc. That is to say, a person who has no manga experience and reads Ranma 1/2 would get totally blown away by how outrageous the girls in the title act.

But, if people read enough manga, watch enough anime, listen to enough stories, etc. of characters acting as crazy as those in manga, the "impact" lessens, because people have become accustom to those types of characters.

Over-indulgence in stuff that positively promotes negative stereotypes of women in a very politically correct world will blur people's awareness of reality; they've already internalized what they see in the manga to become an "immutable truth", and if enough of these people start screwing with the real world they'll take the feminist movement head on and possible retard it. If people grow to accept lolicon as a "natural way of things", the next step is fiddling with the real thing; all that is necessary is for opportunity to knock.

At that, over-indulgence of anything is a vice, even academia or athletics; that's probably where we get the stereotypes of "absent minded professors" and "jocks" who think only in terms of science or sports, applying that methodology to every other aspect of society. We should follow Aristotle on this one.

Richard J. wrote:

After all, we know that prior to the invention of pornographic and violent entertainment there was no crime and everyone lived in perfect harmony. Wink


Relative to other first world countries, the United States is the most violent country on the planet, which I do not think was the case prior to the liberalization of what was acceptable to watch on television.

Mirrinus wrote:

I wonder whether or not there exists any anime at all that doesn't have some sort of distasteful doujin based off of it.


Rule #34.

Mirrinus wrote:

Tell me, what doesn't have potential for abuse in the doujin world? The doujin world is limited only by a person's imagination, and that's not something that's easy to overestimate.


There is no cap on what can be bastardized by nefarious doujins, but the key is to keep that kind of media in the underground and for publishers to never openly endorse them through a printing. As long as the extreme doujins don't enter the mainstream, they're a benign threat at best.

I see the proliferation of "moe", though, which arose from the doujin culture, as a step toward total acceptance of the doujin society in total. That's why I'm worried; once society starts walking down that road, they might eventually reach an unfavourable destination. So, I'd rather the road be avoided entirely rather than have "select" stuff be permitted and other "select" stuff prohibited.

Mirrinus wrote:

However, I disagree with you in that you are trying to generalize everything that could be called moe by just this one definition. If a moe show is one that contains women who are "weak, sensitive, and totally dependant on men," then using your argument I'd like to make a case for how Mushishi would be more moe than Azumanga Daioh. I mean, that girl in episode 6 fits that description better than most eroge adaptation characters, IMHO. This discussion isn't going to get anywhere if we can't even agree on a definition. Actually, I didn't expect this to get anywhere in the first place...


I'm repeating myself, but in the West "moe" is very subjective, but Japan is trying to objectivize the definition such that everyone has the same idea of what moe is. The problem is, the kind of moe being propogated through the hordes of popular media dedicated to it is the kind of moe I'm taking a stand against.

If "SaiMoe" is of any value in an argument like this, characters like the ones in Azumanga Daioh do relatively poorly or aren't nominated at all.

Mirrinus wrote:

Sure, I'm not trying to advocate for anachronistic practices like relegating women to being second-class citizens, but since when was being sensitive percieved as a vice?


I apologize for the topicality confusion, so please acknowledge the context in which I am using the word "sensitive"; I'm implying melodrama and outrageously exaggerated sensitivity, rather than sensitivty in the sense of acknowledging the dispositions of other people.

Consider my terminology in this sense to be equivalently extreme.


Last edited by Malintex Terek on Thu Apr 12, 2007 1:27 pm; edited 2 times in total
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dormcat
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PostPosted: Thu Apr 12, 2007 2:26 am Reply with quote
Malintex Terek wrote:
Relative to other first world countries, the United States is the most violent country on the planet, which I do not think was the case prior to the liberalization of what was acceptable to watch on television.

Yeah right, so liberal that high school students couldn't even recite The Vagina Monologues in the public. Rolling Eyes

As for accessibility of violent entertainment and firearms, I really recommend you go watch Bowling for Columbine for an explanation -- at least, for an alternative point of view.
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Mirrinus



Joined: 31 Jan 2007
Posts: 230
Location: La Thiene Plateau
PostPosted: Thu Apr 12, 2007 2:40 am Reply with quote
Malintex Terek wrote:
I'm repeating myself, but in the West "moe" is very subjective, but Japan is trying to objectivize the definition such that everyone has the same idea of what moe is. The problem is, the kind of moe being propogated through the hordes of popular media dedicated to it is the kind of moe I'm taking a stand against.


Hmm...your argument sounds plausible, but I'm not really seeing it as the trend towards with Japanese anime is progressing towards. To borrow a bit from a certain other critic of moe, it seems the general trend of moe has actually been moving away from this kind of moe. How many new anime this spring season focus on such a kind of moe? I can only think of two off of the top of my head, and neither are likely to go mainstream or garner that much attention. This is opposed to the eleven or so mecha shows...I'll save my rant on mecha for another time. Sure, if you try really, really hard, you may be able to find such victimization for pretty much any show. But hey, I'm willing to bet I can do the same for male characters as well...would that be OK?

Quote:
If "SaiMoe" is of any value in an argument like this, characters like the ones in Azumanga Daioh do relatively poorly or aren't nominated at all.


Guess again. Osaka of Azumanga Daioh once took second place overall in the SaiMoe tournament, beaten only by Sakura Kinomoto of CardCaptor Sakura. Neither really matches your description of moe. How many past winners (or even quarter finalists) match your description? In the most recent SaiMoe tournament, Yuki beat out Mikuru of SHnY. Yuki's about as weak as Superman and as sensitive as a doorknob.

Quote:
I apologize for the topicality confusion, so please acknowledge the context in which I am using the word "sensitive"; I'm implying melodrama and outrageously exaggerated sensitivity, rather than sensitivty in the sense of acknowledging the dispositions of other people.

Consider my terminology in this sense to be equivalently extreme.


I see your point, but if your definition of "moe" really does encompass only such extremes, then I'm not sure if I can agree with you that this is becoming more common and that this is indeed the primary type of moe that's being pushed by anime studios. I acknowledge that this is a potential threat, but I don't see it as the general trend, and I make it a point never to turn the exception into the rule. That's probably why I don't think of moe the same way as you do, no?
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ZaWarudo



Joined: 12 Jan 2007
Posts: 106
PostPosted: Thu Apr 12, 2007 3:47 am Reply with quote
Richard J. wrote:
ZaWarudo wrote:
You were the one with a Mizui Kaou avatar, right? I love his stuff.
That was me, yes. The source was identified, I think by you actually, so that's why I switched; to let the game begin anew. (That and this avatar came out WAY better than the previous one.)

It's always struck me as both fascinating and a tad sad that some of my favorite artists only seem to draw hentai of one variety or another. Not that I think there's anything wrong with that, but it does make it rather difficult to say "hey, check out this guy's work. Don't you just love the simple, yet engaging character designs!" to someone who has a stricter view of such materials, especially in regards to lolicon hentai.


Hmm, that's true. I imagine a lot of that has to do with the fact that you can make good money just by drawing hentai in Japan. That and you might not be good at conventional storytelling, or you might end up ignored in normal manga circles. For instance, as long as Mizui Kaou is doing lolicon works, he'll be known as one of the best, but if he moved to regular manga he might just be another decent artist.

Quote:
One thing that is nice about moe is that you can show someone something like Strawberry Marshmallow without feeling like you'll automatically be labeled a perverted freak. You might be anyway, but it's not a given like with various hentai or even Yuri or Yaoi stories that don't have graphic sex.

I've seen something from just about every genre known to anime fandom at this point, with the exception of Yaoi, so I've got a fairly open mind about everything. I don't judge graphical fiction on a different moral scale than any other fiction, so nothing particularly bothers me about any genre. (Plus, I judge hentai on a completely different scale from non-hentai since hentai is generally more concerned with sex than story.)

Moe I like most because of the postive emotions the characters evoke from me, like wanting to rescue them from their bad situations or just give them a hug. As I stated before, I very much want to play the role of the hero, so characters that need help appeal to me. The art styles are typically cute which I like. I also like the variety of stories that can effectively use a moe character as a lead.

I think everything I wrote made sense. Confused


Oh yes, I know what you mean. Like those poor girls in Higurashi. They all have different character traits, but you wish you could save them all.
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Iritscen



Joined: 25 Apr 2006
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PostPosted: Thu Apr 12, 2007 9:05 am Reply with quote
Malintex Terek wrote:
Richard J. wrote:

So you want to go back to the way the entertainment world was in the 1950's? Wow, that'd be fun. Rolling Eyes


Yeah, I know everyone looks at the '50s in rose-tinted glasses, but there were SOME pluses to that era. People knew their neighbors and the world was a lot safer, for instance.


I think, actually, that people don't look at the '50s with rose-tinted glasses nowadays. (Is that what you meant?) People are very condescending and morally superior towards the '50s all because, yes, America had a white-centric attitude, and yes, we were all afraid of the Communists and gays, and so they laugh at the people of the '50s like they were simple-minded cavemen.

Malintex Terek wrote:
Richard J. wrote:

After all, we know that prior to the invention of pornographic and violent entertainment there was no crime and everyone lived in perfect harmony. Wink


Relative to other first world countries, the United States is the most violent country on the planet, which I do not think was the case prior to the liberalization of what was acceptable to watch on television.


You know, some people will never make this connection no matter how often you try to point it out to them.

dormcat wrote:
Yeah right, so liberal that high school students couldn't even recite The Vagina Monologues in the public.


Let's not extrapolate unnecessarily. Some people are uncomfortable with sexual body parts being named in public in front of children. Should they be? Probably not. But that has nothing to do with the general mindset of the entertainment industry, where anything goes. You can always point to a place where a couple overly-sensitive people in high positions make a row over nothing, or point to a small farming town in Pennsylvania that's still trying to preserve their grandparents' morals, and say that's America, but increasingly they're a minority and as far as Hollywood and NYC, the capitals of the entertainment world, are concerned, they don't exist at all.
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Furudanuki



Joined: 29 Jul 2006
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PostPosted: Thu Apr 12, 2007 10:39 am Reply with quote
Malintex Terek wrote:
Furudanuki wrote:

And your imagination would be wrong. I don't know where your information about the Lucky☆Star anime came from, but you probably should start taking anything else from that source with a large grain of salt. Lucky☆Star is based on a 4-panel comic strip serialized in Kadokawa Shoten's Comptiq magazine. There is a video game called Lucky ☆ Star Moe Drill that is also based on the comic, but it runs on the Nintendo DS game system and could not be considered a "eroge" by any reasonable definition of the term. A second game (also for the Nintendo DS) is scheduled to come out later this year. Both games are rated "All ages".

Description from the wiki: "The genre of the first game is homework drills. It tests the player on various subjects and memorizations. The player's main opponent is beating other characters in quizzes. There is also a "Drama ☆ Mode" where the game plays like a mini-adventure game as you make your way to Akihabara. Math quizzes and mini games (about five in all) pop up as you play along."


We can always count on weeaboo to have perfect information on everything at any time. What would we do without them?

It's not like I can use Wikipedia on this PC anymore anyway. >_>

"When you resort to attacking the messenger and not the message, you have lost the debate." (Addison Whithecomb)

I was not familiar with the term "weeaboo" when I read your post, so I spent a few minutes doing some research to educate myself so that I would not be speaking from ignorance when I replied. That also happens to be the same thing I did a few months ago when I first looked up the information about Lucky☆Star in order to determine whether or not I might enjoy watching the anime. No fanaticism, desire to be/act Japanese, or false delusions about Japanese culture were required: just an internet connection and an interest in learning.

Furthermore, I would like to point out that in my post I did not cast aspersions toward or make assumptions about you personally. I assumed that you had been given erroneous information specifically regarding Lucky☆Star, and were in all innocence presenting that incorrect information in a public forum as part of the supporting evidence for your argument. I also did not make any attempt to shoot down or ridicule the overall viewpoint you were espousing, nor did I offer my own opinions. I simply referenced the correct information for the record. If you want to cite examples of eroge-based anime, or anime that feature weak, dependant female characters of the sort you describe then a little research will provide you with several. Or you could simply pose the question here and wait for some nice "weeaboo" to respond.
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Richard J.



Joined: 11 Aug 2006
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PostPosted: Thu Apr 12, 2007 12:26 pm Reply with quote
Malintex Terek: About putting words in your mouth, I probably shouldn't have done that, but you were essentially putting thoughts into my head by claiming that moe fans are walking the road to raping kids. If you knew me personally, you'd know that I'd rather die than harm a child. It's obvious that we don't agree on the impact entertainment media has nor do we share a common moral stance on moe/loli/whatever so I won't try to change your mind on the subject. I'll address a few points though.

Malintex Terek wrote:
Uh huh, not sure where you went with that.
You suggested that the media needed to be censored in order to protect society from it's bad influence. I made a statement intended to express the view that such action would curtail creativity and ultimately harm society. Basically I was just trying to say I think you're view on censorship isn't logical as the only way to actually eliminate entirely the threat of negative influence is with a complete removal of all objectionable material so that all entertainment media serves only to promote a pro-social viewpoint.

Malintex Terek wrote:
Relative to other first world countries, the United States is the most violent country on the planet, which I do not think was the case prior to the liberalization of what was acceptable to watch on television.
Iritscen wrote:
You know, some people will never make this connection no matter how often you try to point it out to them.
Making a connection is one thing, proving a direct causality is something altogether more difficult. Consider the vast number of theories regarding criminal behavior. They range from socio-ecnomic status to lack of male parental involvement to bad genes to an excess of sugar in one's diet. Connections have been made to various internal and external possible causes, but no one cause has been found for crime.

There are other possible causes for violence in the United States. One is that we have an excess of weapons readily avaiable to the general public. Another possible cause is that American's have a higher degree of mobility and freedom than any other nation, meaning that it is very easy for people to disappear or to be a mobile predator. We encourage the free discourse of diverse ideas, creating numerous social conflicts. Oh, and we have laws in place that make it much harder to gather evidence of crimes than other countries as well, meaning that it's easier for a criminal to remain free here than it is in other countries. The United States is also one of the most religous countries in the free world, which some have suggested is the cause of many of our social problems.

Maybe our media is the cause of all our problems. Or maybe it's something else that's been studied. There could be a cause no one's considered that's the real culprit. The evidence supporting the idea that our entainment industry is to blame has not proven the case yet.

For the record, there's a lot I dislike about the entertainment industry of the United States. A large part of why I've embraced anime and manga so completely is my aggravation with story-telling in this country. However, I don't think censorship will help anything. Plenty of countries censor things worse than the United States does and while they are less violent, they also tend to be very restrictive societies overall. We can't even have a calm debate about the value of a national ID card without people screaming "1984!" Do you really think people would respond well to aggressive censorship?

This has all gotten a tad off-topic, but it's interesting to post about.
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10円



Joined: 17 Jan 2007
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PostPosted: Thu Apr 12, 2007 2:09 pm Reply with quote
Well this thread went off in a different direction than I anticipated. With so many people voting it's a shame more folks didn't come on here to explain their various positions. In any case, can we at least keep the term "moe" in the purely non-sexual realm and use "loli-" for everything beyond? The ever more blurry definitions are a little disconcerting to me.
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Iwatch2muchanime



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PostPosted: Thu Apr 12, 2007 2:20 pm Reply with quote
10円 wrote:
Well this thread went off in a different direction than I anticipated. With so many people voting it's a shame more folks didn't come on here to explain their various positions. In any case, can we at least keep the term "moe" in the purely non-sexual realm and use "loli-" for everything beyond? The ever more blurry definitions are a little disconcerting to me.


I saw this coming when I saw the choices on the POLL.

And I will not have that, "loli'" is way more fun to say than "moe" and I almost never mean it in the over sensualized/sexualized term.
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kolibri



Joined: 23 Aug 2006
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PostPosted: Thu Apr 12, 2007 3:08 pm Reply with quote
10円 wrote:
Well this thread went off in a different direction than I anticipated. With so many people voting it's a shame more folks didn't come on here to explain their various positions.

Since I chose "I don't care for moe personally, but I respect the tastes of others" I can't really make too many flashy comments Wink My husband likes things moe so it's not like I don't see it - it just mainly bores me to tears. And I'm not disturbed by it... or even loli, to be frank - as long as real kids are not harmed I can't see any harm in it. Privacy of your own home and so on, ne?

I do find it interesting though that there have been 65 people voting for shota Wink
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Malintex Terek
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PostPosted: Thu Apr 12, 2007 3:22 pm Reply with quote
dormcat wrote:

As for accessibility of violent entertainment and firearms, I really recommend you go watch Bowling for Columbine for an explanation -- at least, for an alternative point of view.


You do realize the whole passage you quoted was derived from Moore's hypothesis of a "climate of fear", right?

Mirrinus wrote:

How many new anime this spring season focus on such a kind of moe? I can only think of two off of the top of my head, and neither are likely to go mainstream or garner that much attention. This is opposed to the eleven or so mecha shows...I'll save my rant on mecha for another time. Sure, if you try really, really hard, you may be able to find such victimization for pretty much any show. But hey, I'm willing to bet I can do the same for male characters as well...would that be OK?


There's more anime produced this year than we can take into account, such that only the high profile titles like Hayate with potential for fansubbing are getting recognized. For every one major show like that, I'll bet there are many more generic knock-offs that propogate negative stereotypes on women.

I mean, one title that comes to recent memory that idealizes several of these stereotypes is The Melancholy of Haruhi Suzumiya, and another series, Evangelion, is getting some new movies.

Mirrinus wrote:

Guess again. Osaka of Azumanga Daioh once took second place overall in the SaiMoe tournament, beaten only by Sakura Kinomoto of CardCaptor Sakura. Neither really matches your description of moe. How many past winners (or even quarter finalists) match your description? In the most recent SaiMoe tournament, Yuki beat out Mikuru of SHnY. Yuki's about as weak as Superman and as sensitive as a doorknob.


I was actually referring to the 2006 tournament, but I forgot 2002 was an all-time one. Anyway, Sakura's defining traits are her young body, love/concern and her unusual relationship with Tomoyo. Nanoha and Suseiseki share these traits in common, with respectively different "partners" so to say (I haven't seen RM or MLGNA's either).

I'm still at a disadvantage though without knowing much about Azumanga; I'll see if I can get my hands on something in the near future.

Mirrinus wrote:

I see your point, but if your definition of "moe" really does encompass only such extremes, then I'm not sure if I can agree with you that this is becoming more common and that this is indeed the primary type of moe that's being pushed by anime studios.


I'm not sure if it's the anime studios insomuch as the writers of the material who get their stuff adapted into anime; if the source is tainted, the poison will filter throughout the whole system.

That source usually has root in the doujin world; there's a particular manga I read a while back called Highschool of the Dead, drawn by a former "H" manga artist. His current stuff isn't much different, except the explict material is gone, though the brainless, helpless, but well-sculpted women are still around. Akamatsu is very simmilar; didn't he even write a paper on moe? o.o

Mirrinus wrote:

I acknowledge that this is a potential threat, but I don't see it as the general trend, and I make it a point never to turn the exception into the rule. That's probably why I don't think of moe the same way as you do, no?


Well, I derived the trend by looking at popular manga and taking note if I see "moe" stereotypes in theme, and compare them to manga/anime of several years ago. That is to say, Dragonball had a lot less moe/fanservice than Yu Yu Hakusho, which in turn had less moe/fanservice than One Piece.

I also look at the high-profile anime as well, given the generic knock-offs of such anime are likely to have the same plot elements and character types.

Iritscen wrote:

I think, actually, that people don't look at the '50s with rose-tinted glasses nowadays. (Is that what you meant?) People are very condescending and morally superior towards the '50s all because, yes, America had a white-centric attitude, and yes, we were all afraid of the Communists and gays, and so they laugh at the people of the '50s like they were simple-minded cavemen.


All of that is in retrospect, and can only be said by people who did not grow up in that era; it's easy to chide how dumb people were in the past knowing full well the end result of their actions. I'll probably have the same relationship with the next generation when they look back at this idiotic Iraq War.

Furudanuki wrote:

Furthermore, I would like to point out that in my post I did not cast aspersions toward or make assumptions about you personally. I assumed that you had been given erroneous information specifically regarding Lucky☆Star, and were in all innocence presenting that incorrect information in a public forum as part of the supporting evidence for your argument. I also did not make any attempt to shoot down or ridicule the overall viewpoint you were espousing, nor did I offer my own opinions. I simply referenced the correct information for the record. If you want to cite examples of eroge-based anime, or anime that feature weak, dependant female characters of the sort you describe then a little research will provide you with several. Or you could simply pose the question here and wait for some nice "weeaboo" to respond.


There was a reason I quoted two people who basically said the same thing and provided two distinct answers. Maybe that kind of subtlety is too much for some to handle, I dunno.

I normally would have just ignored your post entirely since my mistake had already been corrected, but since you did so in a snobbish way (that is to say, 'rubbed salt in a wound') I responded with sarcasm, which you still haven't detected.

"weeaboo" was perhaps not the most accurate word in that instance; "geek" would have perhaps beena bit more appropriate. Thus, I apologize.

Richard J. wrote:
Malintex Terek: About putting words in your mouth, I probably shouldn't have done that, but you were essentially putting thoughts into my head by claiming that moe fans are walking the road to raping kids. If you knew me personally, you'd know that I'd rather die than harm a child.


Hah, well, we all have skeletons in our closet, or at least the most bold of folks do. I've never met a comedian who hasn't experienced a tragic death in his/her family, nor a highly educated intellectual bounding through the political world who didn't go through some trauma at one point.

Effectively, though, "moe fans are walking the road to raping kids" is a more extreme version of what I'm arguing, but it nonetheless has some accuracy. Exposure to moe won't drive people down that road, but massive exposure might, and with each subsequent introduction to different facets of that road the end result becomes progressively closer.

I'm not arguing that, "watching Haruhi will create pedophiles and murderers", I'm saying that "stereotypes as portrayed in Haruhi, en masse, is a prime conditioning agent for generating apathy toward alternative viewpoints on the subject of female equity", which is the first step toward murder/rape.

Richard J. wrote:
You suggested that the media needed to be censored in order to protect society from it's bad influence. I made a statement intended to express the view that such action would curtail creativity and ultimately harm society. Basically I was just trying to say I think you're view on censorship isn't logical as the only way to actually eliminate entirely the threat of negative influence is with a complete removal of all objectionable material so that all entertainment media serves only to promote a pro-social viewpoint.


Ahh, I see what you're getting at. I'm not advocating so strong a mode of censorship such as to basically reduce all media to propoganda, but stronger regulations in regard to the limit of content in advertisements.

Current social marketers employ an immoral division of psychology called "behaviorism", and to continually produce greater monetary yield the caps on advertisemenets need be removed to allow them to take more severe steps; not long ago, commercials coudn't specifically name a competing product, and now I see Coke and Pepsi together in many different commercials, effectively promoting both products at once.

Basically (apologies for time constraints), I'd rather not have Christina Aguilera be permitted to flash her flesh-coloured underwear on television anymore.

Richard J. wrote:

There are other possible causes for violence in the United States. One is that we have an excess of weapons readily avaiable to the general public. Another possible cause is that American's have a higher degree of mobility and freedom than any other nation, meaning that it is very easy for people to disappear or to be a mobile predator. We encourage the free discourse of diverse ideas, creating numerous social conflicts. Oh, and we have laws in place that make it much harder to gather evidence of crimes than other countries as well, meaning that it's easier for a criminal to remain free here than it is in other countries. The United States is also one of the most religous countries in the free world, which some have suggested is the cause of many of our social problems.


Or all those causes are working together. I agree on all points.

Richard J. wrote:

Maybe our media is the cause of all our problems. Or maybe it's something else that's been studied. There could be a cause no one's considered that's the real culprit. The evidence supporting the idea that our entainment industry is to blame has not proven the case yet.


I wish I had more time at hand to talk about behaviorism, but the employing thereof has empirically been responsible for the promotion of a lot of "bad stuff" in the past ten years and is the primary agent in "corrupting" the youth of today, especially in regard to certain racial slurs.

Richard J. wrote:

For the record, there's a lot I dislike about the entertainment industry of the United States. A large part of why I've embraced anime and manga so completely is my aggravation with story-telling in this country. However, I don't think censorship will help anything. Plenty of countries censor things worse than the United States does and while they are less violent, they also tend to be very restrictive societies overall. We can't even have a calm debate about the value of a national ID card without people screaming "1984!" Do you really think people would respond well to aggressive censorship?


Education is the only real way out of that pit of depravity, really; that's the whole campaign of the feminist movement, isn't it? To educate people to the plight of women suffering under men for so long and to stimulate feelings of tolerance?

If our country were fiercely efficacious and educated, there might be little to fear from persuasive media, but not where people are trained from a young age to just be ravenous rats consuming and regurgitating the jargon of what is sewn in their minds.
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Mirrinus



Joined: 31 Jan 2007
Posts: 230
Location: La Thiene Plateau
PostPosted: Thu Apr 12, 2007 3:53 pm Reply with quote
Malintex Terek wrote:
There's more anime produced this year than we can take into account, such that only the high profile titles like Hayate with potential for fansubbing are getting recognized. For every one major show like that, I'll bet there are many more generic knock-offs that propogate negative stereotypes on women.


So...can you name them? I'm pretty displeased when people make generic statements without evidence to back them up.

Quote:
I mean, one title that comes to recent memory that idealizes several of these stereotypes is The Melancholy of Haruhi Suzumiya, and another series, Evangelion, is getting some new movies.


OK, so are you condemning all shows that have any protagonist with a trait that can be percieved as a negative stereotype? There's quite a danger to such a demand. After all, believe it or not there actually are people in the world who act in such a way. And oftentimes, such a characterization is meant for other purposes, such as to serve as a foil for another character (like how Mikuru is a foil for Haruhi), or as a form of satire. It's especially dangerous to make such an assumption about a comedy show...

Quote:
I was actually referring to the 2006 tournament, but I forgot 2002 was an all-time one. Anyway, Sakura's defining traits are her young body, love/concern and her unusual relationship with Tomoyo. Nanoha and Suseiseki share these traits in common, with respectively different "partners" so to say (I haven't seen RM or MLGNA's either).


OK...first of all, those aren't the traits you described as being moe earlier, as I don't see how having a young body or possessing love and concern for friends is somehow a negative stereotype. Second, you're telling me that one of the main reasons why people vote for such characters is because of how they may be lesbians? While I can see a few people thinking that, I would have thought more people voted for Sakura for her confident personality, devotion to duty, and protectiveness of her loved ones. If the criteria for negative moe solely depends on the twisted imaginations of the fans, then let's just stop now and declare every single anime ever made as being negative and pandering to a moe-obsessed audience.

Quote:
I'm not sure if it's the anime studios insomuch as the writers of the material who get their stuff adapted into anime; if the source is tainted, the poison will filter throughout the whole system.


Suddenly, I'm very tempted to post a rant about how the Harry Potter series can match your description of negative moe, but I'll refrain. ^_^

You can find poison and taint in almost every single piece of fiction ever written by humans if you look hard enough. I agree with you that some are obviously bad, like your doujin example. But I still don't see how this is becoming a general trend that we should fear over other more pertinent problems in the anime world.

Quote:
Well, I derived the trend by looking at popular manga and taking note if I see "moe" stereotypes in theme, and compare them to manga/anime of several years ago. That is to say, Dragonball had a lot less moe/fanservice than Yu Yu Hakusho, which in turn had less moe/fanservice than One Piece.


You know, I just don't really have the heart to defend mainstream shonen titles, so I'll let you have this one. Hey, while we're at it, Naruto and Bleach are both also good examples of perpetuating negative stereotypes. You can have this one, I don't really care enough to defend them. >.>

Quote:
If our country were fiercely efficacious and educated, there might be little to fear from persuasive media, but not where people are trained from a young age to just be ravenous rats consuming and regurgitating the jargon of what is sewn in their minds.


You know, a person with a different social or political ideology may interpret your brand of education as merely "consuming and regurgitating the jargon" of your indoctrination. Be careful with such absolute statements, as people are not often willing to accept that you have a monopoly over what's true, right, or fair. Of course, I too oftentimes behave just like you're doing now, so I guess I shouldn't make such a big deal about it. However, it may be more effective to see the counterarguments in advance and pre-empt them. For example, what if someone questions the integrity or doctrine of the people who are in charge of educating our nation's young? And for that matter, who are you to decide what is of importance to teach young people? I agree that education is an excellent weapon to combat the pervading ignorance of the modern world, but of course people are going to first and foremost disagree on what to teach. This is a hard battle to win if you cannot first convince others that what you're advocating is right.

Now, I should probably clarify that I do not necessarily disagree with you on all your principles, but merely your methods and observations. I realize that almost every single character call be called stereotypical in at least some aspects. It nearly takes a literary genius to somehow break out of this mold. There are only three forms of stereotyping: positive, negative, or flat. Flat stereotypes are boring and thus aren't used often for protagonists. Thus, you're left with only positive or negative stereotypes. And quite frankly, fiction would be quite boring, unrealistic, and ineffectual if all it has are positive stereotypes. I'd rather not place all the blame on the literary work if the readers are the ones marring it with their flaws.
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