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REVIEW: Dolis GN




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Kagemusha



Joined: 20 Feb 2004
Posts: 2783
Location: Boston
PostPosted: Mon Jan 08, 2007 3:13 pm Reply with quote
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+ Powerful, thought-provoking emotions and minimalist artwork unlike any other.
− At its core, still a typical romantic tragedy that could have used more substance.


Pretty much a perfect overall description of the book. After reading this and a couple more of her works Kusumoto strikes me as the opposite of Kyoko Okazaki, who's more or less all substantial writing with rough, minimalist art. Tokyopop seems to be more open to what they licence nowadays so hopefully this won't be the last experimental project published by them.
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HellKorn



Joined: 03 Oct 2006
Posts: 1669
Location: Columbus, OH
PostPosted: Mon Jan 08, 2007 6:23 pm Reply with quote
Huh, wow, Dolis gets a review. I'm a bit surprised, but in the best possible way.

Quote:
Swishy-haired, big-lipped character designs are part of the idiom as well; everything about them says stylish, although it's something of an acquired taste.


The character designs are probably going to either be a love-or-hate type of thing here. If you can either get over that hurdle or even love it from the start, then the art featured here is arguably some of the best you'll see in licensed manga for North America.

Quote:
In a world of ninja and samurai adventures, fantasy epics, and high school romps, it's something of a miracle that Dolis has reached English-speaking readers. Experiencing this volume is like reading manga for the first time all over again—discovering whole new worlds of expression and depth that you never could have imagined. It's easy to get lost in the story's haunting colors and emotions, and then wonder why there isn't more stuff like this. How about it, Tokyopop? How about it, manga publishers? When are you going to give us something artistically unique and challenging? People always say that English speakers have barely begun to explore what manga has to offer—and if Dolis is what's hiding under the surface, we can only hope that there's plenty more like it.


How about it, fans? Are we going to claim that Fullmetal Alchemist is one of the most profound, deep works in the medium, Death Note is one of the most ingenious thrillers ever concocted, The Melancholy of Haruhi Suzumiya is utterly brilliant because it was SO MADE to be made in its broadcast order... Ahem, I tend to ramble, so I'll finish this near-smug elitist remarks by stating that I hope more experimental manga and anime is brought over. Types like Dolis would certainly be welcomed, considering that it belongs in the niche (josei) of the niche (mature) of the niche (manga) category over here.

Anyway, I agree on all points, save for me actually favoring the ending even if was a bit... well, anti-climatic, for a lack of a better term. It's one of my favorite releases this year, and Tokyopop really did it justice. It makes for a quick read in addition to also having a lot of power by going over it again, so it's something I plan on coming back to frequently.

Kagemusha wrote:
Tokyopop seems to be more open to what they licence nowadays so hopefully this won't be the last experimental project published by them.


Tokyopop can pull out some pleasant surprises since they don't have an automatic grab for manga like Viz and Del Rey do. Here's to more success in that department.
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MasterRoshiX



Joined: 27 Sep 2004
Posts: 32
Location: Florida
PostPosted: Tue Jan 09, 2007 5:21 am Reply with quote
[quote="Kagemusha"]
Quote:
+ Powerful, thought-provoking emotions and minimalist artwork unlike any other.
− At its core, still a typical romantic tragedy that could have used more substance.


My emotions were definately in a mix while reading this. I was so engulfed emotionally and my eyes were just glued to each page because of the artwork being so different. It's a interesting read, everyone check it out.
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KAtchan15



Joined: 22 Dec 2006
Posts: 460
Location: NYC
PostPosted: Wed Jan 10, 2007 9:12 pm Reply with quote
I was at Barnes and Noble yesterday to pick up "the wallflower v.10" and i actually saw this[Dolis] manga on the shelf. I looked through it and i was suprised to see that some the pages were red, some were gray. [if i'm wrong sorry, I'm pretty sure it was Dolis though.] It was kinda hard to read, the red pages were an eyesore. [lots of nudity though Wink ] hehe Very Happy
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Ashen Phoenix



Joined: 21 Jun 2006
Posts: 2907
PostPosted: Thu Jan 11, 2007 2:24 pm Reply with quote
HellKorn wrote:
How about it, fans? Are we going to claim that Fullmetal Alchemist is one of the most profound, deep works in the medium, Death Note is one of the most ingenious thrillers ever concocted, The Melancholy of Haruhi Suzumiya is utterly brilliant because it was SO MADE to be made in its broadcast order... Ahem, I tend to ramble, so I'll finish this near-smug elitist remarks by stating that I hope more experimental manga and anime is brought over. Types like Dolis would certainly be welcomed, considering that it belongs in the niche (josei) of the niche (mature) of the niche (manga) category over here.

Anyway, I agree on all points, save for me actually favoring the ending even if was a bit... well, anti-climatic, for a lack of a better term. It's one of my favorite releases this year, and Tokyopop really did it justice. It makes for a quick read in addition to also having a lot of power by going over it again, so it's something I plan on coming back to frequently.


This does sound very intriguing, and I'll definitely be giving it a read as soon as I can. Though, (and this is my personal taste) I'm still an avid fan of FMA and DN, but besides those two, and the emotional draws I've come to expect from Furuba and the end of Chrono Crusade, there really aren't a great many series in the mainstream right now that really 'affact' people; at least in my eyes, and from what I've read so far.

Also, I was wondering just what you meant by this...
Quote:
Tokyopop can pull out some pleasant surprises since they don't have an automatic grab for manga like Viz and Del Rey do. Here's to more success in that department.

'fraid I don't know the specifics surrounding different publishers' rights and procedures on acquiring new titles/series.
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Kagemusha



Joined: 20 Feb 2004
Posts: 2783
Location: Boston
PostPosted: Thu Jan 11, 2007 10:27 pm Reply with quote
Quote:

Quote:
Tokyopop can pull out some pleasant surprises since they don't have an automatic grab for manga like Viz and Del Rey do. Here's to more success in that department.

'fraid I don't know the specifics surrounding different publishers' rights and procedures on acquiring new titles/series.


Viz is a subsitary of Shogakukan, which means they have first pick of anything that company (as well as Shueisha) publishes. Del Rey's parent company, Random House, merged with Kodansha a few years ago, so they have an inside deal going as well and have been able to secure rights to some of that company's biggest properties. So right there you have the three largest manga publishers in Japan in buisness relationships with two American publishing companies, neither of which is Tokyopop. Kodansha still deals with companies other than Del Rey, but aside from a few exceptions Shogakukan/Shueisha don't seem to be willing to licence their manga to other companies. There's still a ridiculous amount of manga out there that the "big three" don't publish, but often the most lucrative properties come from them. Because of this I'm guessing TP has decided to branch out and try specialty markets (Global manga, yaoi) as well as licence some unconventional manga like Dolis. So yeah, hope they continue to go into this direction.
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