EncyclopediaCompanies - G
G & G Direction
G-Angle Ebisu Studio
G4 (Action Blast!)
GA Bunko Magazine
GA Digital Graphics
Ga-Rei Zero Production Committee
GAINAX Photography Department
Gakuen Alice Production Committee
Gakuen Senki Muryou Production Committee
GAL ENTERPRISE INC.
GAL Enterprises Inc.
Galaxy Digi Arts Co. Ltd.
Galaxy Railways HQ
Gallerie International Films
GALLERY FAKE Project
Galletly S.A., - Audio Projects
Gamouno Kougen Kurabu
Gangan Comics (-)
Gaoi The Monthly Comic Magazine
Garcia Ktorza Productions
Gargantia on the Verdurous Planet Production Committee
Gatchaman Crowds Production Committee
Gaummont Columbia Tristar Films
Gaumont Columbia Tristar Films
GCC Joint Program Production Institution
GDH・Gonzo Rosso Online
Gekkan Comic Alive
Gekkan Comic Alive Editorial Department
Gekkan Comic Dragon
Gekkan Dragon Magazine
Gekkan Shōjo Nozaki-kun Production Committee
Gekkan Shonen Captain
Gekkan Shonen Magazine
Gen Manga Entertainment
Geneon Entertainment Inc. (USA)
Geneon Entertainment, Inc. (-)
Geneon Entertainment. Inc.
Geneon Universal Entertainment
General Entertainment Co., Ltd.
Genki Co., Ltd.
Genshiken Nidaime Production Committee
Gentosha Comics Inc.
Getsumen To Heiki Mina Production Team
Geuk Chan Sa
Geum Woo Animation
Geum Woo Production
Ghibli Museum Library
Ghost House Pictures
Ghost in The Shell Arise Committee
GHOST IN THE SHELL STAND ALONE COMPLEX COMMITTEE
Gigno System Japan
GignoSystem Japan, Inc.
Gin-iro no Kami no Agito Production Committee
Gin-iro no Olynssis Production Team
Gingitsune Production Committee
Girl's High Production Committee
Girls Bravo Production Committee
Girls und panzer projekt
Glass Mask Production Committee
Global Group Holdings
Global Publishing Group
Globe Enterbrainz Inc.
GMA Network's ALTA Productions
Go Fish Pictures
Go Home Club Production Committee
God Ship Co., Ltd.
Goddess Help Line
GoFun Pictures Inc.
GoGo Visual Planning
GoHands Digital Team
Gold Finger Digital Studio
Gold Screen, Inc.
Golden Harvest Entertainment Co., Ltd.
Golden Village Pictures
Gomen Asobase Anthology
Good Job Tokyo
Good Smile Company
Goshiki Shopping District
Goshujinsama Production Committee
Goshūshō-sama Ninomiya-kun Production Committee
GOSICK Production Committee
GP Museum Corporation
GP Museum Soft
Grabaciones y Doblajes Internacionales GDI Mexico
Grabaciones y Doblajes, S.A
Grand Funk Inc.
Grand Funk, Inc.
Graphinica Animation Room
Graphinica Sapporo Studio
Green Arrow Publishing
GREEN Qiqihar Studio
Grenadier Production Project
Griffiths, Gibson & Ramsay Productions
Griffiths, Gibson and Ramsey Productions
Group And I
Group T.A.C. Co., Ltd.
Group Tac Digital Lab
Group TAC Digital Room
Grupo Editorial Vid
GTAC Digital Labo
Guandong Animation Studios
Guangdong Qianhe Audio & Video
Guanghua Zhaori Production
Guardian of the Spirit Production Committee
Guilstein Product Commission
Guilty Crown Production Committee
Gull Enterprises, Inc.
GÜLO Film- und Tontechnik GmbH
Gun Frontier Production Committee
GUN SWORD Partners
Gurren Lagann The Movie Committee
Gusko Budori No Denki Productin Committee
GYO MUSIC INTERNATIONAL
Gyrozetter Production Committee
After a brief break To Love Ru Darkness returns for a second season! ― To loveru -Darkness 2nd Visit the Official Site › Story Characters Trailer Cast & Staff Gallery Broadcast Begins July 6, 2015 (JST) Key Staff Director: Atsushi Otuski (Argevollen, Ladies versus Buttlers!) Character Design: Yuchi Oka (Argevollen , Motto To loveru) Music: Takeshi Watanabe (Strike the Blood, Saki) ↑ Top Story The fo...
Kirito's adventures continue in Reki Kawahara's second Progressive novel, which delves into the mechanics of the game much more than the show ever did. ― The second volume of Reki Kawahara's ambitious reimagining of Sword Art Online offers plenty of intriguing content, but perhaps none more so than its Afterword. In the Afterword for the first volume, he mentioned an intent to average about two floor...
Everyone loves fanservice - except, as the common wisdom goes, anime critics. Paul Jensen dismantles this age-old assumption with a recipe for how good fanservice can make a cool show even better. ― Speaking as both a fan and a critic, I'm of the opinion that fanservice is like a spice; just the right amount in the right recipe and it's fantastic, but too much overpowers the dish. Not every anime ser...
This week: a chat with Final Fantasy XIV producer Naoki Yoshida! Plus Exist Archive, Red Ash, Dragon Quest, and a classic wonder-world! ― Some loyal readers may be tired of hearing about Red Ash, Keiji Inafune's Kickstarter attempt to relaunch Mega Man Legends in just about everything but name and storyline. You must forgive me, as I really enjoy the Legends games and want to see more in their gener...
Hotaru Tachibana is introduced to the survival game world by an eccentric group of friends who may have what it takes to be the best team in Japan. ― AOHARU x MACHINEGUN Visit the Official Site › Story Characters Trailer Cast & Staff Gallery Broadcast Begins July 2, 2015 (JST) Key Staff Director: Hideaki Nakano (Golden Time Episode Director (Eps.7), Yatterman Night Episode Director (Eps.2) ) Series ...
The screenwriter behind the original 2003 Fullmetal Alchemist sheds some light on that show's deeper meaning, and talks about his latest project for the fall 2015 season, Concrete Revolutio. ― Screenwriter Shou Aikawa scarcely needs an introduction; he cut his teeth during the OVA boom of the 1980s, working on titles like Angel Cop, Dangaioh, Blood Reign: Curse of the Yoma and more. As a television w...
I hope you like the '90s not only because this show is the most '90s thing ever, but also because it just doesn't have a whole lot else going for it. ― Bubblegum Crisis Tokyo 2040 definitely has an aesthetic. Now, whether it has a good aesthetic or not, that's the question. I hope you like the '90s. Bubblegum Crisis Tokyo 2040 is intensely, aggressively '90s, from its tone to its overall aesthetic to...
This week we get athletic with Ping Pong the Animation and Wanna Be the Strongest in the World. ― Jump to this week's reviews: Ping Pong the AnimationWanna Be the Strongest in the World! On Shelves This Week 009 Re: Cyborg BD+DVD Funimation - 104 min - Hyb - MSRP $34.98Currently cheapest at: $20.14 Amazon Synopsis: Long ago, nine humans were captured and weaponized into cyborgs. However, they rebell...
Otakon may have wrapped for 2015, but here's your chance to check out hundreds of incredible cosplay photos from the weekend. ― Click here for page 2 of our Otakon 2015 cosplay gallery! IMG otafri001.jpg IMG otafri002.jpg IMG otafri003.jpg IMG otafri004.jpg IMG otafri005.jpg IMG otafri006.jpg IMG otafri007.jpg IMG otafri008.jpg IMG otafri009.jpg IMG otafri010.jpg IMG otafri011.jpg IMG otafri012.jpg I...
The voice behind Madoka Magica's Kyoko Sakura and an enormous list of other fan favorite characters chats with us about her life, her hobbies, and her technique. ― Ai Nonaka is a veteran voice actress, having gotten her start in 2002 in shows like Kinnikuman and Platonic Chain; you likely know her as the feisty Kyoko Sakura from the smash hit Puella Magi Madoka Magica, but she's also well-known for h...
Earth and Mars go to war in the first volume of creator Gen Urobuchi's sci-fi action hit, now in English and loaded with extras, but is this 6-episode single release worth the investment? ― What sets people apart from each other? That's a question that gets asked almost everyday, with various answers like “color,” “religion,” or “country of origin” all getting tossed around. In the world of Aldnoah Z...
Fresh from his panel at Otakon, Mike runs down the absolute worst anime he's ever seen, and wonders what you might consider to be worse. ― Goku and Superman tangle furiously, then get caught up in a tender embrace; bystanders swarm them, holding up mobile phones to capture the moment. A massive line of kids, teenagers, and adults in an assortment of wigs, hats, and other odd clothes starts moving, it...
Tokyo Ghoul's second volume slows down the pace a little to examine what happens when the line between "monster" and "human" gets a little blurry. ― One of the greatest tropes in horror literature is the fear that the monsters might look just like us. I call it a trope due to its widespread use, but it remains an effective one, and in the second volume of Tokyo Ghoul, Sui Ishida takes that device and...