Society for the Promotion of Japanese Animation to Hold Symposium at Tokyo
Mar 18th 2008Leading Industry Experts Speak on the U.S. Anime/Manga Industries and the Announcement of the SPJA Award Finalists
Anaheim, California (March 18, 2008) — The Society for the Promotion of
Japanese Animation (SPJA), the overseeing body of the nation's largest
anime/manga convention (Anime Expo®), will be presenting a symposium
presentation/discussion about the history, current status and future of the
U.S. Anime/Manga Industries at Tokyo International Anime Fair held within
Tokyo Big Sight's Special Theatre 2(Thursday; March 27, 2008;
16:30-18:00-Tokyo time). In addition, announcements of the finalists of the
highly recognized and coveted SPJA Industry Awards will also be made. More
information can be found on the website www.spja.org
Symposium participants include:
Trulee Karahashi, Society for the Promotion of Japanese Anime-Chief
Executive Officer
Christopher Macdonald, Anime News Network/Protoculture Addicts-Editor in
Chief/Publisher
Anime News Network's influence as a voice for anime fans is such that it has
influenced business patterns within the industry, and it is frequently used
by businesses to learn more about their customer base. Anime News Network
continues to bring anime fans and the anime industry together in an open,
unbiased environment of understanding.
In 2004, Anime News Network took over the publishing of Protoculture
Addicts, North America's oldest running anime magazine.
Summer Mullins, Anime Insider Magazine-Editor
Marc Perez, Society for the Promotion of Japanese Anime-Board of
Directors-Chairman
Topics of discussion will be:
In addition, announcement of the SPJA Industry Awards will be made. With
twenty-one (21) official categories, industry companies have been allowed to
submit one (1) entry per category.
SPJA Industry Awards official criteria for eligibility, rules, procedures
and forms can be downloaded from the official SPJA website www.spja.org
SPJA Industry Awards Categories
Category 01: BEST VOICE ACTOR (JAPANESE)
Category 02: BEST VOICE ACTOR (ENGLISH)
Category 03: BEST VOICE ACTRESS (JAPANESE)
Category 04: BEST VOICE ACTRESS (ENGLISH)
Category 05: BEST CASTING DIRECTOR
Category 06: BEST CHARACTER DESIGNER
Category 07: BEST MECHANICAL DESIGNER
Category 08: BEST MALE CHARACTER
Category 08: BEST FEMALE CHARACTER
Category 10: BEST MASCOT CHARACTER
Category 11: BEST BACKGROUND DESIGNER
Category 12: BEST ORIGINAL VIDEO ANIMATION
Category 13: BEST FEATURE FILM
Category 14: BEST TELEVISION SERIES
Category 15: BEST ORIGINAL SCORE
Category 16: BEST ORIGINAL SONG
Category 17: BEST DIRECTOR
Category 18: BEST MANGA - ACTION
Category 19: BEST MANGA - COMEDY
Category 20: BEST MANGA - DRAMA
Category 21: BEST PUBLICATION
About Society for the Promotion of Japanese Animation
The statements made in this press release that are not historical facts are
"forward-looking statements." These forward-looking statements are based on
current expectations and assumptions that are subject to risks and
uncertainties. The Company cautions readers of this press release that a
number of important factors could cause Anime Expo®/SPJA's actual future
results to differ materially from those expressed in any such
forward-looking statements. Such factors include, without limitation,
product delays, industry competition, rapid changes in technology and
industry standards, protection of proprietary rights, maintenance of
relationships with key personnel, vendors and third-party developers,
international economic and political conditions. The Company may change its
intention, belief or expectation, at any time and without notice, based upon
any changes in such factors, in the Company's assumptions or otherwise. The
Company undertakes no obligation to release publicly any revisions to any
forward-looking statements to reflect events or circumstances after the date
hereof or to reflect the occurrence of unanticipated events.
Prior to becoming the Chief Executive Officer, Ms. Karahashi held the
position of Chief Financial Officer for the Society for the Promotion of
Japanese Animation (SPJA), Ms. Karahashi was a Financial Consultant for
Merrill Lynch Private Client Group in the San Francisco Bay Area. A
graduate from the University of California at Berkeley, Ms. Karahashi has
been involved with Anime Expo® since 1996 (beginning as a volunteer staff)
including positions such as Industry Liaison, Division Director and
Department Manager. As the CFO for the organization that puts together the
nation's largest Anime/Manga convention, Ms. Karahashi dealt with the
internal/external financial needs of its members as well as the analysis of
industry trends & relations and financial projections for the organization.
Christopher Macdonald joined Anime News Network in 2001. Since then, through
the dedication of its staff, and its unique position as a media outlet that
understands anime fans and the anime industry, Anime News Network has grown
into one of the largest, most respected anime websites in the world and a
successful business.
Summer Mullins is the Editor of Anime Insider magazine, the #1 anime
magazine in America. During her tenure, she's overseen the expansion of the
magazine's content to include coverage of Japanese music and culture, as
well as cosplay and regular manga excerpts. She wrote the magazine's letters
column until she got tired of people asking her when Sakura and Naruto would
get married. Before signing on with Anime Insider, Mullins worked in book
publishing. She first entered the field at White Wolf Publishing, the
publisher of popular role-playing games like Vampire: The Masquerade, before
moving to a smaller publisher in Arizona to enjoy the desert heat.
Prior to becoming the Chairman, Mr. Perez held the position of AVS Live
Programming Co-Manager at Anime Expo. Mr. Marc Perez is a California
University Graduate and a Systems Analyst for the defense industry and has
been part of the Anime Expo® family as a volunteer since 2004. His skills
stem from management in: IT service and support, retail sales and customer
service.
· The History of Anime/Manga in the U.S.
· Sales Trends
· U.S. Industry Status
· U.S. Industry Barriers
· The Future of Anime/Manga in the U.S.
Japanese male voice for an animated role in a TV or OVA series; does not
necessarily have to be the main male lead in the series.
English male voice for an animated role in a TV or OVA series; does not
necessarily have to be the main male lead in the series.
Japanese female voice for an animated role in a TV or OVA series; does not
necessarily have to be the main female lead in the series.
English female voice for an animated role in a TV or OVA series; does not
necessarily have to be the main female lead in the series.
The English casting director that best casts the roles of all spoken parts
in an anime TV or OVA series in contrast to the original Japanese version.
The designer is responsible for designing, drawing, and interpreting
original production characters for an anime TV or OVA series.
The mechanical designer is based upon the design and drawing of key
production mechanisms for a TV or OVA series including mecha, ships, space
stations, and other working mechanics.
The male character is a non-female gender character in a TV or OVA series;
does not necessarily have to be the main male lead in the series. This
category will factor in overall character design, development, and voice.
The female character is a non-male gender character in a TV or OVA series;
does not necessarily have to be the main female lead in the series. This
category will factor in overall character design, development, and voice.
The Mascot is a character that primarily does not take on human form and
portrays a supporting role in a TV or OVA series.
The background designer is responsible for designing and drawing key
production backgrounds for a TV or OVA series.
Anime series that is made specially to be released on home video formats,
with a majority release without prior showings on broadcast TV or in
theaters. It is usually referred to as an OVA or OAV series.
Anime feature film which is made specially to be released in theaters, with
a majority release without prior showings on TV. No distinction shall be
made with regards to short films or series films.
Anime series that was made originally for broadcast television in Japan.
Usually consists of thirteen (13) or more episodes.
An original score is a substantial body of music in the form of dramatic
underscoring originating with the submitting anime TV series.
An original song consists of words and music, both of which are original and
written specifically for the anime TV series. There must be a clearly
audible, intelligible, substantive rendition (not necessarily visually
presented) of both lyric and melody, used in the body of the series or as
the opening and/or ending credits.
The person responsible for the best interpretive aspects of a TV or OVA
series; including the integration of all the elements as acting, staging,
artistry required to realize the writer's conception.
Manga class of creative works characterized by a greater emphasis on
exciting action sequences than on character development or story-telling.
Manga class of creative works characterized by a greater emphasis on
humorous sequences than on character development or story-telling.
Manga class of creative works characterized by a series of events consisting
of vivid, emotional,
conflicting, or striking interest in character development and
story-telling.
Includes periodicals such as magazines, scholarly journals, and newspapers
covering anime and manga.
The Society for the Promotion of Japanese Animation (SPJA) is a non-profit
organization with a mission to popularize and educate the American public
about anime and manga, as well as provide a forum to facilitate
communication between professionals and fans. This organization is more
popularly known by its entertainment property – Anime Expo®. More
information can be found at its website (www.spja.org

