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Even after death, life is full of paperwork and criminals. Tsuzuki Asato is a 26 year old, happy-go-lucky, and dorky shinigami (God of Death) whose job is to make
sure those who are dead remain dead and stay in their proper realms. Even though he's had this job for more than 70 years, he is in the worst division with horrible pay. He also has a knack for not keeping partners (since shinigami work in pairs), but now he seems to have one that will stick around: stubborn, smart-mouthed, serious, and defensive 16-year old Kurosaki Hisoka. With each case they investigate, they come closer to the conspiracies of the serial killer Dr. Muraki Kazutaka. Tsuzuki's relationship with Hisoka is growing stronger and closer...but there is a dark past to how Tsuzuki died that will not give him peace.
Bamboo went to San Diego Comic-Con 2014 to find out if it's worth wrestling with the behemoth convention if you're an anime or manga fan. PLUS: Full reports on the con's Anime Programming, Making A Living in Manga and Lost in Translation panels!
Despite a few failed jokes, the second 23 episode set is still largely entertaining fare. With one exception, familiar faces are supplemented nicely by amusing newcomers, though that one exception is especially obnoxious.
Since Justin isn't at SDCC, he can answer all your questions about anime studios' work on American cartoons, why short TV series don't get licensed, why voice actor commentaries are so rare, and the history of anime theme songs.
Dynasty Warriors Gundam Reborn does little more than its assigned duty as a playground for battle-mecha carnage. It's enjoyable in quick little brawls, never outright terrible but always a bit tedious.
It's easy to understand what Kill La Kill wants to say in every moment because its ideas are simple, but conveyed in ways never quite seen before, and its healthy splashes of humor grow out of its thematic ideas rather than combating them.