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INTEREST: Black Lagoon, Hellsing Creators Discuss Illegal Uploads


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chefneer
Aria Company



Joined: 27 Aug 2009
Posts: 1686
Location: Fort Worth, Texas
PostPosted: Mon Aug 23, 2010 1:36 pm Reply with quote
Sorry it's taken me awhile to reply to my critics - I do have a life outside of this forum.

To those who have complained that my previous post did not provide rationale for calling a thief a thief; that wasn't my intent. Other posters, in this thread and others, have attempted to rebut the leeches justifications for their actions in great detail, in sometimes long point-by-point dissertations. They have done this repeatedly with little discernable effect. Apparently leeches are impervious to reason, so I see no point in joining that particular parade.

So I made seven statements of fact, nothing more. I did this on the, admittedly shakey, theory that by keeping it simple it might make some positive impact on the leeches intellects, if only in a rudimentary way.

The leeches don't like it? Tough, I don't expect them to like it. Truth isn't always pleasant. And the plain truth is that a thief is a thief, and if you're taking a book in a manner that does not provide compensation to the creator, you're a thief. Who knows? Maybe I hit a soft spot. Or is that just wishful dreaming?

Just to be clear, as has been previously stated, borrowing legitimate copies from friends and libraries is not really the issue here. Those books are properly paid for so everyone up the chain, including the creator, gets paid. That is how it should be.
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bayoab



Joined: 06 Oct 2004
Posts: 831
PostPosted: Mon Aug 23, 2010 1:41 pm Reply with quote
ChocoBar wrote:
RestlessOne wrote:

The US publishers have to pay licensing fees, translators, editors, and others to adapt a work for the English language. Then, when they do sell a volume, a portion of the price will go to the original Japanese publisher and author, and then factor is the cost of producing the volume. Companies also don't just license a series--they must license each volume individually.
This is false since the license extends to the series not just per volume, also the portion that is made in the foreign market compared to the country of origin is only 5%, that's not a whole lot to bitch about

The correct statement would be that it depends on the series/publisher/contract. That said, I don't think I've sat through a publisher's panel without hearing "We're currently trying to acquire more of that" with the exception of Viz. It is definitely not false and many licenses are actually not for the entire series because of sales and time reasons.

Sunday Silence wrote:
bayoab wrote:
Politely asking hasn't done anything. Scolding people hasn't done anything. Obviously wishing disease and instant death* isn't going to do anything but it isn't going to hurt either. So what does it really matter as long as they get the point across that they don't like it?


A wise man once said: "He who relies on a spooky bogeyman as a last resort to get results is grasping at straws."
Nobody has invoked a boogieman yet and it's not like there is much left to try. Might as well start a pool on who the next author to speak out is and what tone they take.

Edit: Realized what was meant. The original "what does it matter" really wasn't meant to cover FUD or anything like that.


Last edited by bayoab on Mon Aug 23, 2010 2:31 pm; edited 2 times in total
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Xanas



Joined: 27 Aug 2007
Posts: 2058
PostPosted: Mon Aug 23, 2010 2:05 pm Reply with quote
Charred Knight wrote:
I am pretty sure the guy who just uploaded all of Black Lagoon doesn't buy Black Lagoon. The people who actually buy things and pirate, only pirate the new stuff that isn't available where they live.


Your statement is based on what evidence? I can tell you that this isn't true at all for me personally, so there is at least one anecdote that what you say isn't true. I've also ran some polls on pirate forums in the past, and it wasn't true for many of those who responded there either.

agila61 wrote:

The idea that the majority of the millions of new downloaders and free viewers in the past two or three years are in fact making at least one purchase each, each year, is impossible to square with the market figures.

I didn't say the majority, but since I did say "commonly" I understand why you would think I meant it that way.

I certainly do not believe that everyone who pirates buys everything that he previously pirated. I do believe that most who pirate buy what they like most when they have the money to do so.

The root cause of piracy, then, is that people want to watch more things and want to spend more of their free time watching things than they have the money to afford spending on it.

It is not that they don't care at all, it's not that they don't like and purchase many shows, and it's not that they hate the shows that they didn't purchase, but that they prefer those shows that they buy over those which they do not.

All economic problems are essentially scarcity problems, but with media there is no scarcity except that which is forced. So provided someone has significant additional time to watch, he will likely download much in order to fulfill that desire.

You will never see people buy as much as they download because they can't afford to buy as much as they download. (Some of us can do this, I buy everything I download when it's available, but this doesn't apply to all pirates and I would never deny that).

One also has to consider the demographics of anime viewership. Many of the individuals downloading aren't adults and don't make money. Generally, if they can get something without asking their parents for money they are going to do that.

I imagine in some economic cases piracy definitely does result in less purchasing. I think when times are better this is probably not true, because more disposable income relates to more purchases in this realm.

That said, ultimately my point was that authors who say this kind of thing aren't helping themselves like they imagine. If people were going to be convinced to buy the last way to convince them is guilt trips and vitriol. That's going to poison the well and encourage more people to try to find something else to do that has nothing at all to do with you. This is a very bad idea.


Last edited by Xanas on Mon Aug 23, 2010 2:23 pm; edited 1 time in total
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sykoeent



Joined: 17 Jul 2007
Posts: 160
PostPosted: Mon Aug 23, 2010 2:08 pm Reply with quote
Xanas wrote:
Charred Knight wrote:
I am pretty sure the guy who just uploaded all of Black Lagoon doesn't buy Black Lagoon. The people who actually buy things and pirate, only pirate the new stuff that isn't available where they live.


Your statement is based on what evidence? I can tell you that this isn't true at all for me personally, so there is at least one anecdote that what you say isn't true. I've also ran some polls on pirate forums in the past, and it wasn't true for many of those who responded there either.


So, you're saying you're one of these "pirateers"? How convenient.

Also, polls on a pirate forum? lol Is this some joke? Arr!
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RestLessone



Joined: 02 Aug 2009
Posts: 1426
Location: New York
PostPosted: Mon Aug 23, 2010 2:12 pm Reply with quote
bayoab wrote:
ChocoBar wrote:
This is false since the license extends to the series not just per volume, also the portion that is made in the foreign market compared to the country of origin is only 5%, that's not a whole lot to bitch about

The correct statement would be that it depends on the series/publisher/contract. That said, I don't think I've sat through a publisher's panel without hearing "We're currently trying to acquire more of that" with the exception of Viz. It is definitely not false and many licenses are actually not for the entire series because of sales and time reasons.

Thanks. It does depend on the publisher and other aspects, but I rarely see a company that doesn't deal with individual licensing. And, yeah, VIZ is the only one who doesn't seem to encounter these sorts of problems, at least a lot. It might have to do with their sales or relationship with Shueisha and/or Shogakukan, but I don't know. Though it's also noteworthy that they're the ones with the "big" titles and the only company I can think of that has done the quick-fire releases to play catch-up. Also, Japanese publishers don't have to even let an English publisher release a volume. Ichijinsha has halted English publisher's, particularly Tokyopop's, ability to license/release the newer volumes of Saiyuki, Loveless, (I believe) Dazzle, and some others for awhile now. They're still waiting on them for that (it must hurt, too, because Saiyuki and Loveless seemed to do really well for them).

ChocoBar wrote:

This is the problem with the US manga industry in general, it goes by the notion of "If it doesn't sell well, we'll stop releasing it" neglecting the people who actually want to buy it in the first place, Viz has done this several occasions and just recently pulled BASTARD!! off the line as well, so what's the solution?

Most companies haven't been doing that, and if so, rather infrequently. Yen Press hasn't dropped a title, (in fact, they picked up all the ICEk manhwa!) and Tokyopop mentioned via Twitter (http://twitter.com/TOKYOPOP/status/21503640600) that they are searching for alternative ways to distribute The Embalmer, a series I love but suffered from weak sales. It's probable that they'll attempt to do the same with other series licensed during the manga glut period.

ChocoBar wrote:
This is false, most scanlations have top notch quality superiro to the manga print scans sold in the US. Most groups aren't as lazy as you want to believe

First of all, I said simultaneous releases. Others actually wait a few months to release chapters and they aren't as bad. Simultaneous releases can be downright terrible. However, even in instances where people wait months, their quality (editing, translating, adapting, layering, etc.) rarely rivals an official publisher. They really don't adapt that much, either, so phrases can sound clunky. They don't have the same refined precision companies might put into their work, nor do they always have official names. The YP release of Black Butler amazed me in that it used British English spellings and found a great alternative for a Japanese phrase that only worked in, well, Japanese. It didn't make sense in the scans--if they are in Britain, having random Japanese elements in the language is absurd. Adaptation is extremely important in the transition to English, and is often under-appreciated.

ChocoBar wrote:
How are they lame excuses? I don't wanna wait a year to get the next volume of HunterXHunter or Fullmetal Alchemist when the latest one are released in Japan, I don't want my favorite manga series that I have been supporting get canned because my support isn't enough.

There's a thing called patience. I'm waiting for the latest volumes of Eyeshield 21. Dunno when volume 37 will roll out, though 35 is scheduled for April. The problem isn't people reading and buying, it's people reading it for free and not buying anything. I'm faced with the prospect of series I follow being canned. But I support it and I'm happy to be able to buy what I can. If enough people follow the logic that sales = continuation, it stays (unless the company refuses to drop a series anyway). I rather have that one volumes than absolutely nothing, in any case; I even bought the out-of-print volumes of Ginga Legend Weed, with the knowledge there was a snowball's chance in Hell of a company ever picking it up again.
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Xanas



Joined: 27 Aug 2007
Posts: 2058
PostPosted: Mon Aug 23, 2010 2:24 pm Reply with quote
sykoeent wrote:

So, you're saying you're one of these "pirateers"? How convenient.

Also, polls on a pirate forum? lol Is this some joke? Arr!


I suppose to you it is, though I can't tell why. I suppose you think everyone who pirates is a horrible liar. If so you'll never be convinced of anything outside your own little box. Have fun there btw. You can hate on us all you want but that doesn't change anything.
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agila61



Joined: 22 Feb 2009
Posts: 3213
Location: NE Ohio
PostPosted: Mon Aug 23, 2010 2:25 pm Reply with quote
ChocoBar wrote:
This is the problem with the US manga industry ingeneral, it goes by the notion of "If it doesn't sell well, we'll stop releasing it" neglecting the people who actually want to buy it in the first place,


Yes, because going bankrupt publishing titles that do not earn their costs back is far better than dropping a series that doesn't earn back its cost of production?

How exactly is the publisher going bankrupt better?

Its not a notion, its simple fact of life that if the title does not earn back its cost, there is no big "pile of money" lying around to pay for it to be published anyway.

Its not as if publishers want to drop a title: they are forced to by circumstance.

Hopefully electronic editions will make it possible to keep releasing series in some form even if they drop below the level of sales that will support a print run.

But blaming publishers for dropping a title is juvenile: obviously they would rather that it sold enough to return its cost of production. The actual cause of a title being dropped is lack of sales.

Xanas wrote:
sykoeent wrote:

So, you're saying you're one of these "pirateers"? How convenient.

Also, polls on a pirate forum? lol Is this some joke? Arr!


I suppose to you it is, though I can't tell why. I suppose you think everyone who pirates is a horrible liar. If so you'll never be convinced of anything outside your own little box. Have fun there btw. You can hate on us all you want but that doesn't change anything.


The thing is, your description of how fansubbers behaved as a whole is quite clearly a lie. If you meant, "when a series I fansub are licensed, I ...", well, maybe its true. But its a lie about how fansubbers as a whole act. As long as there is one group fansubbing the series, then that is what will show up on the leech streaming sites.

Unless all fansubbers drop a show, its not dropped as far as the piracy is concerned. And all popular shows are continued. Only unpopular shows struggle getting covered by another fansub group if they are dropped by a group for real, rather than the fake drop as when the people doing Marimite for Lililiscious continued under the name of Gokigenyou.

And of course, damage is done by both the pirates that undermine the market before its licensed, if it is, and the pirates that undermine the market after its licensed. You may imagine that this is like the 90's or early turn of the century when fansubbing did little noticeable harm and may even have done some good, but what you are doing now is providing content for leech streaming sites, competing head to head against legit streaming sites.


Last edited by agila61 on Mon Aug 23, 2010 2:36 pm; edited 1 time in total
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sykoeent



Joined: 17 Jul 2007
Posts: 160
PostPosted: Mon Aug 23, 2010 2:32 pm Reply with quote
Xanas wrote:
sykoeent wrote:

So, you're saying you're one of these "pirateers"? How convenient.

Also, polls on a pirate forum? lol Is this some joke? Arr!


I suppose to you it is, though I can't tell why. I suppose you think everyone who pirates is a horrible liar. If so you'll never be convinced of anything outside your own little box. Have fun there btw. You can hate on us all you want but that doesn't change anything.

Nay, I just be finding tickling me funny bone is all! Aye didn't know there be a Pirate forum! And Aye not be calling ye a liar, just calling ye a pirate is all! Arr! lol
No, I'm sure you guys don't "lie" or whatever (lol). Plus I like turning you guys into a joke. You know? I mean, so how much do you get for your advertising on your pirate site? Obviously you do this out of "love" right? Or is it fame your after? INTERWEB FAME! lol Funny funny. And, unfortunately for you, my box is quite big, you know, since I contribute to the anime arts here on the West Side of the States as well as do a 4-Panel comic for a podcast site on the East Side of the States. Oh, and far as regular jobs go, my stuff can be bought at every major retailer in America... and a few other countries... Yeah... my "little box" indeed!
ARR!
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ChocoBar



Joined: 15 Aug 2008
Posts: 164
PostPosted: Mon Aug 23, 2010 2:37 pm Reply with quote
agila61 wrote:

Yes, that's why nobody fansubbed Naruto or Bleach starting from when they were licensed early in the last decade.

And the license didn't extend until it was license by crunchyroll are they still subbing Naruto and Bleach? NO. Do they rip off crunchyroll's own subs, YES.
agila61 wrote:

The claim that all fansubbers restrict themselves to titles that they do not expect to be licensed, and if they are surprised, then they drop the title ... is so far from reality that its farcical.

Because it's the truth? You're the one who's deusional here buddy
agila61 wrote:

Look at Lililicious, a group with a "no licensed series" policy. After the announcement of the licensing of Marimite TV series one and two and the Spring Ova was announced, Lililicious dropped their work on the Spring Ova (as far as I understand, released what they had, but with QC unfinished in the last episode).

When the third TV season went to broadcast, they picked it up. Now, this was not a "highly unlikely to be picked up" title ... this was likely the conclusion of a series of titles where Nozomi had already licensed every other title in the series.

And, yes, when the license was announced mid-series, they announced the drop, ending with "Until then, Gokigenyou". And then, magically, a group called "Gokigenyou" picked up the sub.

So when a license gets announced, often its many of the same people doing the sub, they just change the name so that the "ethical fansub" group does not have its name associated with the fansub of the licensed work.

Cool Story Bro, mind telling where to find Soul Eater subbed? Since the original subber dropped the series after getting C&D letters to stop once it got licensed and didn't bother to sub it
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Soundmonkey44



Joined: 25 May 2010
Posts: 1243
PostPosted: Mon Aug 23, 2010 2:39 pm Reply with quote
Reading through this i find some posters comments rather amusing, I mean Illegal is illegal & wrong is wrong, certain users can try to justify it anyway they want, by saying, "well were helping it get popular" or "We do better subs" Does not really mean a thing Scanlations & Fansubs are ILLEGAL, always have been, always will be, unless you are using clips or images for Review or Parody, you are BREAKING THE LAW. No ifs ands or buts about it. While Fansubs & scans are not the soul reason anime & manga industry in Japan & the U.S. are declining, they are a decent chunk. Again Both Manga-ka's are completly justified in there comments. People who Distribute Copyrighted content online & then have the audascity to shove it in the creators face, truly do deserve a slow painful death. Twisted Evil

But yea, if you want a series wait till it comes to the states, and if it doesn't come, well thems the breaks.
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ChocoBar



Joined: 15 Aug 2008
Posts: 164
PostPosted: Mon Aug 23, 2010 2:40 pm Reply with quote
agila61 wrote:
ChocoBar wrote:
This is the problem with the US manga industry ingeneral, it goes by the notion of "If it doesn't sell well, we'll stop releasing it" neglecting the people who actually want to buy it in the first place,


Yes, because going bankrupt publishing titles that do not earn their costs back is far better than dropping a series that doesn't earn back its cost of production?

How exactly is the publisher going bankrupt better?

Its not a notion, its simple fact of life that if the title does not earn back its cost, there is no big "pile of money" lying around to pay for it to be published anyway.

Its not as if publishers want to drop a title: they are forced to by circumstance.

Hopefully electronic editions will make it possible to keep releasing series in some form even if they drop below the level of sales that will support a print run.

But blaming publishers for dropping a title is juvenile: obviously they would rather that it sold enough to return its cost of production. The actual cause of a title being dropped is lack of sales.

So basically you're trying to say is that the people are wrong for liking an unpopular series? Let alone the fact that most publishers don't even announce it's cancellation and just stop publishing it, same thing happen to Zatch Bell, and yet you want to condemn people from using scanlations by fans who are just picking up the slack that the publisher failed to do?
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sykoeent



Joined: 17 Jul 2007
Posts: 160
PostPosted: Mon Aug 23, 2010 2:43 pm Reply with quote
ChocoBar wrote:

So basically you're trying to say is that the people are wrong for liking an unpopular series? Let alone the fact that most publishers don't even announce it's cancellation and just stop publishing it, same thing happen to Zatch Bell, and yet you want to condemn people from using scanlations by fans who are just picking up the slack that the publisher failed to do?

Hmm... how about learning Japanese? They have all those programs and you can learn. And they even have FREE TUTORS on YouTube. No one is stopping you. You're given these choices.
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hikaru004



Joined: 15 Mar 2004
Posts: 2306
PostPosted: Mon Aug 23, 2010 2:54 pm Reply with quote
I think those comments that the mangaka made were tasteless and crude. The family survivors of pancreatic cancer patients should give them a little talk about the impact of death on them and the course of the cancer on the affected relative so they should know what they are wishing on copyright infringers.

I know it's their right to speak out but sometimes counting to ten before typing is better.
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agila61



Joined: 22 Feb 2009
Posts: 3213
Location: NE Ohio
PostPosted: Mon Aug 23, 2010 2:56 pm Reply with quote
ChocoBar wrote:
agila61 wrote:

Yes, that's why nobody fansubbed Naruto or Bleach starting from when they were licensed early in the last decade.

And the license didn't extend until it was license by crunchyroll are they still subbing Naruto and Bleach? NO. Do they rip off crunchyroll's own subs, YES.


"And the license didn't extend" ... what does that mean? Are you referring to the fact that the licensed release was years behind the Japanese broadcast until the simulcast deal was worked out?

Well, so what of it? Watch something else. Nothing breaks watching a show a couple years after if was broadcast.

DB dropped it, but the reason nobody else picked it up was they can't speedsub faster than a rip from a simulcast.

For the leech streaming sites that you provide content for, its all good. They don't really care whether its a fansub, a simulcast rip or a DVD rip, it all attracts viewers.

Quote:
agila61 wrote:

The claim that all fansubbers restrict themselves to titles that they do not expect to be licensed, and if they are surprised, then they drop the title ... is so far from reality that its farcical.

Because it's the truth? You're the one who's deusional here buddy


Because its bullshit. A decade back, fansubbers used to restrict themselves to titles that they did not expect to be licensed, and dropped titles when they were licensed. Nowadays there's always some group to fansub a popular series.

Of course, from Summer, the large majority of series are on legit simulcast, so it looks like it'll mostly be rips from here on out. The leech streaming sites that you are providing the content for don't care.

Quote:
agila61 wrote:

Look at Lililicious, a group with a "no licensed series" policy. After the announcement of the licensing of Marimite TV series one and two and the Spring Ova was announced, Lililicious dropped their work on the Spring Ova (as far as I understand, released what they had, but with QC unfinished in the last episode).

When the third TV season went to broadcast, they picked it up. Now, this was not a "highly unlikely to be picked up" title ... this was likely the conclusion of a series of titles where Nozomi had already licensed every other title in the series.

And, yes, when the license was announced mid-series, they announced the drop, ending with "Until then, Gokigenyou". And then, magically, a group called "Gokigenyou" picked up the sub.

So when a license gets announced, often its many of the same people doing the sub, they just change the name so that the "ethical fansub" group does not have its name associated with the fansub of the licensed work.

Cool Story Bro, mind telling where to find Soul Eater subbed? Since the original subber dropped the series after getting C&D letters to stop once it got licensed and didn't bother to sub it


Mate, it took me less than five minutes googling to find a fansub of the last episode (51). Skynight did the K-fx styling and Alma did the translation. So as far as your assumption that when one group drops a popular series, nobody ever picks it up ... you didn't even do five minutes searching to find out that Soul Eater was a bullshit example.
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agila61



Joined: 22 Feb 2009
Posts: 3213
Location: NE Ohio
PostPosted: Mon Aug 23, 2010 2:59 pm Reply with quote
ChocoBar wrote:
So basically you're trying to say is that the people are wrong for liking an unpopular series?


Liking has nothing to do with anything. The people who bought the series did what they could do to keep it running, and the people who didn't buy and read a bootleg instead on the excuse that series sometimes get dropped, they helped make sure that the series was dropped.
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