Forum - View topicAnswerman - Who Watches Late Night Anime in Japan?
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ice_tea
Posts: 74 |
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HOW MANY Japanese TV dramas have you watched? Sure, if all you have watched are those with high schoolers from different years, you get the impression that Japanese live action dramas are mostly high schoolers. But that's not the truth. I follow them every season. And I can say that the number of TV dramas about high schoolers are very small. Here are the recent 3 seasons of Japanese TV dramas: http://wiki.d-addicts.com/Japanese_Drama_Season_-_Winter_2016 http://wiki.d-addicts.com/Japanese_Drama_Season_-_Autumn_2015 http://wiki.d-addicts.com/Japanese_Drama_Season_-_Summer_2015 The vast majority of them (like 90% or more) each season have adults as main characters and are about adult life. Do your reseach. Of course some longer dramas (early morning time slot, NHK Taiga) show someone from childhood to adulthood. I still think those are dramas about adults, only showing how he/she has grown up because the show is long enough. |
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poonk
Posts: 1490 Location: In the Library with Philip |
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Bathory67
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I do not care if the characters are teens or not ,if the story is good I will watch it . I find alot of shows with teems more interesting then with adults.I am 31 years old and I am here for the good story and animation. The age of the characters is my less of my concern. |
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ice_tea
Posts: 74 |
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I can understand if you are a male and no matter what age, you will still find all the harem/ligh novel anime interesting. They target the demographic (male) for a reason, and they know what they are doing. They know what kind of audience they are targeting. I do not care if the characters are teens or not either. But the fact is, I don't find most anime with all those teens interesting at all. It's their stories that are bad (to me), not the age of the characters. I usually only like maybe 2 or 3 anime shows every season. |
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manapear
Posts: 1525 |
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This is very true. Look at the way ComiKet has so many female creators and fans. Or the Haru Comic City 21. Even when I go to Kinokuniya and look at magazines, it's obvious how many are trying to sell anime stuff to female audiences (both nostalgic and new stuff). A lot of high-erups in manga, anime and merch are realizing what a large and growing market female audiences are, and are rightly so trying to actively target them more.
This is partially true, looking at manga mostly. But this also isn't new. Even though BSSM did get a fair male following, I think the anime got a larger following than the manga, and even between both it was still very aimed at and carried by female audiences. For another parallel, Creamy Mami got a pretty big male following. The director and team were very aware of them (because they would write to them), but the show was created to sell toys to little girls, girls were still recognized as the largest audience, and the team made no effort to cater to the male audience (because the director wanted to make a show that could empower girls). Even with PreCure and similar titles, this is the case.
Your whole comment was spot on (being in a magazine doesn't mean it is only or mainly targeting the intended gender demographic), but also this point. I think sometimes we in the West don't know or realize how ubiquitous some titles are, or how they break down in readership. One Piece is literally popular with everyone. Families watch it together, young people read it, etc. And it is very clearly popular with male and female audiences (and if you hop onto fan sites or Pixiv, you see a whole lot of male characters drawn by female fans). The head companies realize this and cater to its fans well too. The recent White's Day stuff from OP was a good example, but also look at the figures coming out. Plenty of the female figures are sexy, but have you all seen Sanji's figure? Pretty sure they know how popular he is with women. ♥ (And I am so glad.)
Not just older males, but also a whole of older women recently. Even shows like Aikatsu! seem to intentionally make light references to older shojo and magic girl shows and evoke that feeling, and according to the creators, the biggest audience just behind the little girls are the adult women. Bandai is also realizing this because they recently had a clothing line aimed at women from the show. Even PMMM, which was very obviously for older men first, is now being marketed and catered to women more lately (between fashion and general merch). I think this is pretty fair too, since most of the creators for the MG shows aimed at little girls do keep their focus, and don't mind adult fans (as long as they're not imposing; there have been some sad messages. . .).
And this has been cleared up by others, but this just bothers me. Really, almost none of the titles of the manga ever have their demogaphic clearly on them, but there are big patterns in their naming. (Ribon, Cookie, Nakayoshi; very feminine words and for magazines that are shojo; seinen ones at times seem girly, but aren't as cutesy, kind of reflects the material well for things like K-On or GA, right?) Also, manga are often categorized by publisher and demographic when it's the tankobon, but if I remember right, the magazines themselves are sold under spots that actually label the demographic. Heck, the covers of magazines themselves indicate the demographic, so no, nothing ever says "this is shojo!" because the demographics are clear as day for people in Japan. Nothing is more explicit than the naming pattern, cover and where it is labeled. (But we also do have magazines that are trying to mix it up, like Sylph and I think, Aria.) |
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leafy sea dragon
Posts: 7163 Location: Another Kingdom |
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I would argue that, as far as western animation goes, while the intent would be to market to the same demographic as a show's main characters, what actually happens is that kids gravitate towards shows with main characters slightly older than themselves. Those shows set in high school like Sixteen or My Life as a Teenage Robot get audiences of tweens or younger. This goes for live action aimed at children: Not a lot of high schoolers actually watched the High School Musical movies.
Some of them are more savvy than that though. There is a reason the humans in Chaotic are fashionable, attractive late teenagers (with a few exceptions, of course): Those are what gets the kids to watch. As for adults though, that's when it all goes out the window: As long as the main characters are adults, or the marketing plays up the idea that the show is not for kids (like South Park), adults will come watch.
Two things at work there: I'd bet some of these people are used to TV shows in the west being aimed at specific demographics, and to them, it'd be akin to an adult watching Totally Spies! (which some did, for less-than-pure reasons); the other being that, if it's mostly guys saying that, there's the notion that it's embarrassing and emasculating for a guy to watch a show aimed at girls. As is mentioned in the article, this seems to happen in Japan too.
Interesting. Maybe it's different years or different places I grew up in, but with a few exceptions like Sailor Moon, most of the guys I knew who watched anime as I was growing up was drawn to it by its hypermasculinity. My high school's anime club would show ultraviolent stuff like Kite or cool-robot stuff like Brain Powered. (Then again, the club's leader had 100% control of the club, so we really only watched what he was into.) The guys I knew who weren't part of the club almost all got into anime through Dragon Ball Z and would later find series like Fist of the North Star. The only other show with a sizable female audience I know of that a lot of guys were into was Fruits Basket. I didn't even know romance was a major pillar of anime and manga until much later. All that aside, I live in a place where the word "gay" is still thrown around everywhere to refer to something displeasing or unappealing.
Depends on your role in this system. As a viewer, genre is definitely helpful. Same with creators, if there are some you know you can rely on to produce something you like. From the network's point of view, however, demographics are important. It gives them information on who's watching, and why they're watching. A show can fail overall but be strong in particular demographics, and it can be saved in that way. The earliest example is Star Trek: The Original Series, which actually got the whole demographics thing started when it had a pretty early cancellation, then someone discovered it performed incredibly strongly with young men (but little else). Subsequent installations of Star Trek would be written with the young male demographic in mind, and it's become an enduring success since. In other words, just because the show is getting low numbers overall does not mean the show is a failure. If it's doing strongly with one specific chunk of the population, then that means it has a dedicated viewer base and not a fleeting one that low numbers across demographics would have.
The other thing is loudness. The guys I've known who read sports manga and/or watch sports anime are almost always quiet about it, but the girls are often quite passionate, really getting invested into the characters and getting quite emotional about them. Maybe they're a vocal minority, or a vocal majority, I have no idea. But they're vocal. If what I experienced is indicative of the audiences for these series as a whole, I'd say the impression that these shonen sports series have a mostly female audience because that female audience is the loudest, and in turn, get priority on merchandise (most visible with Free!). As a westerner though, I can't really think of any examples of franchises aimed at girls that then got a lot of really loud guys that caused marketing and merchandise to aim towards the guys, as these franchises would be rare to begin with due to the stigma of a male consuming media aimed at women. The closest there's been is My Little Pony: Friendship Is Magic, but both marketing and merchandise have firmly stuck to aiming at girls with the guys a secondary market. Same thing with the original series for The Powerpuff Girls: To my knowledge, this was a series aimed at girls (maybe? it's ambiguous) but the guys were the loudest; however, all the merchandise I saw for the series was strictly for girls.
For the case of Sailor Moon, I think it's because it was advertised, both in Japan and outside, that it's okay for guys to like it. Definitely, with the huge male viewership for stuff like Pretty Cure, it stuck in Japan. It kind of dropped off in the United States once Sailor Moon's run on Cartoon Network ended though. Times are slowly changing though. More boys in the United States are now willing to watch TV shows and movies (and read literature) with female protagonists. Even if stuff like Zootopia and Star vs. the Forces of Evil require a male deuteragonist who's almost as important as the protagonist, it's still a step towards tolerance--stuff like that would've prompted boys to exclaim "Ewwww girls!!!" and "Ewwww cute!!!" when I was little.
I wonder if it's a widespread practice for people who run American TV channels to force demographics onto particular shows. It would explain the insistence of merchandise towards a show's target demographic rather than embracing peripheral ones. I can definitely see why: An unintended but major part of being a TV executive is the appearance of looking competent and responsible for calculated successes--an accident, even a money-making accident, might make an executive look incompetent, which can cost them their job. When you're an executive, you have a Sword of Damocles hanging over your head made of other people in the company who want to be an executive too and believe they can do a better job than you do, and a slip-up like Young Justice becoming popular with the wrong audience could be enough to oust you. (It probably won't, but they're not taking chances.) |
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