Forum - View topicThe List - 6 Japan-International Co-Productions Revisited
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relyat08
Posts: 4125 Location: Northern Virginia |
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That's actually a pretty reasonable, and probably more importantly, useful, definition. |
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Cptn_Taylor
Posts: 925 |
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Well wise guy, tell me what the common visual style is between Heidi and K-On! What makes Heidi as much anime as K-On! ? Or what is the visual common style between Don Chuck Monogatari and Dirty Pair ? Someone already said it, there is no visual common style in Japanese animation. The only sensible criteria for determining what is and isn't anime is a purely geographical one : a cartoon that is produced in Japan. As simple as that. |
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Jayhosh
Posts: 972 Location: Millmont, Pennsylvania |
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I think it adds a lot to the discussion. Is anime real? So much said with so little. You're just not seeing the depth in it because your eyes aren't real. #JusticeforFloozyGod |
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Hiroki not Takuya
Posts: 2515 |
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The question the article poses and that we are supposed to be commenting on is "what is the origin and is it "anime" when shows are co-produced outside Japan?". My response is that what has been called anime encompasses several recognizable styles in art and storytelling technique that makes it distinctive form other animations from around the world, making the question of origin irrelevant and that relying on style to answer the question is more "inclusive" . If you can't recognize or don't accept what the general public (Google, artbooks, etc.) does about that, I can't say more. However, did you know most "anime" aren't produced (as in animated) and more and more production, direction and artwork responsibilities don't rest with anyone in Japan anymore? Also as H-Dizzle, an American working currently in the Japanese animation industry points out, relying on "Japan only" as a definition is increasingly difficult to defend when creatives from around the world are joining in the process. He says in his blog "So please stop this nonsense" and I agree. Here's the link http://htanimation.blogspot.com/2016/10/anime-vs-not-anime.html Not so simple... |
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relyat08
Posts: 4125 Location: Northern Virginia |
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That's not what you first responded with to me. You are changing your argument. Now it's not one style it's multiple styles? Nice, at least we're making progress. Furthermore, you literally agreed with Selipse right after disagree with my comment when we were literally making the exact same point: Anime is not a style, it is an amalgamation of many many styles. And like I said before, the shows that don't look like your original "anime style" are not the exceptions, they are the majority. I can make you a list with hundreds of anime, if you want. Had to emphasize your last point here because using the general public's definition of "what is anime" is ridiculous. Not to be super elitist or anything, but this is an ultra niche medium of entertainment that is not very well understood by people outside of it, and not very well understood by probably the majority of casual fans either. As people watch more anime and see more styles that's when they realize that this "anime style" isn't really a thing. That anime is, once again, an amalgamation of many styles. |
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jr240483
Posts: 4378 Location: New York City,New York,USA |
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exactly what i was saying. i could probably get setsuna from 00 since ribbins mentioned him possibly being an innovator newtype class,but definitely not kira. favorite gundam pilot? i could probably get that. but definitely not a favorite newtype. and speaking of which, i am not surprised that the red comet is number 1 on the list. same with amuro and kameel being in the top 5. but lalah being 10th?????? that is one that'll seriously have my head scratching for a while. especially considering how insanely popular she is even to this day. sure not as popular as char, but still. Regardless i'm surprised they mentioned CN's shelving off money for Big O II but didn't make a mention at all when they did the same thing in conjunction with Production I.G to make the Immortal Grand Prix (IGPX) TV series. those series pretty much go hand in hand more or less. and if your mentioning adventure time, their had to have been a way to give a mention for the Teen Titans series & and the Ami Yumi series they did at the time since its OP songs was done by J-Pop duo High High Puffy Ami Yumi. Hell , that song made them so popular in the US, CN gave them their own TV series. even to this day now , people are still trying to determine whether or not Teen Titans and the high high puffy ami yumi show should be labeled a US cartoon or an anime just for that fact alone. |
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Hiroki not Takuya
Posts: 2515 |
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Jose Cruz
Posts: 1773 Location: South America |
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I might even guess that had comics not been restricted by the CCA, today the US comic and animation industries would be bigger than Japan's and like rock music, videogames and live action movies and TV, there wouldn't exist such thing as "anime", just "animation" and the anime fandom would be the animation fandom. One cool thing about animation though is that as people are forced to consume Japanese stuff due to lack of competition is that we learn more about a culture distinct from the west in the process.
Indeed. And it's the "general publlc" means the "Anglo American public", because in Japan the word "anime" just means animation just as "manga" means comics. Trying to claim that all of Japanese animation looks the same is pretty racist. It's like saying all blacks look the same and these conscious imitations of "anime style" in western culture remind me of stuff like dressing up in blackface for Halloween or stuff like this: Stuff like RWBY feels exactly like that to me: it's just an animated series that consciously evokes the stereotypical perception of Japanese comics in Anglo America. I actually think the word "anime" should be just dropped because it causes misunderstandings. I never use it (if I watch a Makoto Shinkai movie it's a movie, if I watch Yuki Yuna is a Hero it's a TV show) because people are just too ignorant and don't have a decent idea of what it means. In Brazil when I was a kid we didn't use the word anime to describe stuff like SaintSeya, DragonBall, Patlabor and Captain Tsubasa, they were just TV shows I watched. I don't like that Brazilians now are adopting the word "anime" from the US to describe these shows. Back in the day it was only "animation", what in Portuguese we call "desenhos" or "drawings". Why use ethnic terms to label things, to create artificial barriers? It's like saying that someone is not a person ("cartoon"), it's a Jew ("anime"). Last edited by Jose Cruz on Tue Oct 25, 2016 12:52 am; edited 1 time in total |
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relyat08
Posts: 4125 Location: Northern Virginia |
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I guess I didn't read your comment very thoroughly. I wasn't trying to say there were no styles, but that anime is not A style. It is many of them. Hence why I mentioned several different styles in my comment. I was pointing out that looking like "anime" is not a reasonable way to define something as anime, because there are so many various styles within the medium. Also, I never said no two anime look alike, and there being no "differentiators at all" was not my point, I simply said there is no style that runs through the majority of anime. This is probably something I should get over, but I just really hate the idea that something can be anime just because it looks like someone's nebulous idea of what an anime is supposed to look like. Having seen a lot of anime, that strikes me as really arrogant and simplistic. I don't like devaluing the creativity of people who make such unique and amazing cartoons on a consistent basis. Anyway, whatever. We can agree that anime has a lot of styles, and I'm sorry for not giving your comment a more thorough read-through. Edit: A little bit of a late edit in. I think I assumed you thought anime was one style because you took issue with my comment to begin with. I never said it wasn't several styles, just that it wasn't A style. The emphasis obviously being on the singular. Last edited by relyat08 on Tue Oct 25, 2016 12:56 pm; edited 1 time in total |
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roxybudgy
Posts: 129 Location: Western Australia |
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When I think about what the definition of "anime" is, I consider what I intend to use the word for. In most cases, I use it to describe a certain subset of shows/movies that I am interested in.
If I tell someone that I like "anime", then assuming the other person has an idea of what anime is, most likely what will come to mind is stuff like Sailor Moon, Naruto, Ghost In The Shell, Fullmetal Alchemist, etc. I don't like all of the shows that are typically associated with the term "anime", but I like enough of them to comfortably say that I like "anime". As for that borderline stuff that everyone is arguing about (Avatar, The Last Unicorn, RWBY, etc), I do like some of those too, but if necessary, I will single them out and say "I like The Last Unicorn" (or insert title of show/movie). I suppose I could say I like animation in general, that's as useful as saying "I like movies" or "I like songs". My brother knows I like "anime", and he enjoys certain anime titles (mostly mecha) but I wouldn't call him an anime fan because he doesn't make a distinction between "anime" and all the other animated shows he watches. For my birthday he bought me "Angel Beats" on DVD, which was not on my radar/to-watch-list at all, and I had never mentioned that title to my brother or anyone else. And yet he figured that it would be an appropriate gift for his anime fan sister. He was right. I enjoyed the series and was glad he bought it for me. Language is about conveying ideas to others. So are we arguing over the definition of anime just to be pedantic? Or are we actually trying to clarify what we mean when we use the word "anime"? Even though it's not black and white, I'm pretty sure everyone on this forum knows what you are referring to when you talk about anime. Thankfully, my day-to-day anime-related conversations rarely involve having to definitively judge whether individual titles are or are not definitively "anime". |
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leafy sea dragon
Posts: 7163 Location: Another Kingdom |
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As a fan of animation in general, regardless of country, I'd 100% agree with you, but there ARE a few people out there who are intensely loyal to a particular country's output that is neither the United States, Canada, nor Japan. I don't think there are that many for France who don't live in French, but I know they exist. It's just as ridiculous. But anime does have that exoticism to it that draws people in that even European animation doesn't. Anime became famous in the 80's for showing violence and sexual content that wouldn't have been acceptable on western TV at the time, and companies during then played up the gritty ultraviolence that was quite popular among the youth of its time. That's a notion anime got first dibs on (even if said violence and sexual content was done in some other countries), and it hasn't really gone away since. Even now, among kids and teenagers, the word "anime" conjures up the idea of cartoons that are edgy and forbidden--that is, stuff people slightly older than them must be watching. It does go the other way too. I see a bunch of hype backlash to anime, people who oppose it and will watch animation from any country except Japan. But I think that's more a case of Internet contrarianism than anything else.
They're drawn on tablets and touch screen monitors now, but they are still drawn by hand.
If anime was made by Japanese people--written, directed, its animation supervised, and edited in Japan--but has non-Japanese audiences in mind, does that mean it isn't anime to you? The example I'd pick, which was put in this list, is The Big O Season 2. It flopped in Japan, but the only American input was funding. Due to that, it was shown first in the United States and created with American viewers in mind.
The art style for Panty & Stocking has its primary influences in The Powerpuff Girls and the works of Jhonen Vasquez. Well, those are its closest artistic matches I can think of. Kim Possible has a decidedly less thick-line style and more realistic proprotions, and Jimmy Neutron is 3-D CGI. Animation-wise though, it is decidedly anime in approach, with framerate being a low priority, quick, snappy movement, and little concern for lip flaps, whereas western animation highly values smoothness and accurate lip flaps. But the heart's in the right place.
Regarding food and drink, that is an equally complicated and controversial matter. The United States, for instance, allows a product to be called something made outside of its region, and as a result, people in the United States don't really take place-based naming privileges seriously. They'll call anything that tastes much like Neufchatel cheese as "Neufchatel cheese" regardless of where it's made. Sushi is another example. I've met purists who insist sushi must be made using traditional ingredients, some who say local substitutes are acceptable if Japanese ingredients are difficult to obtain or too expensive, and some who say anything with sushi rice in it is sushi. (I fall into the last--most of my favorite sushi uses nontraditional ingredients.)
The thing is that anime can have just as large a variety of styles, which can overlap with western animation. Heck, Osamu Tezuka's style was heavily influenced by Disney.
This remains a stubbornly common misconception though. Any time I'm drawing something in public, odds are someone will come ask me if I can draw something "in anime style." I hear it so much that I created a canned response: "Which anime?" This question filters people pretty well among people who ask this who are thinking of a specific series or movie (they will answer with a title, such as Naruto or Spirited Away) and people who think anime is a narrow range of stylers or even just one style (they won't say anything specific and become confused). If you show something to the latter far from the stereotypical look, like Doraemon or Ristorante Paradiso, they'll have a hard time believing it's anime. It's as if they think that people in Japan have some sort of rule of art design that they must follow, and otherwise it's blasphemous or something. (The latter will sometimes ask, "Can you draw anime?" Not "anime style." Just "anime." I already know the conversation will go down an annoying path the moment they say it.) By the way, to an outsider, something like K-ON! and Princess Mononoke will look pretty similar to each other. You and I know anime well enough to instantly tell them apart. Part of the misconception that anime has a narrow range of styles is because most of the most popular ones have many design choices in common, such as small noses, realistic head-torso-leg proportions, pentagonal faces, skinny male characters, hair in any conceivable color, strange-looking clothes, tween-to-teenage protagonists, and the unmistakable anime eye. It's a part of being into something at the very casual level, or not being into it at all. Someone who is into brass instruments can tell a trumpet, a piccolo trumpet, a cornet, and a bugle apart instantly and consider them vastly different. Someone who isn't will probably see all four instruments as exactly the same until they see them side by side. Same goes with anime. To someone who isn't into anime, Attack on Titan is indistinguishable from Akame ga Kill! and Fullmetal Alchemist. As a result, while they think their "anime style" is specific, it's actually pretty broad. (My personal style is undoubtedly western-influenced, but it has been mistaken for "anime style" before, which boggles my mind.) (To my father, all racing games looked the same to him. To my art teacher in the 9th grade, all 2-D platformers looked the same to him.)
Here are my two cents: I initially associated Avatar: The Last Airbender with Totally Spies! In other words, I mistook it for French animation. (France's animation output as of late seems to be tremendously anime-influenced, while putting their own spin on it.)
There is this weird thing I'm seeing where some gamers will dismiss and refuse to play a game because it looks too much like anime to them. This is particularly true with RPGs, though there ARE some distinct design choices in RPGs from Japan and RPGs from any other country (unless they were heavily Japan-influenced, like Citizens of Earth). Like, they will gladly jump on board with Metal Gear Solid 5 as it has a distinctly western look, but they will not play Xenoblade Chronicles, because it looks similar to their concept of anime. It might be some of that contrarian behavior I mentioned before though. |
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relyat08
Posts: 4125 Location: Northern Virginia |
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The majority of it is still drawn on paper and scanned into computers too. So it is very much still hand drawn(not that I think that has anything to do with the definition of anime). Webgen, or Digital animation, as drawing on tablets is sort of awkwardly called, is picking up a lot of ground, very quickly now, but there are specific things and levels of detail that still can't really be achieved using a tablet in Flash. Guys like Kiyotaka Oshiyama and Takashi Kojima, who are heading up Flip Flappers this season are both analog guys, and most of the digital work on Mob Psycho was relegated to one episode. Only a few shows so far have actually been mostly digital, Yozakura Quartet: Hana no Uta and Birdy The Mighty: Decode are the the big ones. I think Ping Pong the Animation might have also been. I know they used Flash for quite a few cuts. |
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leafy sea dragon
Posts: 7163 Location: Another Kingdom |
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Are they colored digitally though? Anime nowadays has that really clean look that only digital animation could do.
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relyat08
Posts: 4125 Location: Northern Virginia |
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Yeah, that's true. Pretty much everything is colored, composited, etc. digitally after the animation has been scanned into a computer. If you ever have the time, this is one of my favorite references on Animation Production. |
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Snomaster1
Subscriber
Posts: 2796 |
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I really like this list. I've said this many times. I have a great deal of respect for both Japanese and American animators and I'm always happy to see them collaborate with each other. It's sad to me that this doesn't happen more often like what happened during the 1980's. One of the most anime-like shows of that time was "The Adventures of the Galaxy Rangers." It looked like a lot of space anime that was around at the time. Many of the character designs and the overall look of the show screamed anime even though it was little-known at that time.
On a personal note,one of my ideas for a novel is about a Japanese animation company that does work with an American animation company during the 1980's. The people who worked at the Japanese animation company are very proud of their association with the American company and would hope to work with them again. I'd also wonder about something. Are there any French animators working for American companies? I'd love to know that. |
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