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NEWS: Lupin III Gets New Mine Fujiko no Uso Anime Film in May


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FLCLGainax





PostPosted: Fri Mar 08, 2019 11:57 am Reply with quote
Fujiko has nothing to hide. Wink
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shabu shabu



Joined: 25 Jan 2019
Posts: 79
Location: Tokyo
PostPosted: Fri Mar 08, 2019 3:23 pm Reply with quote
Animegunclub wrote:
Give it back to Sayo Yamamoto, you cowards.


Yamamoto was bad at writing Fujiko. She didn't really seem to understand the character. Her series wasn't very well received among the fanbase. I'm happy they switched to Takahashi.
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Animegunclub



Joined: 26 Jun 2017
Posts: 127
Location: AyeTeeEl, Jawhjah
PostPosted: Fri Mar 08, 2019 5:05 pm Reply with quote
shabu shabu wrote:
Animegunclub wrote:
Give it back to Sayo Yamamoto, you cowards.


Yamamoto was bad at writing Fujiko. She didn't really seem to understand the character. Her series wasn't very well received among the fanbase. I'm happy they switched to Takahashi.


Rolling Eyes
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DangerMouse



Joined: 25 Mar 2009
Posts: 3983
PostPosted: Fri Mar 08, 2019 5:39 pm Reply with quote
Hell YES!

1dbad wrote:
Excited for another Fujiko-centric Lupin project.

Yup!!
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1dbad



Joined: 12 Jul 2015
Posts: 709
Location: Texas
PostPosted: Sat Mar 09, 2019 1:00 am Reply with quote
shabu shabu wrote:
Yamamoto was bad at writing Fujiko.

Mari Okada was the headwriter for The Woman Called Fujiko Mine, not Yamamoto. (Yamamoto was the director)
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NJ_



Joined: 31 Oct 2009
Posts: 3009
Location: Wallington, NJ
PostPosted: Sat Mar 09, 2019 7:01 am Reply with quote
^And Mari Okada has always been hit or miss, pretty much up there with Yasuko Kobayashi for the tokusatsu fans.
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SailorTralfamadore



Joined: 25 Feb 2014
Posts: 499
Location: Keep Austin Weeb
PostPosted: Sat Mar 09, 2019 7:12 pm Reply with quote
Sayo Yamamoto and Mari Okada's Fujiko Mine anime is my single favorite Lupin thing of all time, so I'm sad that they are both probably too busy to tackle this. And I do think it was strong because of the combination of their talents: there are specific themes in TWCFM that you can find in both Yamamoto and Okada's other stuff, but it's the mix of all them in that show that makes it so special. Yamamoto is a fantastic and auteur-esque director, but she's also good at choosing strong writers who play well with her tastes.
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all-tsun-and-no-dere
ANN Reviewer


Joined: 06 Jul 2015
Posts: 605
PostPosted: Sat Mar 09, 2019 9:16 pm Reply with quote
[quote="shabu shabu"]
Animegunclub wrote:
Give it back to Sayo Yamamoto, you cowards.


Yamamoto was bad at writing Fujiko. She didn't really seem to understand the character. Her series wasn't very well received among the fanbase. I'm happy they switched to Takahashi.[/quote

The way Fujiko has been written has varied from project to project for decades, as has the tone of the series.

I'm not sure how I feel about this announcement. I adore The Woman Called Fujiko Mine but I thought the Koike episodes were some of the weakest of the series.
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penguintruth



Joined: 08 Dec 2004
Posts: 8461
Location: Penguinopolis
PostPosted: Sat Mar 09, 2019 9:33 pm Reply with quote
The final twist/ending of The Woman Called Fujiko was controversial, because many thought it was a lot of build up for a cop-out. I can see where they're coming from, but I personally found it justified based on the context of the twist and the character of Fujiko.

Even though it took me a few watches to like him, I sort of wish Oscar would return for this.
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all-tsun-and-no-dere
ANN Reviewer


Joined: 06 Jul 2015
Posts: 605
PostPosted: Sat Mar 09, 2019 9:40 pm Reply with quote
penguintruth wrote:
The final twist/ending of The Woman Called Fujiko was controversial, because many thought it was a lot of build up for a cop-out. I can see where they're coming from, but I personally found it justified based on the context of the twist and the character of Fujiko.

Even though it took me a few watches to like him, I sort of wish Oscar would return for this.


Really? I thought it was the opposite of a cop-out. I was frustrated at how Fujiko was getting more and more sidelined in her own show and the ending twist made everything suddenly make sense. Yamamoto's ending was a powerful statement about how women's stories are co-opted and controlled by patriarchal systems. It was incredible.
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SailorTralfamadore



Joined: 25 Feb 2014
Posts: 499
Location: Keep Austin Weeb
PostPosted: Sun Mar 10, 2019 3:22 pm Reply with quote
Agreed. Yamamoto is good at last-second "twists" that feel like a cop-out... until you rewatch the series from the beginning and realize they were always building to that.
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