Forum - View topicThe List - 5 Korean Animation Companies Anime Fans Should Know
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reanimator
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I'm not a fan of ranking system for studios as there are many. I think writers overlooked Studio Ppuri. I didn't know about this small Korean studio until a Japanese fan whom I follow on Twitter (@bono1978) recommended it to me. Their works are mostly video game PV and cut-scenes, but I was pretty much impressed with their animation clips.
Studio Ppuri http://studioppuri.com Epic Seven X Guilty Gear https://youtu.be/bioohiutfdo |
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Fenrin
Posts: 695 Location: SoCal |
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All those series you mentioned were released in the late 90s or early 00s though, which doesn't explain why Korea still has cold feet when it comes to producing their own content now, especially with the plethora of popular stories that have sprung up since then. The only reason I can think of for this is that perhaps there isn't much of a demand for animation in Korea as there is in Japan and the US... I can't say I've watched any Korea-based animation but one of my favorite cartoons was animated by Moi Animation, Kaijudo: Rise of the Duel Masters, which is an American re-imagining of the Japanese Duel Masters franchise; so a bit of a funny situation there. Honestly, I don't think this series got the attention it deserved. |
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eryndel
Posts: 6 |
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Hello, half-Korean speaking here - while there is certainly a strong anime community in Korea, the general public unfortunately still sees animation as something simply for children. When we speak of Korean animation (typically CG), we usually think of franchises like Pororo or Dooly, or animated characters from services like Kakao (Ryan) or Line (BT21). There was a Korean-produced animated film starring Hollywood voice actors released last year called Red Shoes that gained a lot of local attention. As you can see from the trailer ([url]https://www.youtube.com/watch?v=f8KJe8VOwmU[/url), it was marketed towards a younger audience. There is simply no real demand for so-called "mature" Korean animation, especially because when such projects are released, they don't match up to the standards of Japanese anime we've been watching for years. So when they, inevitably, financially fail, production committees in Korea are more reluctant to invest in that sector, especially when the government is pushing for international promotion of Hallyu culture (live-action dramas and Korean pop). Those industries are just much more profitable than Korean "anime". This is why most Korean animation that is not made specifically for children tends to be indie projects that usually take years to be produced. On a side note, a notable native Korean animated film that this article missed is Leafie, a Hen Into the Wild. It was the first Korean animated film to sell more than 1 million tickets, and I personally think the movie itself is very good, despite, again, being targeted towards a younger demographic.[/url] |
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DangerMouse
Posts: 3983 |
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Really liked that movie. Was really cool when I suddenly saw online that it had gotten a dub. Wish we had gotten a US blu-ray of this, the visuals deserved one. |
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Fenrin
Posts: 695 Location: SoCal |
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Oh I heard about Red Shoes, but I had no idea it was a Korean production. It's quite sad they don't see animation as profitable or a viable way to promote Korean culture, even though it has the potential to reach a different subset of people who aren't taken in by K-pop or K-dramas. Also, I forgot to mention in my last post about the anime adaption of For the Sake of Sita in-progress: https://www.youtube.com/watch?v=b6ju1W_GOO4 I think it's being crowd-funded? |
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enurtsol
Posts: 14761 |
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Korean studios are mostly work-for-hire for Hollywood
Sometimes it's even part of the parody stories |
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