Forum - View topicREVIEW: Love Me for Who I Am Volume 1
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Hellsoldier
Posts: 754 Location: Porto,Portugal,Europe,Earth,Sol |
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I was unaware of Ikuhara's discussion on the subject... Though I'd be weary of taking anything Ikuhara says seriously. I mean... He's a god damn troll. He loves messing with his audience. I never heard of him having a serious discussion on anything. However, it could just be that I don't know enough about Ikuhara. Love his work anyways. I appreciate this bit of info though. A large part of the LGBT community is anti-Loli/Shota, understandably. Loli and Shota cause a natural discomfort on most people. I will point out however that loli works have been published on Comic Yuri Hime, the most published yuri manga magazine in Japan, with 70%n of its sales attributed to women. The ones that come to my head are Wataten! An Angel Flew Down to Me and Joshikousei to Ouji-chan. So, it seems that, at least in Japan, there's a sizable loli fandom among Lesbian and Bisexual Women. |
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DuskyPredator
Posts: 15462 Location: Brisbane, Australia |
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I personally think it is a bogus reason to deny giving a work any legitimacy. Going back to talk about genders, you are getting awfully close to saying that men can only write stories about being men, women can only write stories about being women, and non-binary people can only write stories about non-binary people. My view is that the appropriation argument is something that you cannot levy just because the author is not part of that group, the most important aspect from my point of view is respect, that the author took the care to fairly represent a person of that group. Harry Potter is a story about a boy that is written by a woman, no one thinks that it is appropriation. Although, people are a little upset at Rowling for a reason that is not unconnected right now, but I do think that is about respect. I have personally been working on my own story for quite a while, and has a bunch of major characters that I am not a part of. Specifically this story came out of me wanting to focus on different cultures of fantasy races beyond just the stereotypes that most fiction focuses on so I could build a picture of what commerce would be like. Interestingly to myself, the main character to the point I might say it is an insert has been rewritten quite a bit from an earlier draft that they have changed from a straight male human into a bisexual non-binary (gender fluid) doppelganger (identity changer), perhaps relevant to my own changing self identity. But I have for a long time wanted to have my second main character be a half-elf that is a lesbian, isolated from both her human and elf sides, have been taken less seriously as a woman and still repressed from being allowed to love who she wants from being tied to noble society despite not being accepted anyway. I changed male half-orc character into a trans-man because I thought it could make sense why they might have left orcish culture from not being accepted while still wanting to show the value that orcs (especially males) hold over strength as valuable onto itself. Maybe the one most likely to come across as controversial is a dwarf character that the main image I have had image as a dwarf barbarian kitted out in bling (for some complicated dwarf culture reasons), and as opposed to the usual image of fantasy dwarves, I think that I want to come across sort of like a rapper despite being a short white skinned bearded man. I know that this character is going to come across as being appropriated, and people may even think that I am superficially doing so by taking the sort of cultural image and planting it on what might look like just a treasure greedy dwarf, but I have intentions to be respectful and actually subvert what might be negative assumptions, as part of my story's main thesis. I really hope that my story won't be not taken seriously because I am not a personal part of the many cultures and gender experiences that I want to pull from for this story, or could at first be seen as troubling. Like people not sure about a bisexual character being a very flirty devil raced woman very much motivated by making a fortune. |
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capt_bunny
Posts: 364 |
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I was going to make a comment that was exactly like this. How there is a lot of people who aren't part of certain groups yet made amazing stories. Wandering Son is the most brought up trans series yet it was done by a cis woman. I am part of the LGBT+ group of not being trans but not cis either. My gender experience hasn't been so harshly. As a matter of fact, I've seen all types of people explain their gender experience as some were supportive and some that were harsh. In the end, its about who we are and the types of stories readers can enjoy. Which this does sadden me on how this review is...... It's not supposed to be harsh. To me, it feels like an introduction for those who AREN'T part of the LGBT+ and open their eyes to it. Many cis readers often comment about how they didn't know about all of these types of gender or how sometimes you just don't need a reason to be something. It's about who you are. Comfort if you will. As said, I've not given a harsh upbringing on my gender as my father is supportive of me even if he doesn't agree me being part of the LGBT+. His own words are "I might not agree with it but I won't tell you or others to stop. Not when you aren't hurting anyone. The same goes for others too." And I've shown him this manga too. He was able to understand a bit through how light-hearted it is. A lot of the LGBT+ community have said that they don't want it only to be so serious. To have things lighthearted, comedy, or other mixed genres. I don't agree with the reviewer but still respect why they feel this sort of way. It's just different perspectives. Nothing wrong with that. |
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KitKat1721
Posts: 953 |
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Faye, I'm so sorry that certain assumptions made about your identity hurt you and I hope these past few days don't discourage you from writing more reviews in the future. I do think the new edits are for the better, and thank you for posting this response, it was heartfelt and gave some valuable insight. And while you said you regret the general tenor of your review/how you believe the framing may cause readers to feel invalidated (and I don't want to dismiss any of your reflections), don't hesitate to give yourself some leeway in regards to your "emotional response coloring your narrative judgement" as you said. Reviews about art can never be completely objective and art is all about emotional response. When the subject matter is tied so closely to (or far removed from) someone's own personal experience, I can completely understand why material like this can create passionate opinions. But at the end of the day, a negative review on a piece of media isn't a personal attack on anyone and never a reason to be belittled. So I'm sorry you were.
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kakugo complete
Posts: 71 |
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Yeah that's exactly what makes it so funny, because these labels mean something in a US social context. Same reason said the word "queer" has political ideological connotations. No one would call the yaoi hentai anime where a dude penetrates another dude with a piece of corn "queer" even though it's possible for a gay dude to like it. If someone thought this manga is progressive that's fine, but if the OP reviewer thought it was weird that's also fine. A better point to make would be that the author DOES seem more concerned with moe wish fulfillment than being progressive, and the publishers are to blame for trying to make it look super woke. But... that's also part of my point, a lot of western companies like to morally justify publishing certain "problematic" things to themselves and their peers by giving them these labels. Maid Dragon is clearly more concerned with being a nerdy fantasy than being "queer representation" yet people took one single scene mentioning immigrants (though commenting on Japanese conformism more than prejudice towards immigrants...) as proof the whole series is hugely making a grand sociopolitical statement.
I'd say Ikuhara can be pretty honest; was super-serious about some kind of ideological affiliation, chances are he wouldn't troll about it. He can talk honestly, and he he made his views on arbitrary societal gender roles pretty clear in the past when he said he doesn't think Utena at the start of the movie has "male clothing" - it's just "Utena's clothing". He obviously has progressive beliefs but doesn't strike me as invested in spreading a specific sociopolitical ideology as much as just... his ideology. Yuri Hime was 70% female all the way back in 2008; now it's around 50/50. Not to say women into yuri never like loli, because quite a few of 'em do, but I doubt Takano Saku would consider her occasional loli manga to be "So Important LGBT representation". Some them are just equal-opportunity horny and draw both hardcore yaoi porn and hardcore yuri porn. And some people calling them "openly, socially queer" would be technically accurate but also funny because of the social implications of the wording. |
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st_owly
Posts: 5234 Location: Edinburgh, Scotland |
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Can I just say I really hate the cover? It makes it look like lolicon fetish porn, genuinely makes me feel uncomfortable, and now this review has kind of confirmed my squicky feelings. If I do buy this series it's going to be digitally so I don't have to look at it on my shelf.
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Samiamiam
Posts: 227 |
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"That should not be interpreted as me liking BL in the slightest" Its ok bro no ones gonna think you're gay if you give a show with cute boys 3 stars on a preview guide lmao. Men always get so defensive/insecure about this stuff I have no idea why. We all understand you can't like media featuring sexualized men because it makes you uncomfortable- we've read your reviews. Tbh, I don't even know why you preview those shows in the first place because I can't imagine anyone who would potentionally be interested in watching the show finding them useful. (And I feel similarly for other reviewers who continue to review things they know they can't really review in a useful way. It just wastes everyones time. And I don't mean that you have to be a huge fan of the genre to review it, just that if its really not your thing, you should just not participate. There are plenty of cishet straight male reviewers here on ann that don't have the same ...hangups with male sexuality as you, or at least they don't come through to their work as clearly, and I find their reviews very useful even if it isn't their genre) |
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StarfighterPegasus
Posts: 149 |
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I do acknowledge not having a good understanding of the trans community. I do like stuff like this and do like that while people do have issue with it, it isn't so awful to be discarded. I do feel bad in fetishistic the community though a shewed lens. But I'm happy that I can still enjoy stuff like this while acknowledging there being an issue.
Last edited by StarfighterPegasus on Fri Jul 03, 2020 2:41 pm; edited 1 time in total |
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Key
Moderator
Posts: 18185 Location: Indianapolis, IN (formerly Mimiho Valley) |
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I flatly disagree with the bolded attitude, as I find it valuable to know whether or not someone who doesn't normally like the genre/content can still find it tolerable or even interesting. Comments in response threads over the years have indicated that a significant number of our review's readers agree on this. That's why we "waste our time" on them. |
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Samiamiam
Posts: 227 |
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And in the sentence right after, I point out there are reviewers who are good for things like that- reviewing things outside of their comfort zone. Like I said, there are plenty of other straight male reviewers here at ann that are good at reviewing shows with male fanservice. Are they in love with them? Not generally no, but they are able separate themselves enough to understand if the show is accomplishing what its trying to do. I'm saying that there are ann reviewers of certain genres who are not good at that and have too many personal issues with material to give useful reviews. A lot them end up churning things out like "if only this was targeted towards me I'd like it 2/5" which is both embarrassing and ultimately a waste of everyones time. |
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Hellsoldier
Posts: 754 Location: Porto,Portugal,Europe,Earth,Sol |
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Well, Ikuhara is quite simply a mystery to me, so, my guess is: You're probably right. His work is essentially a blend of themes of interest, fetishes of his, opinions of his, and cultural inspirations of his. I guess I got outdated numbers then. Makes sense, since Comic Yuri Hime S, a more male-oriented yuri magazine, fused with Comic Yuri Hime, so, by default the audience is a mixed one. And well, naturally, lolicon manga is never going to have a serious discussion of anything, unless it is to be an extremely controversial manga. It's basically manga for a market, both male and female. |
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Yuvelir
Posts: 1558 |
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I'm late to the party but anyway, I think it isn't very fair to expect the first volume of an ongoing series to play all its cards and answer all the questions, regardless of context.
But emotional responses will do that, and it was nonetheless an informative review that highlighted some issues that I hadn't noticed. In the case of this work, while Mogumo is the focal character, the PoW character as stated by others is Tetsu. Ultimately I think this work is made primarly made for cishet [men] and while it might introduce Mogumo first, it does so in a "put a pin on that" way. Instead it brings us in a journey through other queer aspects easier to digest for someone with little knowledge on these matters - Tetsu learns about trans women first (how he switches from calling his sibling "brother" to "sister" is very meaningful) and homosexuality later. And that journey is important to begin to understand Mogumo - not like Mogumo has figured themselves out either, there's some self-exploration going on. Which is why I'm not too fond of their early pairing either, it adds too many complications too soon. I think it also does a very basic and good work at humanizing these realities, for some audiences at least. I had heard about non-binary before but never put any thought on it but this manga kind of shouted "hey, they're people you know?" at me and showed some very realistic/expectable struggles. And in a similar sense, there's this general offensive caricature floating around about what trans women are and look like, so Mei looking so feminine and cute rejects the caricature and offers some validation by proxy (I know. This comes with its own slew of issues. But it works, for an audience). In the end this manga wants you to empathize with all these queer characters, consider them nice people and desire their happiness.
Honestly? I think you were right on the money. It reads like he wanted to write about a specific archetype not uncommon in manga, the "playful and impish boy who likes dressing like a girl" like Aikawa in Prunus Girl. But it wasn't working out which is no surprise, so when the author learned about non-binary people, that archetype got turned into something deeper and more meaningful. However it isn't as much as writing a nonbinary identity into a story as mixing it with a vague and general concept. In my more positive outlook, that could have failed as well but since the author put on the work to learn more and work around that, it worked out.
... and a bottle of Bourbon. God, are these OVAs really that well known?
Lolicon concerns aside, it's extremely fetishy and completely undersells the work and what it truly is even if technically the main theme is there in those cookies. I might have checked it out of morbid curiosity, but if I actually started reading it with honesty it's because of an earnest recommendation. Thankfully the next covers are more restrained |
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P€|\||§_|\/|ast@
Posts: 3498 Location: IN your nightmares |
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Some people commented about the design and look of the character designs being too fetishy, unrealistically feminine or pandering to lolicon otaku. But actually, I feel that the design and look is quite appropriate if you consider that being inviting and visually appealing to typical readers of cute fanservice laden rom-coms complements the ongoing push for inclusion of more down to earth LGBTQ pertinent storylines in popular media. This story aspect is not preachy and overt that it would discourage readers after realizing Fukakai na Boku no Subete o is not just a cute fanservice laden rom-com. I think within the realm of the vast majority of otaku-oriented manga or manga specifically targeted for fetish seekers such as otokonoko fanboys, it reminds us that manga is primarily a fantasy and escapist form of creative expression. To expect many more serious, thought provoking titles like Wandering Son is highly unrealistic.
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StarfighterPegasus
Posts: 149 |
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MetalEmolga7
Posts: 71 |
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This is an extreme position that most people including most marginalized people don't support. Most creators do not want to be forced into only writing only about their own group including marginalized creators. Are there some people that hold this belief? Sure but that doesn't make it right or the consensus that everyone holds. |
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