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REVIEW: Love Me for Who I Am Volume 1


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Hellsoldier



Joined: 21 Jun 2013
Posts: 754
Location: Porto,Portugal,Europe,Earth,Sol
PostPosted: Thu Jul 02, 2020 7:49 pm Reply with quote
kakugo complete wrote:
DuskyPredator wrote:

We also need shows like Yuru Yuri and stuff that can normalise characters being LGBT.


If your choice of "LGBT normalization" is lolicon teasing stuff that's fine, but while I think lolicon is harmless in and of itself it wouldn't exactly be my personal choice for making homosexuality look normal to hetero people. Look at all the stir the moe otaku-targeted ads in mainstream spaces caused during the past year.

Yes I know the author is a non hetero woman but c'mon, they do look like kids.

Hellsoldier wrote:

About the criticism against Maid Dragon: I love Bloom Into You as much as the next one, but does every LGBT story have to be a serious tale of self discovery? Does every trans-related story have to be like Wandering Son? You mentioned that is okay and that surely there are LGBT folk who enjoy their fetish material,but that just sounded so judgmental. I actually think Maid Dragon is heartwarming, and I clearly don't think everything has to be a gender-relations essay like Utena (I love Utena, before anything).


Utena does have heavy gender themes but is far from just an "essay on gender". Ikuhara literally said he doesn't identify as a feminist and isn't that interested in it at one point on Twitter - sadly he deleted every tweet he ever made with the word "feminist" likely to avoid e-drama, but I got a Discord cap and if you want further proof the discussion happened you can search "ikuni_noise" and the Japanese words for feminist/feminism and find multiple tweets in response to his comments on the subject.



Ikuhara's stuff is philosophical and serious in a variety of ways but also fetishy as hell; maybe it's self-projection but he comes off as a horny-ass bisexual to me. A big part of why Yuri Kuma exists was a discussion he had about boob mouse pads. That said, there's a difference between the characters Ikuhara sexualizes and the lead character THIS manga sexualizes.

It's only natural that a manga with overt themes of LGBT gender identity is going to offend a lot of people, given a massive segment of the LGBT community is staunchly anti-loli/shota.


I was unaware of Ikuhara's discussion on the subject... Though I'd be weary of taking anything Ikuhara says seriously. I mean... He's a god damn troll. He loves messing with his audience. I never heard of him having a serious discussion on anything. However, it could just be that I don't know enough about Ikuhara. Love his work anyways. I appreciate this bit of info though.

A large part of the LGBT community is anti-Loli/Shota, understandably. Loli and Shota cause a natural discomfort on most people. I will point out however that loli works have been published on Comic Yuri Hime, the most published yuri manga magazine in Japan, with 70%n of its sales attributed to women. The ones that come to my head are Wataten! An Angel Flew Down to Me and Joshikousei to Ouji-chan. So, it seems that, at least in Japan, there's a sizable loli fandom among Lesbian and Bisexual Women.
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DuskyPredator



Joined: 10 Mar 2009
Posts: 15462
Location: Brisbane, Australia
PostPosted: Thu Jul 02, 2020 7:54 pm Reply with quote
Blood- wrote:
Misrepresentation is obviously one potential outcome of cultural appropriation, but other bad consequences are "crowding out" of culturally appropriate creators. For example, let's say a Latina author comes forward with a proposal that involves Mexican undocumented people entering the US illegally... the fact that American Dirt covered that ground makes it harder for that author to get their project off the ground because "its already been done."


I personally think it is a bogus reason to deny giving a work any legitimacy. Going back to talk about genders, you are getting awfully close to saying that men can only write stories about being men, women can only write stories about being women, and non-binary people can only write stories about non-binary people. My view is that the appropriation argument is something that you cannot levy just because the author is not part of that group, the most important aspect from my point of view is respect, that the author took the care to fairly represent a person of that group.

Harry Potter is a story about a boy that is written by a woman, no one thinks that it is appropriation. Although, people are a little upset at Rowling for a reason that is not unconnected right now, but I do think that is about respect.

I have personally been working on my own story for quite a while, and has a bunch of major characters that I am not a part of. Specifically this story came out of me wanting to focus on different cultures of fantasy races beyond just the stereotypes that most fiction focuses on so I could build a picture of what commerce would be like. Interestingly to myself, the main character to the point I might say it is an insert has been rewritten quite a bit from an earlier draft that they have changed from a straight male human into a bisexual non-binary (gender fluid) doppelganger (identity changer), perhaps relevant to my own changing self identity.

But I have for a long time wanted to have my second main character be a half-elf that is a lesbian, isolated from both her human and elf sides, have been taken less seriously as a woman and still repressed from being allowed to love who she wants from being tied to noble society despite not being accepted anyway. I changed male half-orc character into a trans-man because I thought it could make sense why they might have left orcish culture from not being accepted while still wanting to show the value that orcs (especially males) hold over strength as valuable onto itself. Maybe the one most likely to come across as controversial is a dwarf character that the main image I have had image as a dwarf barbarian kitted out in bling (for some complicated dwarf culture reasons), and as opposed to the usual image of fantasy dwarves, I think that I want to come across sort of like a rapper despite being a short white skinned bearded man. I know that this character is going to come across as being appropriated, and people may even think that I am superficially doing so by taking the sort of cultural image and planting it on what might look like just a treasure greedy dwarf, but I have intentions to be respectful and actually subvert what might be negative assumptions, as part of my story's main thesis.

I really hope that my story won't be not taken seriously because I am not a personal part of the many cultures and gender experiences that I want to pull from for this story, or could at first be seen as troubling. Like people not sure about a bisexual character being a very flirty devil raced woman very much motivated by making a fortune.
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capt_bunny



Joined: 31 May 2015
Posts: 364
PostPosted: Thu Jul 02, 2020 7:58 pm Reply with quote
AmpersandsUnited wrote:
Blood- wrote:
Yeah, let's have more stories about black people from white creators! Let's have more stories about the Idigenous experience from people who have never lived one second of that life. Let's have more stories about LGBTQ+ people by cisgenders who did that good ole Google research!


I mean... sure, why not? I can think of a few examples of situations you listed with some really popular, well regarded situations. Black Panther and Golden Kamuy, for example. I think it's a bit close minded to think someone can't write a story about something they're not self-inserting as. Do you hold that line of thinking to other areas as well? Are Hiromu Arakawa and Kazue Kato out of line for writing shounen stories starring male characters since they're women? What about men writing shoujo manga, or female-led series? I'm willing to bet most people on this forum are not Japanese, and yet we're enjoying a medium made by Japanese people, so that already should show topics and writing can cross barriers.

I would have to agree with littlegreenwolf that it sounds like the reviewer didn't like it simply because their own life experiences weren't being reflected in it. To some people, that is a big deal, but it's not a fault or requirement for a series, it just means it's for other people and audiences and the reviewer would prefer another title that does focus on it. There's no such thing as a wrong or right way to write a story or topic, just different ways. I can see why some people may not like this series and I can see why others would.


I was going to make a comment that was exactly like this. How there is a lot of people who aren't part of certain groups yet made amazing stories. Wandering Son is the most brought up trans series yet it was done by a cis woman.

I am part of the LGBT+ group of not being trans but not cis either. My gender experience hasn't been so harshly. As a matter of fact, I've seen all types of people explain their gender experience as some were supportive and some that were harsh. In the end, its about who we are and the types of stories readers can enjoy. Which this does sadden me on how this review is...... It's not supposed to be harsh. To me, it feels like an introduction for those who AREN'T part of the LGBT+ and open their eyes to it. Many cis readers often comment about how they didn't know about all of these types of gender or how sometimes you just don't need a reason to be something. It's about who you are. Comfort if you will.

As said, I've not given a harsh upbringing on my gender as my father is supportive of me even if he doesn't agree me being part of the LGBT+. His own words are "I might not agree with it but I won't tell you or others to stop. Not when you aren't hurting anyone. The same goes for others too." And I've shown him this manga too. He was able to understand a bit through how light-hearted it is.

A lot of the LGBT+ community have said that they don't want it only to be so serious. To have things lighthearted, comedy, or other mixed genres.

I don't agree with the reviewer but still respect why they feel this sort of way. It's just different perspectives. Nothing wrong with that.
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KitKat1721



Joined: 03 Feb 2015
Posts: 953
PostPosted: Fri Jul 03, 2020 3:11 am Reply with quote
Faye, I'm so sorry that certain assumptions made about your identity hurt you and I hope these past few days don't discourage you from writing more reviews in the future. I do think the new edits are for the better, and thank you for posting this response, it was heartfelt and gave some valuable insight. And while you said you regret the general tenor of your review/how you believe the framing may cause readers to feel invalidated (and I don't want to dismiss any of your reflections), don't hesitate to give yourself some leeway in regards to your "emotional response coloring your narrative judgement" as you said. Reviews about art can never be completely objective and art is all about emotional response. When the subject matter is tied so closely to (or far removed from) someone's own personal experience, I can completely understand why material like this can create passionate opinions. But at the end of the day, a negative review on a piece of media isn't a personal attack on anyone and never a reason to be belittled. So I'm sorry you were.
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kakugo complete



Joined: 01 Jul 2020
Posts: 71
PostPosted: Fri Jul 03, 2020 6:25 am Reply with quote
Horsefellow wrote:

I think the issue is that labeling something as LGBT has certain connotations associated with it: accepting, progressive, liberal, normalized, non-sexualized. So when you see something like Seikon no Qwaser labeled as LGBT, it's technically correct if you just mean it has gay, bisexual, and lesbian elements in it since the characters are performing sexual acts on each other all the time, but it's for fanservice and titillation. I certainly wouldn't recommend it to someone if they asked me for a LGBT series to watch because I know what they meant by that request.

I think most people who use LGBT, especially in regards to labeling media as such, do so with the intention that it has certain predisposed traits or elements to it. Most American works labeled as LGBT tend to have a variety of characters with different physical appearances and body types. Larger characters, darker skin characters, butch characters, piercings, tattoos, masculine traits, and generally are not designed to what society has deemed conventionally attractive, often times purposely done so for body diversity and for it to be non-fetishy. To borrow another example DuskyPredator mentioned, no one is going to mistake She-Ra for Precure. Precure has always had yuri undertones to it, but it plays them up in a cute, fetishy, pure way for the otaku audience. She-Ra was specifically designed and made to not appeal to those kinds of people and thus when the She-Ra reboot was initially shown it drew a lot of scorn for its designs and characters not being attractive from fans of the older show. There's a reason why you never see the same type of complaints about these elements in anime and manga as you do American works. Those people complain about She-Ra and Steven Universe, they don't complain about Madoka Magica, or Sound Euphorium, or Pretty Cure.


Yeah that's exactly what makes it so funny, because these labels mean something in a US social context. Same reason said the word "queer" has political ideological connotations. No one would call the yaoi hentai anime where a dude penetrates another dude with a piece of corn "queer" even though it's possible for a gay dude to like it.

If someone thought this manga is progressive that's fine, but if the OP reviewer thought it was weird that's also fine. A better point to make would be that the author DOES seem more concerned with moe wish fulfillment than being progressive, and the publishers are to blame for trying to make it look super woke. But... that's also part of my point, a lot of western companies like to morally justify publishing certain "problematic" things to themselves and their peers by giving them these labels.

Maid Dragon is clearly more concerned with being a nerdy fantasy than being "queer representation" yet people took one single scene mentioning immigrants (though commenting on Japanese conformism more than prejudice towards immigrants...) as proof the whole series is hugely making a grand sociopolitical statement.

Hellsoldier wrote:

I was unaware of Ikuhara's discussion on the subject... Though I'd be weary of taking anything Ikuhara says seriously. I mean... He's a god damn troll. He loves messing with his audience. I never heard of him having a serious discussion on anything. However, it could just be that I don't know enough about Ikuhara. Love his work anyways. I appreciate this bit of info though.

A large part of the LGBT community is anti-Loli/Shota, understandably. Loli and Shota cause a natural discomfort on most people. I will point out however that loli works have been published on Comic Yuri Hime, the most published yuri manga magazine in Japan, with 70%n of its sales attributed to women. The ones that come to my head are Wataten! An Angel Flew Down to Me and Joshikousei to Ouji-chan. So, it seems that, at least in Japan, there's a sizable loli fandom among Lesbian and Bisexual Women.


I'd say Ikuhara can be pretty honest; was super-serious about some kind of ideological affiliation, chances are he wouldn't troll about it. He can talk honestly, and he he made his views on arbitrary societal gender roles pretty clear in the past when he said he doesn't think Utena at the start of the movie has "male clothing" - it's just "Utena's clothing". He obviously has progressive beliefs but doesn't strike me as invested in spreading a specific sociopolitical ideology as much as just... his ideology.

Yuri Hime was 70% female all the way back in 2008; now it's around 50/50. Not to say women into yuri never like loli, because quite a few of 'em do, but I doubt Takano Saku would consider her occasional loli manga to be "So Important LGBT representation".

Some them are just equal-opportunity horny and draw both hardcore yaoi porn and hardcore yuri porn. And some people calling them "openly, socially queer" would be technically accurate but also funny because of the social implications of the wording.
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st_owly



Joined: 20 May 2008
Posts: 5234
Location: Edinburgh, Scotland
PostPosted: Fri Jul 03, 2020 10:49 am Reply with quote
Can I just say I really hate the cover? It makes it look like lolicon fetish porn, genuinely makes me feel uncomfortable, and now this review has kind of confirmed my squicky feelings. If I do buy this series it's going to be digitally so I don't have to look at it on my shelf.
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Samiamiam



Joined: 31 Jan 2017
Posts: 227
PostPosted: Fri Jul 03, 2020 12:54 pm Reply with quote
Key wrote:
kakugo complete wrote:
Not sure what you mean, because to me "queer" is a very politically loaded term, especially in anime fan circles. If you're saying various Kyoani employees are openly some form of "non-hetero" then... duh? At this point I'm more surprised if someone involved with otaku culture has NO form of open same-sex attraction. It's normal for female otaku to love GL stuff and for male otaku to like male x male stuff.

I'd be careful about making too many assumptions in that direction. While the anime fan community has long been more inclusive than most, there's a big difference between tolerating something's existence and liking it. For instance, I am a male otaku who tolerates BL because hey, different stroke for different folks, right? I've got my own predilections, you've got yours, we've both got titles focused on our respective tastes, so everyone's happy. I'll even give BL titles a fair evaluation in Preview Guide entries. That should not, however, be interpreted as me liking BL in the slightest. I am certain that I am far from alone in this sentiment, too.


"That should not be interpreted as me liking BL in the slightest"

Its ok bro no ones gonna think you're gay if you give a show with cute boys 3 stars on a preview guide lmao. Men always get so defensive/insecure about this stuff I have no idea why. We all understand you can't like media featuring sexualized men because it makes you uncomfortable- we've read your reviews. Tbh, I don't even know why you preview those shows in the first place because I can't imagine anyone who would potentionally be interested in watching the show finding them useful. (And I feel similarly for other reviewers who continue to review things they know they can't really review in a useful way. It just wastes everyones time. And I don't mean that you have to be a huge fan of the genre to review it, just that if its really not your thing, you should just not participate. There are plenty of cishet straight male reviewers here on ann that don't have the same ...hangups with male sexuality as you, or at least they don't come through to their work as clearly, and I find their reviews very useful even if it isn't their genre)
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StarfighterPegasus



Joined: 04 Oct 2013
Posts: 149
PostPosted: Fri Jul 03, 2020 2:08 pm Reply with quote
I do acknowledge not having a good understanding of the trans community. I do like stuff like this and do like that while people do have issue with it, it isn't so awful to be discarded. I do feel bad in fetishistic the community though a shewed lens. But I'm happy that I can still enjoy stuff like this while acknowledging there being an issue.

Last edited by StarfighterPegasus on Fri Jul 03, 2020 2:41 pm; edited 1 time in total
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Key
Moderator


Joined: 03 Nov 2003
Posts: 18185
Location: Indianapolis, IN (formerly Mimiho Valley)
PostPosted: Fri Jul 03, 2020 2:27 pm Reply with quote
Samiamiam wrote:
Its ok bro no ones gonna think you're gay if you give a show with cute boys 3 stars on a preview guide lmao. Men always get so defensive/insecure about this stuff I have no idea why. We all understand you can't like media featuring sexualized men because it makes you uncomfortable- we've read your reviews. Tbh, I don't even know why you preview those shows in the first place because I can't imagine anyone who would potentionally be interested in watching the show finding them useful. (And I feel similarly for other reviewers who continue to review things they know they can't really review in a useful way. It just wastes everyones time. And I don't mean that you have to be a huge fan of the genre to review it, just that if its really not your thing, you should just not participate. There are plenty of cishet straight male reviewers here on ann that don't have the same ...hangups with male sexuality as you, or at least they don't come through to their work as clearly, and I find their reviews very useful even if it isn't their genre)

I flatly disagree with the bolded attitude, as I find it valuable to know whether or not someone who doesn't normally like the genre/content can still find it tolerable or even interesting. Comments in response threads over the years have indicated that a significant number of our review's readers agree on this. That's why we "waste our time" on them.
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Samiamiam



Joined: 31 Jan 2017
Posts: 227
PostPosted: Fri Jul 03, 2020 4:10 pm Reply with quote
Key wrote:
Samiamiam wrote:
Its ok bro no ones gonna think you're gay if you give a show with cute boys 3 stars on a preview guide lmao. Men always get so defensive/insecure about this stuff I have no idea why. We all understand you can't like media featuring sexualized men because it makes you uncomfortable- we've read your reviews. Tbh, I don't even know why you preview those shows in the first place because I can't imagine anyone who would potentionally be interested in watching the show finding them useful. (And I feel similarly for other reviewers who continue to review things they know they can't really review in a useful way. It just wastes everyones time. And I don't mean that you have to be a huge fan of the genre to review it, just that if its really not your thing, you should just not participate. There are plenty of cishet straight male reviewers here on ann that don't have the same ...hangups with male sexuality as you, or at least they don't come through to their work as clearly, and I find their reviews very useful even if it isn't their genre)

I flatly disagree with the bolded attitude, as I find it valuable to know whether or not someone who doesn't normally like the genre/content can still find it tolerable or even interesting. Comments in response threads over the years have indicated that a significant number of our review's readers agree on this. That's why we "waste our time" on them.


And in the sentence right after, I point out there are reviewers who are good for things like that- reviewing things outside of their comfort zone. Like I said, there are plenty of other straight male reviewers here at ann that are good at reviewing shows with male fanservice. Are they in love with them? Not generally no, but they are able separate themselves enough to understand if the show is accomplishing what its trying to do.

I'm saying that there are ann reviewers of certain genres who are not good at that and have too many personal issues with material to give useful reviews. A lot them end up churning things out like "if only this was targeted towards me I'd like it 2/5" which is both embarrassing and ultimately a waste of everyones time.
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Hellsoldier



Joined: 21 Jun 2013
Posts: 754
Location: Porto,Portugal,Europe,Earth,Sol
PostPosted: Fri Jul 03, 2020 7:18 pm Reply with quote
kakugo complete wrote:

Hellsoldier wrote:

I was unaware of Ikuhara's discussion on the subject... Though I'd be weary of taking anything Ikuhara says seriously. I mean... He's a god damn troll. He loves messing with his audience. I never heard of him having a serious discussion on anything. However, it could just be that I don't know enough about Ikuhara. Love his work anyways. I appreciate this bit of info though.

A large part of the LGBT community is anti-Loli/Shota, understandably. Loli and Shota cause a natural discomfort on most people. I will point out however that loli works have been published on Comic Yuri Hime, the most published yuri manga magazine in Japan, with 70%n of its sales attributed to women. The ones that come to my head are Wataten! An Angel Flew Down to Me and Joshikousei to Ouji-chan. So, it seems that, at least in Japan, there's a sizable loli fandom among Lesbian and Bisexual Women.


I'd say Ikuhara can be pretty honest; was super-serious about some kind of ideological affiliation, chances are he wouldn't troll about it. He can talk honestly, and he he made his views on arbitrary societal gender roles pretty clear in the past when he said he doesn't think Utena at the start of the movie has "male clothing" - it's just "Utena's clothing". He obviously has progressive beliefs but doesn't strike me as invested in spreading a specific sociopolitical ideology as much as just... his ideology.

Yuri Hime was 70% female all the way back in 2008; now it's around 50/50. Not to say women into yuri never like loli, because quite a few of 'em do, but I doubt Takano Saku would consider her occasional loli manga to be "So Important LGBT representation".

Some them are just equal-opportunity horny and draw both hardcore yaoi porn and hardcore yuri porn. And some people calling them "openly, socially queer" would be technically accurate but also funny because of the social implications of the wording.


Well, Ikuhara is quite simply a mystery to me, so, my guess is: You're probably right. His work is essentially a blend of themes of interest, fetishes of his, opinions of his, and cultural inspirations of his.

I guess I got outdated numbers then. Makes sense, since Comic Yuri Hime S, a more male-oriented yuri magazine, fused with Comic Yuri Hime, so, by default the audience is a mixed one. And well, naturally, lolicon manga is never going to have a serious discussion of anything, unless it is to be an extremely controversial manga. It's basically manga for a market, both male and female.
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Yuvelir



Joined: 06 Jan 2015
Posts: 1558
PostPosted: Fri Jul 03, 2020 7:20 pm Reply with quote
I'm late to the party but anyway, I think it isn't very fair to expect the first volume of an ongoing series to play all its cards and answer all the questions, regardless of context.
But emotional responses will do that, and it was nonetheless an informative review that highlighted some issues that I hadn't noticed.

In the case of this work, while Mogumo is the focal character, the PoW character as stated by others is Tetsu. Ultimately I think this work is made primarly made for cishet [men] and while it might introduce Mogumo first, it does so in a "put a pin on that" way. Instead it brings us in a journey through other queer aspects easier to digest for someone with little knowledge on these matters - Tetsu learns about trans women first (how he switches from calling his sibling "brother" to "sister" is very meaningful) and homosexuality later.
And that journey is important to begin to understand Mogumo - not like Mogumo has figured themselves out either, there's some self-exploration going on. Which is why I'm not too fond of their early pairing either, it adds too many complications too soon.

I think it also does a very basic and good work at humanizing these realities, for some audiences at least. I had heard about non-binary before but never put any thought on it but this manga kind of shouted "hey, they're people you know?" at me and showed some very realistic/expectable struggles. And in a similar sense, there's this general offensive caricature floating around about what trans women are and look like, so Mei looking so feminine and cute rejects the caricature and offers some validation by proxy (I know. This comes with its own slew of issues. But it works, for an audience).

In the end this manga wants you to empathize with all these queer characters, consider them nice people and desire their happiness.

EndlessEmpty wrote:
2) Regarding the bit about the ‘google search’: I’m uncomfortable with the subtext there too (and think people are right to call me out on that). To understand the particulars of that line in the review, here’s the panel in question, the one the sentence is referring to:

https://imgur.com/Trq3Yko

When I read this, in the heat of the moment, in context of a manga I wasn’t enjoying, it read to me like the author was casually deploying nonbinary identities for their story in a very token, insensitive way (which was also related to their presumed cisness, which I also regret), without a real depth of research (which was also an unfair assumption).

Honestly? I think you were right on the money.
It reads like he wanted to write about a specific archetype not uncommon in manga, the "playful and impish boy who likes dressing like a girl" like Aikawa in Prunus Girl.
But it wasn't working out which is no surprise, so when the author learned about non-binary people, that archetype got turned into something deeper and more meaningful.
However it isn't as much as writing a nonbinary identity into a story as mixing it with a vague and general concept.
In my more positive outlook, that could have failed as well but since the author put on the work to learn more and work around that, it worked out.

kakugo complete wrote:
Yeah that's exactly what makes it so funny, because these labels mean something in a US social context. Same reason said the word "queer" has political ideological connotations. No one would call the yaoi hentai anime where a dude penetrates another dude with a piece of corn "queer" even though it's possible for a gay dude to like it.

... and a bottle of Bourbon. God, are these OVAs really that well known?

st_owly wrote:
Can I just say I really hate the cover? It makes it look like lolicon fetish porn, genuinely makes me feel uncomfortable, and now this review has kind of confirmed my squicky feelings. If I do buy this series it's going to be digitally so I don't have to look at it on my shelf.

Lolicon concerns aside, it's extremely fetishy and completely undersells the work and what it truly is even if technically the main theme is there in those cookies.
I might have checked it out of morbid curiosity, but if I actually started reading it with honesty it's because of an earnest recommendation. Thankfully the next covers are more restrained
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P€|\||§_|\/|ast@



Joined: 14 Feb 2006
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PostPosted: Fri Jul 03, 2020 10:43 pm Reply with quote
Some people commented about the design and look of the character designs being too fetishy, unrealistically feminine or pandering to lolicon otaku. But actually, I feel that the design and look is quite appropriate if you consider that being inviting and visually appealing to typical readers of cute fanservice laden rom-coms complements the ongoing push for inclusion of more down to earth LGBTQ pertinent storylines in popular media. This story aspect is not preachy and overt that it would discourage readers after realizing Fukakai na Boku no Subete o is not just a cute fanservice laden rom-com. I think within the realm of the vast majority of otaku-oriented manga or manga specifically targeted for fetish seekers such as otokonoko fanboys, it reminds us that manga is primarily a fantasy and escapist form of creative expression. To expect many more serious, thought provoking titles like Wandering Son is highly unrealistic.
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StarfighterPegasus



Joined: 04 Oct 2013
Posts: 149
PostPosted: Sat Jul 04, 2020 2:29 am Reply with quote
st_owly wrote:
Can I just say I really hate the cover? It makes it look like lolicon fetish porn, genuinely makes me feel uncomfortable, and now this review has kind of confirmed my squicky feelings. If I do buy this series it's going to be digitally so I don't have to look at it on my shelf.
I don't understand your reasoning. The cover usually gives you what you would expect in a genre. If the cover has a risque woman on the cover chances are its catering to the ecchi, harem audience. So if you feel turned off by the cover to an extreme degree why would you get the book? You ether get the book or you leave the book alone and find something else to read.
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MetalEmolga7



Joined: 28 Sep 2018
Posts: 71
PostPosted: Sat Jul 04, 2020 8:21 pm Reply with quote
Blood- wrote:

I think we are headed to a point in the West where if a story is substantially set in a certain culture, publishers, studios, broadcasters, etc simply will refuse to have anything to do with the work if it is not written by somebody from that culture, which I fully support.


This is an extreme position that most people including most marginalized people don't support. Most creators do not want to be forced into only writing only about their own group including marginalized creators. Are there some people that hold this belief? Sure but that doesn't make it right or the consensus that everyone holds.
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