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EP. REVIEW: Sugar Apple Fairy Tale


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SHD



Joined: 05 Apr 2015
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PostPosted: Fri Jan 20, 2023 6:11 pm Reply with quote
What a weird, awkward story this is.

Even putting the slavery aspect aside, the whole human/fairy thing is just utterly tonedeaf. It keeps teetering on the edge of understanding, and then falling back into a clearly well-intentioned but still deeply unfortunate attitude. Like the whole thing with Cathy and the relationship between her and Jonas, and Anne's reactions to it... all that just leaves me scratching my head every time, wondering if the writer does in fact realize the gigantic issues and is just deciding to handwave them away, or if she only has some vague sense of "it's not quite OK" but nothing deeper. (But the intentions do count as far as I'm concerned - everything considered I'd still rather have something like this, than the usual slave harems where the slave girls are just dying to please their master in every way possible, and the main character is supposed to be an amazingly good person for, uh, clearing the lowest of low bars by not taking advantage of them.)

Also, even that aside... Anne is weirdly unknowledgeable about fairies despite living in a world where fairy slaves are common. Sure, I know all that is supposed to be for the reader's/viewer's benefit, but why can't they do exposition in a less jarring way.

Also, Anne goes out of her way to buy a fairy as a slave bodyguard and is not above abusing her power over him, despite thinking that fairies and humans should be equal, instead of just avoiding the whole problem by hiring a human bodyguard (I'm sure they have those around, don't they?).

Also, I spent most of episode 3 with my mouth hanging open over the stolen sugar plot. Like... two barrels' worth of silver sugar go missing. Anne accepts that it was Mithril who stole it, despite Mithril being like, fifteen centimeters tall and having a power that is completely unsuited for stealing two barrels' worth of sugar. Like seriously, Anne knows Mithril's power and how sucky it is, how does she think he even managed to take two entire barrels? And why doesn't she ever wonder about what he did with it? Also, why doesn't she even try asking Mithril what he did with the sugar and where it is now (no way he ate all that sugar)? Why does she immediately take the hard route by picking how many apples (that just happened to be there, clearly belonging to nobody...?) and cooking them and all that? Why didn't she order Chal to look for the sugar, or ask him to help with the apples while Jonas & Cathy look for it? (That they clearly wouldn't do because obviously they're the thieves, but anyway.)

And then there's how terribly stereotypical most everyone is, right down to the voice acting. Especially Chal is painful, but Anne and Cathy as well... At least Jonas was sort of a breath of fresh air, despite being obnoxious and clearly a dick. (It's the one thing the show has done well, showing the dogged suitor as actually annoying and even threatening, instead of giving him the "poor nice guy" treatment.)

All in all, this is not my cup of tea, but I think I may continue to watch simply because I'm vaguely curious about some characters in the OP/ED who haven't shown up yet.
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MFrontier



Joined: 13 Apr 2014
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PostPosted: Fri Jan 20, 2023 6:41 pm Reply with quote
I'm a sucker for a good Shojo romance and so far I think they're doing a great job of developing Anne, Challe, their relationship, and the developing world around them.
SHD wrote:
What a weird, awkward story this is.

Even putting the slavery aspect aside, the whole human/fairy thing is just utterly tonedeaf. It keeps teetering on the edge of understanding, and then falling back into a clearly well-intentioned but still deeply unfortunate attitude. Like the whole thing with Cathy and the relationship between her and Jonas, and Anne's reactions to it... all that just leaves me scratching my head every time, wondering if the writer does in fact realize the gigantic issues and is just deciding to handwave them away, or if she only has some vague sense of "it's not quite OK" but nothing deeper. (But the intentions do count as far as I'm concerned - everything considered I'd still rather have something like this, than the usual slave harems where the slave girls are just dying to please their master in every way possible, and the main character is supposed to be an amazingly good person for, uh, clearing the lowest of low bars by not taking advantage of them.)

Also, even that aside... Anne is weirdly unknowledgeable about fairies despite living in a world where fairy slaves are common. Sure, I know all that is supposed to be for the reader's/viewer's benefit, but why can't they do exposition in a less jarring way.

Also, Anne goes out of her way to buy a fairy as a slave bodyguard and is not above abusing her power over him, despite thinking that fairies and humans should be equal, instead of just avoiding the whole problem by hiring a human bodyguard (I'm sure they have those around, don't they?).

Also, I spent most of episode 3 with my mouth hanging open over the stolen sugar plot. Like... two barrels' worth of silver sugar go missing. Anne accepts that it was Mithril who stole it, despite Mithril being like, fifteen centimeters tall and having a power that is completely unsuited for stealing two barrels' worth of sugar. Like seriously, Anne knows Mithril's power and how sucky it is, how does she think he even managed to take two entire barrels? And why doesn't she ever wonder about what he did with it? Also, why doesn't she even try asking Mithril what he did with the sugar and where it is now (no way he ate all that sugar)? Why does she immediately take the hard route by picking how many apples (that just happened to be there, clearly belonging to nobody...?) and cooking them and all that? Why didn't she order Chal to look for the sugar, or ask him to help with the apples while Jonas & Cathy look for it? (That they clearly wouldn't do because obviously they're the thieves, but anyway.)

And then there's how terribly stereotypical most everyone is, right down to the voice acting. Especially Chal is painful, but Anne and Cathy as well... At least Jonas was sort of a breath of fresh air, despite being obnoxious and clearly a dick. (It's the one thing the show has done well, showing the dogged suitor as actually annoying and even threatening, instead of giving him the "poor nice guy" treatment.)

All in all, this is not my cup of tea, but I think I may continue to watch simply because I'm vaguely curious about some characters in the OP/ED who haven't shown up yet.

I think we see in the plot itself Anne grappling with the moral implications of what she's doing with Challe and how she's perpetuating the systemic issues despite her ideals.

I think the implication was that Mithril ate all the sugar.

I really like Challe's performance myself and his character, as typical as the brooding classically handsome love interest is in these types of shows.
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Gina Szanboti



Joined: 03 Aug 2008
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PostPosted: Fri Jan 20, 2023 7:44 pm Reply with quote
At some point during episode 3 it occurred to me that this is produced on a level for maybe 10-14 year old viewers rather than for trope-familiar older teens and adults. Jonas' Nice Guy™ routine has been so obvious from the start I've had to roll my eyes, until realizing this isn't written for me (not to say I'm not enjoying it).

Honestly though, until Cathy falsely named Mithril as the thief, I figured it was Hugh, to, I dunno, recoup his losses on paying their inn? It still seemed odd that none of them suspected him.
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SHD



Joined: 05 Apr 2015
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PostPosted: Sat Jan 21, 2023 6:22 am Reply with quote
MFrontier wrote:
I'm a sucker for a good Shojo romance and so far I think they're doing a great job of developing Anne, Challe, their relationship, and the developing world around them.

I guess "good" is extremely subjective... Even in the genre of fantasy romance for girls, there's just so, so many better works, stories that are infinitely more intelligent than this one. Where's the anime adaptation of manga like Elia to totsukuni no ou? Or Itsuwari no Freya? Or even Boukoku no Marguerite, as much as I think it's not all that, it's still a lot more intelligent than this show, has better characters, and it's been getting a lot of attention lately.

(Frankly, this is the sort of show that grates on me simply because the terms "shoujo" and "shoujo romance" is being associated with this particular style and delivery and just general degree of (im)maturity, despite all the diversity within even "romance for female readers", let alone "works mainly targeting female readers that may or may not contain romance"...)

MFrontier wrote:
I think we see in the plot itself Anne grappling with the moral implications of what she's doing with Challe and how she's perpetuating the systemic issues despite her ideals.

Anne isn't really grappling, though? She's like "I'm aware I'm doing a bad thing that goes against the principles I claim to staunchly hold, but I'm still going to do it for extremely selfish reasons that basically boil down to my convenience, and uh, I'm going to be nice to my slave and release him later so I guess that makes it OK!" And then she even says that much to Chal himself! It's like a vegan athlete being all "I'm staunchly against consuming anything whose creation caused an animal to suffer, but I'm still going to eat juicy steaks and chicken and drink milk all day for an entire month because I want to bulk up fast for this competition that I could do next year but I don't feel like waiting, also I don't want to take vegan protein supplements either."

Again, I don't doubt that it's all well-intentioned, and I appreciate that at least she is being called out on her hypocrisy, it's just that the whole thing then just stops at "Anne knows it's not good, but at least she's a good slave owner who is nice to her slave, so it's all OK." And sure, I don't want the story to be about the discussion of the ethics of slavery or whatever, but there are ways to do this sort of setting without half-assing it like that.

MFrontier wrote:
I think the implication was that Mithril ate all the sugar.

But there's two barrels missing. And Mithril is like, the size of my palm. It's so blatantly impossible, and Anne just takes it all in stride.

Then again, she just took it in stride when the Maeno Tomoaki character was like "Sorry for attacking your fairy - as a compensation I'll pay for your stay here... if you make me some candy creations." Like... dude, you didn't compensate for anything. Anime smile + sweatdrop in the end technically he got Anne work for him for free!
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ab2143



Joined: 09 Jan 2021
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PostPosted: Sat Jan 21, 2023 7:12 am Reply with quote
Poor Mithril Sad I hope he comes back... Though I was also frustrated at Anne not bothering to defend Mithril when he was accused of stealing two barrels of sugar... Like SHD says, his tiny size and power makes him one of the least likely suspects...

I am still enjoying it but Anne can be very frustrating to watch
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Princess_Irene
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PostPosted: Sat Jan 21, 2023 7:18 am Reply with quote
SHD wrote:

Again, I don't doubt that it's all well-intentioned, and I appreciate that at least she is being called out on her hypocrisy, it's just that the whole thing then just stops at "Anne knows it's not good, but at least she's a good slave owner who is nice to her slave, so it's all OK." And sure, I don't want the story to be about the discussion of the ethics of slavery or whatever, but there are ways to do this sort of setting without half-assing it like that.


That's what I meant by saying that it reminds me of antebellum abolitionist novels, mostly the ones that didn't stand the test of time for modern readers. They pulled things like this a lot, and it often feels like it comes down to well-intentioned authors who felt strongly but didn't have a solid idea of how to tackle the issue.
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MFrontier



Joined: 13 Apr 2014
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PostPosted: Sat Jan 21, 2023 10:50 am Reply with quote
SHD wrote:
I guess "good" is extremely subjective... Even in the genre of fantasy romance for girls, there's just so, so many better works, stories that are infinitely more intelligent than this one. Where's the anime adaptation of manga like Elia to totsukuni no ou? Or Itsuwari no Freya? Or even Boukoku no Marguerite, as much as I think it's not all that, it's still a lot more intelligent than this show, has better characters, and it's been getting a lot of attention lately.

(Frankly, this is the sort of show that grates on me simply because the terms "shoujo" and "shoujo romance" is being associated with this particular style and delivery and just general degree of (im)maturity, despite all the diversity within even "romance for female readers", let alone "works mainly targeting female readers that may or may not contain romance"...)

I think it's pretty good so far? The leads are likeable, the animation and visuals are very nice, the relationship development is going at a nice pace, and I don't see it as particularly immature. But your mileage may vary.
Quote:
Anne isn't really grappling, though? She's like "I'm aware I'm doing a bad thing that goes against the principles I claim to staunchly hold, but I'm still going to do it for extremely selfish reasons that basically boil down to my convenience, and uh, I'm going to be nice to my slave and release him later so I guess that makes it OK!" And then she even says that much to Chal himself! It's like a vegan athlete being all "I'm staunchly against consuming anything whose creation caused an animal to suffer, but I'm still going to eat juicy steaks and chicken and drink milk all day for an entire month because I want to bulk up fast for this competition that I could do next year but I don't feel like waiting, also I don't want to take vegan protein supplements either."

Again, I don't doubt that it's all well-intentioned, and I appreciate that at least she is being called out on her hypocrisy, it's just that the whole thing then just stops at "Anne knows it's not good, but at least she's a good slave owner who is nice to her slave, so it's all OK." And sure, I don't want the story to be about the discussion of the ethics of slavery or whatever, but there are ways to do this sort of setting without half-assing it like that.

I mean, I don't think we're meant to take away that Anne is a "good slave owner who is nice to her slave which makes it ok," Challe is happy to remind her of the status they're in even when she tries to bond with him or seems to think their relationship isn't that of slave and owner, just that it's the situation they're in and Anne's own desperation (she probably would have been dead by now if he weren't there) despite her ideals. It's not trying to "glamorize" or diminish the slavery at all in my opinion.

It feels honest enough to me.
Quote:
But there's two barrels missing. And Mithril is like, the size of my palm. It's so blatantly impossible, and Anne just takes it all in stride.

Then again, she just took it in stride when the Maeno Tomoaki character was like "Sorry for attacking your fairy - as a compensation I'll pay for your stay here... if you make me some candy creations." Like... dude, you didn't compensate for anything. Anime smile + sweatdrop in the end technically he got Anne work for him for free!

Considering how we see fairies eat, which is through their hands and not their mouths, I don't think it's impossible that MIthril could've just absorbed it all.

He paid for their room and board like he said he would, though?
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rahzel rose
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PostPosted: Sat Jan 21, 2023 11:33 am Reply with quote
MFrontier wrote:
I'm a sucker for a good Shojo romance and so far I think they're doing a great job of developing Anne, Challe, their relationship, and the developing world around them.

I really like Challe's performance myself and his character, as typical as the brooding classically handsome love interest is in these types of shows.


These are basically my thoughts. I am definitely a sucker for the attractive loner brooding type, so Challe is right up my alley and I am enjoying the actor’s performance as well. (Although I still get tripped up sometimes thinking he’s Eguchi lol.) I was also happy to see a bit more of the sugar making aspect in episode 3, although I do hope we’ll get more in depth sugar action once they reach Lewiston. I haven’t started the light novels yet, so I’m not sure how much of that gets glossed over or not.

In general, I'm quite enjoying the story and I think the anime is very pretty. It has become something I look forward to every Friday night after a long work week.
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Summinn



Joined: 21 Jan 2023
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PostPosted: Sat Jan 21, 2023 2:53 pm Reply with quote
Does no one else find it weird that this is a romance series about a 15-year old girl and a 70+ year old fairy? I can't see myself continuing the series because I am weirded out every time I remember this fact.
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SHD



Joined: 05 Apr 2015
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PostPosted: Sat Jan 21, 2023 3:44 pm Reply with quote
Princess_Irene wrote:
That's what I meant by saying that it reminds me of antebellum abolitionist novels, mostly the ones that didn't stand the test of time for modern readers. They pulled things like this a lot, and it often feels like it comes down to well-intentioned authors who felt strongly but didn't have a solid idea of how to tackle the issue.

I'm not very familiar with those (my American literature studies were a loonnnnng time ago) but yes, it really does seem like the writer had this idea and had a decent "actually this is bad" attitude, but then thought that they were doing enough with how they were writing it... In any case while I'd still rather have this than the "Master why don't you let me please you" type slave fantasies, but I'd really rather it was done with more care.

MFrontier wrote:
I think it's pretty good so far? The leads are likeable, the animation and visuals are very nice, the relationship development is going at a nice pace, and I don't see it as particularly immature. But your mileage may vary.

As I said, it's all very subjective. I don't agree with you at all, but hey, your opinion is not mine and that is fine. If you enjoy the show that's great, good for you, I'm just here saying why I'm not enjoying it, nobody has to agree.

MFrontier wrote:
I mean, I don't think we're meant to take away that Anne is a "good slave owner who is nice to her slave which makes it ok," Challe is happy to remind her of the status they're in even when she tries to bond with him or seems to think their relationship isn't that of slave and owner, just that it's the situation they're in and Anne's own desperation (she probably would have been dead by now if he weren't there) despite her ideals. It's not trying to "glamorize" or diminish the slavery at all in my opinion.

It's not glamorizing it, but it's absolutely dismissive of it on many levels - as I said above I'm sure it's not intentional at all, but it happens nevertheless. Anne's grappling with the whole problem of her essentially having a slave and even abusing her power over him starts and ends with "Look, I'm very sorry, I hate to do this, but I really want to enter this contest right now and for that to happen I needed to buy you as a slave. But I actually think we are equal and I'll let you go once we arrive." ...yay, you go girl? Anime smile + sweatdrop She says she strongly opposes humans oppressing fairies, and yet she buys a warrior fairy slave to be her bodyguard so she can enter a contest that she could just enter next year. She buys a fairy slave instead of hiring a human bodyguard. She says she's doing it essentially to honor her mom's memory, but we know that her mom was also very much against fairy slavery. She seems to think nothing of Jonas having a fairy of his own, and in fact when she finds out that the fairy is in love with Jonas her first thoughts are "aww love between a fairy and a human, isn't that nice"... and so on.

What I'm trying to say is, it's all not very well thought out. For example, there could have been ways to force her into a situation where she is not buying Chal for selfish reasons - that would have still worked better than her being all "this hurts me as much as it hurts you". She could have come from a faraway place without a real knowledge of the fairy situation in this country. She could have had at least some problems with Jonas owning a fairy, or some thoughts about the problems with that fairy being in love with him. Etcetera.

MFrontier wrote:
Considering how we see fairies eat, which is through their hands and not their mouths, I don't think it's impossible that MIthril could've just absorbed it all.

Two entire barrels? That seems completely implausible to me. But that really is beside the point - what I'm trying to say is that Anne is shown not questioning for a moment that Mithril stole the sugar, despite, for all she knows (and she knows very little about fairies, living in a world where they're common) it may be completely impossible. She never even asks "Mithril, why would you have done something like that?" let alone "but how??" Again, just bad writing, making the character look like a dummy just so the writer can force the plot along.

MFrontier wrote:
He paid for their room and board like he said he would, though?

He did (apparently...?), but this is how it went: he has his companion attack Chal -> he says he'll make up for it by paying for her stay -> oh, but only if they make him candy. So how is it making up for attacking Chal, if it's got this condition? Or, if it is making up for attacking Chal then Anne & Jonas worked for free... Anime smile + sweatdrop
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Princess_Irene
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Joined: 16 Dec 2008
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PostPosted: Sat Jan 21, 2023 4:07 pm Reply with quote
SHD wrote:

I'm not very familiar with those (my American literature studies were a loonnnnng time ago) but yes, it really does seem like the writer had this idea and had a decent "actually this is bad" attitude, but then thought that they were doing enough with how they were writing it...


In all fairness, you're not missing much. If it's not by Harriet Beecher Stowe (Uncle Tom's Cabin, which still has its issues), most of those novels don't hold up well - and I love most of Mrs. E.D.E.N. Southworth's books. Just...not the one I linked to in the review.

As for Hugh (guy they met at the inn), spoiler[that kind of behavior is his defining feature. Just wait until we hit volume two's adaptation.]
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Gina Szanboti



Joined: 03 Aug 2008
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PostPosted: Sat Jan 21, 2023 4:48 pm Reply with quote
SHD wrote:
He did (apparently...?), but this is how it went: he has his companion attack Chal -> he says he'll make up for it by paying for her stay -> oh, but only if they make him candy. So how is it making up for attacking Chal, if it's got this condition? Or, if it is making up for attacking Chal then Anne & Jonas worked for free... Anime smile + sweatdrop

I guess he's playing at weighing relative value, and he pretty much said as much. If the inn costs say, 20 Gold for her entire party, and attacking Challe is a sin with a 10 G penalty, he's overpaid his restitution by 10 G. If the fairy sugar he acquired plus his advice is worth 10 G to him, that makes them even.
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ThrowMeOut



Joined: 10 Oct 2018
Posts: 259
PostPosted: Sat Jan 21, 2023 10:29 pm Reply with quote
Look, to be honest, I love me some trashy problematic romances. You can preach until the cows come home about all its issues, and how there's better, more noble stories that should be getting attention, and maybe they do deserve it, but this stuff is my drug of choice. Right into my veins please.

I also appreciate that the show doesn't look like butt. Sure it's no Chainsaw Man in terms of quality, but considering most shoujo these days get bottom of the barrel production quality, I will enjoy this show's competent and pretty artwork.
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taubatauba



Joined: 12 Dec 2022
Posts: 3
PostPosted: Sun Jan 22, 2023 8:03 am Reply with quote
SHD wrote:
Princess_Irene wrote:
That's what I meant by saying that it reminds me of antebellum abolitionist novels, mostly the ones that didn't stand the test of time for modern readers. They pulled things like this a lot, and it often feels like it comes down to well-intentioned authors who felt strongly but didn't have a solid idea of how to tackle the issue.

I'm not very familiar with those (my American literature studies were a loonnnnng time ago) but yes, it really does seem like the writer had this idea and had a decent "actually this is bad" attitude, but then thought that they were doing enough with how they were writing it... In any case while I'd still rather have this than the "Master why don't you let me please you" type slave fantasies, but I'd really rather it was done with more care.

MFrontier wrote:
I think it's pretty good so far? The leads are likeable, the animation and visuals are very nice, the relationship development is going at a nice pace, and I don't see it as particularly immature. But your mileage may vary.

As I said, it's all very subjective. I don't agree with you at all, but hey, your opinion is not mine and that is fine. If you enjoy the show that's great, good for you, I'm just here saying why I'm not enjoying it, nobody has to agree.

MFrontier wrote:
I mean, I don't think we're meant to take away that Anne is a "good slave owner who is nice to her slave which makes it ok," Challe is happy to remind her of the status they're in even when she tries to bond with him or seems to think their relationship isn't that of slave and owner, just that it's the situation they're in and Anne's own desperation (she probably would have been dead by now if he weren't there) despite her ideals. It's not trying to "glamorize" or diminish the slavery at all in my opinion.

It's not glamorizing it, but it's absolutely dismissive of it on many levels - as I said above I'm sure it's not intentional at all, but it happens nevertheless. Anne's grappling with the whole problem of her essentially having a slave and even abusing her power over him starts and ends with "Look, I'm very sorry, I hate to do this, but I really want to enter this contest right now and for that to happen I needed to buy you as a slave. But I actually think we are equal and I'll let you go once we arrive." ...yay, you go girl? Anime smile + sweatdrop She says she strongly opposes humans oppressing fairies, and yet she buys a warrior fairy slave to be her bodyguard so she can enter a contest that she could just enter next year. She buys a fairy slave instead of hiring a human bodyguard. She says she's doing it essentially to honor her mom's memory, but we know that her mom was also very much against fairy slavery. She seems to think nothing of Jonas having a fairy of his own, and in fact when she finds out that the fairy is in love with Jonas her first thoughts are "aww love between a fairy and a human, isn't that nice"... and so on.

What I'm trying to say is, it's all not very well thought out. For example, there could have been ways to force her into a situation where she is not buying Chal for selfish reasons - that would have still worked better than her being all "this hurts me as much as it hurts you". She could have come from a faraway place without a real knowledge of the fairy situation in this country. She could have had at least some problems with Jonas owning a fairy, or some thoughts about the problems with that fairy being in love with him. Etcetera.

MFrontier wrote:
Considering how we see fairies eat, which is through their hands and not their mouths, I don't think it's impossible that MIthril could've just absorbed it all.

Two entire barrels? That seems completely implausible to me. But that really is beside the point - what I'm trying to say is that Anne is shown not questioning for a moment that Mithril stole the sugar, despite, for all she knows (and she knows very little about fairies, living in a world where they're common) it may be completely impossible. She never even asks "Mithril, why would you have done something like that?" let alone "but how??" Again, just bad writing, making the character look like a dummy just so the writer can force the plot along.

MFrontier wrote:
He paid for their room and board like he said he would, though?

He did (apparently...?), but this is how it went: he has his companion attack Chal -> he says he'll make up for it by paying for her stay -> oh, but only if they make him candy. So how is it making up for attacking Chal, if it's got this condition? Or, if it is making up for attacking Chal then Anne & Jonas worked for free... Anime smile + sweatdrop


I want to raise a point about the whole stolen sugar incident.

Anne's wagon was locked whenever she wasn't using it- as per her word. I don't think she'd give the key to anyone else. It seemed like her wagon was intact when she discovered that the sugar had been stolen- no apparent signs of a break-in or anything. Taking that into consideration, I think it'd make sense that she'd be more inclined to suspect somebody small. And as they were discussing the incident, Mithril comes right out of where? Anne's wagon. So, no, I don't view that as her being dumbed down. And who knows what fairy appetites are like in this universe?

As much as she dislikes Jonas' advances on her, she's known him and Cathy longer than she's known Mithril. They have a certain degree of trust.
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MFrontier



Joined: 13 Apr 2014
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PostPosted: Sun Jan 22, 2023 9:42 am Reply with quote
SHD wrote:
It's not glamorizing it, but it's absolutely dismissive of it on many levels - as I said above I'm sure it's not intentional at all, but it happens nevertheless. Anne's grappling with the whole problem of her essentially having a slave and even abusing her power over him starts and ends with "Look, I'm very sorry, I hate to do this, but I really want to enter this contest right now and for that to happen I needed to buy you as a slave. But I actually think we are equal and I'll let you go once we arrive." ...yay, you go girl? Anime smile + sweatdrop She says she strongly opposes humans oppressing fairies, and yet she buys a warrior fairy slave to be her bodyguard so she can enter a contest that she could just enter next year. She buys a fairy slave instead of hiring a human bodyguard. She says she's doing it essentially to honor her mom's memory, but we know that her mom was also very much against fairy slavery. She seems to think nothing of Jonas having a fairy of his own, and in fact when she finds out that the fairy is in love with Jonas her first thoughts are "aww love between a fairy and a human, isn't that nice"... and so on.

What I'm trying to say is, it's all not very well thought out. For example, there could have been ways to force her into a situation where she is not buying Chal for selfish reasons - that would have still worked better than her being all "this hurts me as much as it hurts you". She could have come from a faraway place without a real knowledge of the fairy situation in this country. She could have had at least some problems with Jonas owning a fairy, or some thoughts about the problems with that fairy being in love with him. Etcetera.

I don't see it as being dismissive with it, she's uncomfortable with it and didn't like doing it but saw it as her only recourse (potentially because hiring a human would have been less safe compared to a fairy in her mind), and that contrast between her ideals and what she's actually doing sets up some of the tension between her and Challe. And I don't think she assumed at all that "this hurts me as much as it hurts you" as much as she forgets herself and the situation she's in because she wants to be closer to Challe.

She's entering the contest in her mothers' memory, but that's separate from the actual situation of getting there and competing, although her mother probably wouldn't approve (I think she reflected on this a bit but I might be wrong).

She had issues with how Jonas treated Cathy but I don't see any issue with her being fine with Cathy being in love with Jonas.
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