Miss Hokusai Expands to Over 80 U.S. Theaters This Weekend
posted on by Rafael Antonio Pineda
Distribution company GKids' screening of Production I.G's Miss Hokusai film will begin screening in Atlanta, Chicago, Connecticut, Houston, Las Vegas, and New Jersey, as well as additional theaters in New York on Friday. The film began screening at the Angelika Film Center in New York and the Landmark Nuart in Los Angeles on October 14. The film will expand to more than 80 theaters over the weekend. GKids' website has a list of theaters and premiere dates.
GKids began streaming an English-dubbed trailer on Monday.
Annecy-winning director Keiichi Hara (Summer Days with Coo, Colorful) directed the film based on Hinako Sugiura's acclaimed historical manga Sarusuberi. The film originally premiered in Japan in May 2015.
Production I.G describes the story of Miss Hokusai:
The time: 1814.
The place: Edo, now known as Tokyo. One of the highest populated cities in the world, teeming with peasants, samurai, townsmen, merchants, nobles, artists, courtesans, and perhaps even supernatural things.
A much accomplished artist of his time and now in his mid-fifties, Tetsuzo can boast clients from all over Japan, and tirelessly works in the garbage-loaded chaos of his house-atelier. He spends his days creating astounding pieces of art, from a giant-size Bodhidharma portrayed on a 180 square meter-wide sheet of paper, to a pair of sparrows painted on a tiny rice grain. Short-tempered, utterly sarcastic, with no passion for sake or money, he would charge a fortune for any job he is not really interested in.
Third of Tetsuzo's four daughters and born out of his second marriage, outspoken 23-year-old O-Ei has inherited her father's talent and stubbornness, and very often she would paint instead of him, though uncredited. Her art is so powerful that sometimes leads to trouble. "We're father and daughter; with two brushes and four chopsticks, I guess we can always manage, in a way or another."
Decades later, Europe was going to discover the immense talent of Tetsuzo. He was to become best known by one of his many names: Katsushika Hokusai. He would mesmerize Renoir and van Gogh, Monet and Klimt.
However, very few today are even aware of the woman who assisted him all his life, and greatly contributed to his art while remaining uncredited. This is the untold story of O-Ei, Master Hokusai's daughter: a lively portrayal of a free-spirited woman overshadowed by her larger-than-life father, unfolding through the changing seasons.
Miss Hokusai previously won: the Jury Award in the Official Feature Film Competition at the 39th Annecy International Film Festival in June 2015; the Sequences Award for best Asian feature film, the Satoshi Kon Award for best animated feature film, and the Gold Audience Award for best animated feature film at the 19th annual Fantasia International Film Festival in August 2015; the Best Animated Feature Film award at the 48th annual Sitges International Fantastic Film Festival in October 2015; Best Animated Feature Award at the Asian Pacific Screen Awards in November 2015; and Best Animation Film Award at the Mainichi Film Awards in January.
Additionally, Keiichi Hara won Digital Content Expo's Asiagraph 2015 Tsumugi Prize for the film in September 2015. The film was also nominated for Animation of the Year by the Japan Academy Prize Association.