Review

by Rob Bricken,

Star Blazers 2199 - The Complete Series

Synopsis:
Star Blazers 2199 - The Complete Series
The alien Gamilas Empire has nearly destroyed Earth, and humanity has a single year left to live. The planet's last hope is the Space Battleship Yamato, the only ship with the power and technology to travel to the distant planet Iscandar, where its queen, Starsha, has a device that can restore the Earth. The ailing Captain Okita leads his young crew including Tactical Officer Susumu Kodai, whose older brother recently died in the war, and Staff Officer Yuko Mori, an amnesiac with mysterious ties to the Iscandarians, across the universe while outgunned and outnumbered by the vast forces of the Gamilans—even as various forces inside the Empire plot against its leader, Lord Dessler. It will take more than one miracle for the Yamato to make its way to Iscandar, but even if they do, they will face another problem: Can they return to Earth in time to save it?
Review:

The original Space Battleship Yamato isn't just an anime classic, it's one of the pillars of the medium. Co-creators Leiji Matsumoto and Yoshinobu Nishizaki defined the space opera in Japan when the show premiered in 1974, just as much as the giant robot genre was blazed by Mobile Suit Gundam's massive footprints. But Yamato has a second, arguably just as important legacy: it was the first serialized anime series ever adapted to air in America, under the name Star Blazers in 1979—making it one of the U.S.'s first serialized cartoon series, period.

As a remake of one of Japan's most revered TV classics, the 2012 remake Star Blazers: Space Battleship Yamato 2199 has a lot to live up to—and succeeds in nearly every way. It keeps the original series' core concept wholly intact, to the point even specific episodes of the original are recreated, Although the Yamato is now part of the United Nations Cosmo Navy instead of being purely Japanese, most if not all of the allusions and references to Japanese military history remain. The character designs have been updated but remain fundamentally true to their '70s incarnations. The score is grander and more orchestral here, but still takes many of its cues from its source material, including a straight-up rescoring of its opening theme, set to an opening title sequence (by none other than Hideaki Anno)—which is itself an homage to the 1974 series' opening. Fans of the original Space Battleship Yamato would find very little unrecognizable in 2199.

This includes the series' unique aesthetic, which leans hard into the “battleship” part of its title. The Yamato is named for the real-life World War II battleship of the same name, which is why it looks almost exactly like a World War II battleship despite the fact it sails through space, not the sea. Every fight requires the ailing Captain Okita to bellow orders to his officers, which have to be repeated verbatim, military-style. The 2199 Yamato even fires honest-to-goodness torpedoes along with its laser armaments, and more crazily, it has an actual anchor, which could not be more useless when traveling through the void of space. (Anchors are also the motif of the crew's uniform designs, by the way.)

The naval drama alone would give Space Battleship Yamato 2199 a classic, old-school feel even if it weren't a devoted remake of a show almost 40 years old. But it is devoted to its source material, to an extent that is either a large asset or a minor detriment, depending on your love of classic anime. The storytelling—even the action, to a degree—has a simplicity and methodical pace reminiscent of the shows of the '70s and '80s. Despite there being one overarching plot, the episodes are still primarily self-contained. While it's satisfying to have a story concluded in every episode, not all of these stories are important to the over-arcing plot, which means the show is occasionally drifting instead of sailing full steam ahead.

However, this feels like a deliberate choice to honor the original series and classic anime storytelling, and the show makes up for it in several ways. Slow or not, Yamato 2199's main arc has a much richer storyline than the original in every way. The characters have fleshed out histories, goals, and motivations, and are the show's primary focus instead of the ship (a major upgrade from the 1974 Yamato). The mission to Iscandar has gotten far more interesting, as have the Iscandarians themselves. Best of all, the Gamilas are no longer one-dimensional villains; a lot of screentime is devoted to seeing the Empire, its leader, its military commanders, and its varied society, giving the show's antagonists some badly needed complexity. There are other welcome updates, too: Many new characters have been added, giving a bit more heft to the “opera” side of the space opera equation, and drastically and happily increasing the female cast (although their uniforms have, perhaps unsurprisingly, remained skintight). Honestly, there's so much getting explored now that not every story it introduces gets resolved, which can be frustrating.

The biggest update is, of course, the animation. Saying that Space Battleship Yamato 2199 looks better than a show made in 1974 is so obvious as to be absurd, but that doesn't change the fact that even by modern standards the show is beautiful. Perhaps it stands out more because it is so utterly superior when compared to the original, but Yamato 2199's quality is evident in every frame. If you want to see an example of an anime TV series that has a big enough animation budget that it doesn't need to cut a single corner, watch Space Battleship Yamato 2199.

That, if nothing else, should tell you how important this franchise is, not just to fans, but anime itself. There's a reason why studios AIC and Xebec went all-out on this remake—why they were able to go all-out—and that's because a series as fundamental and revered as this deserves it. Space Battleship Yamato 2199 isn't an achievement on the level of its forbear—how could it be?—but it's an impressive achievement nonetheless. And whether you're watching it because you're a fan of the original, or want to take a modern look at anime's history, or just want a great new series to check out, it's worth setting sail with the Yamato.

Grade:
Overall : A-
Story : B
Animation : A
Art : A-
Music : B

+ Beautiful animation; a classic story improved with richer characters and setting while remaining impressively authentic to the original.
Some slow pacing in storytelling and action scenes; so many storylines that some are left unresolved; a serviceable but unremarkable English dub.

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Production Info:
Chief Director:
Akihiro Enomoto
Yutaka Izubuchi
Director:
Noboru Ishiguro
Yutaka Izubuchi
Leiji Matsumoto
Series Composition:
Yutaka Izubuchi
Toshio Masuda
Yoshinobu Nishizaki
Eiichi Yamamoto
Scenario: Aritsune Toyota
Script:
Yutaka Izubuchi
Shigeru Morita
Sadayuki Murai
Hiroshi Ohnogi
Shingo Takeba
Screenplay:
Keisuke Fujikawa
Maru Tamura
Eiichi Yamamoto
Storyboard:
Hideaki Anno
Koichi Chigira
Akihiro Enomoto
Nobuyoshi Habara
Shinji Higuchi
Mitsuru Hongo
Fumio Ikeno
Noboru Ishiguro
Yutaka Izubuchi
Hiroyuki Kanbe
Kazuyoshi Katayama
Kenzo Koizumi
Tomoki Kyoda
Sōichi Masui
Leiji Matsumoto
Shin Matsuo
Masahiko Ohkura
Keiichi Sasajima
Junichi Sato
Takeshi Shirato
Kazuo Takigawa
Yoshiyuki Tomino
Yoshikazu Yasuhiko
Hidetoshi Yoshida
Episode Director:
Makoto Bessho
Kiyoshi Egami
Akihiro Enomoto
Nobuyoshi Habara
Koutarou Hirugawa
Shuichi Kaneko
Takao Kato
Hibari Kurihara
Toshio Masuda
Yasuhiro Minami
Yasushi Muroya
Katsuichi Nakayama
Noriyuki Nomata
Masahiko Ohkura
Shunsuke Tada
Masaharu Tomoda
Shigeru Ueda
Koji Yoshikawa
Unit Director: Akihiro Enomoto
Music:
Akira Miyagawa
Hiroshi Miyagawa
Original creator:
Leiji Matsumoto
Yoshinobu Nishizaki
Character Design:
Nobuhiro Okasako
Tsunehiro Okasako
Nobuteru Yuki
Art Director: Minoru Maeda
Art: Leiji Matsumoto
Chief Animation Director: Akitoshi Maeda
Animation Director:
Toyoo Ashida
Noboru Ishiguro
Kenzo Koizumi
Takao Ogawa
Nobuhiro Okasako
Saburo Sakamoto
Takeshi Shirado
Mechanical design:
Yasushi Ishizu
Yutaka Izubuchi
Makoto Kobayashi
Junichirō Tamamori
Kimitoshi Yamane
Sound Director:
Atsumi Tashiro
Tomohiro Yoshida
Director of Photography: Takashi Aoki
Executive producer:
Hiroshi Furukawa
Ryūichi Hasegawa
Hirofumi Inagaki
Shunji Inoue
Kōta Kuroda
Ryuji Mimoto
Toru Miura
Kiyotaka Ninomiya
Toshiaki Okuno
Yukinao Shimoji
Seiji Takeda
Kai Tanaka
Kouichi Ueyama
Genta Yokokura
Kentarō Yoshida
Producer:
Atsushi Ariyoshi
Norihiko Fujisawa
Mikio Gunji
Toshihiro Maeda
Tetsuya Matsubara
Hideaki Matsumoto
Yoshinobu Nishizaki
Shinobu Suzuki
Fumi Teranishi

Full encyclopedia details about
Space Battleship Yamato (TV)
Space Battleship Yamato 2199 (TV)
Space Battleship Yamato 2199 (movie)

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