Forum - View topicAnswerman - Why Is Old Anime Still Released In Interlaced Format?
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Just Passing Through
Posts: 277 |
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The one time since buying a Blu-ray player, I deliberately bought a DVD when a BD was available, was for the UK version of Life on Mars. They wanted global reach for the Blu-rays, and encoded them at 24p for the US market, but the show was shot native 50Hz for PAL broadcast. The 576i 50Hz DVDs are native, while the Blu-rays slow down the audio by 4%. I am so glad that modern anime DVDs are being encoded progressively. The old interlaced stuff is so often hit and miss. I actually keep an old CRT TV to watch that stuff on, as it looks pants on an HD panel. But, interlaced NTSC is a small issue. try living with NTSC-PAL standards conversion on all your anime! |
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gwdone
Posts: 272 |
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A very informative article and discussion!!! Thanks!!!
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Polycell
Posts: 4623 |
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DangerMouse
Posts: 3984 |
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That was a great read.
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HdE
Posts: 50 |
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I love these kinds of articles! There's nobody in the business of disc authoring I trust more than Justin to offer a qualified and authoritative answer to these kinds of of questions.
This, though, from way upthread is of particular interest to me:
I use VLC a great deal, and I've found I can usually get a watchable result from discs that throw out weird visual artefacting just by experimenting with the de-interlacing options the program gives you. (If in doubt, folks, select Yadif X. Failing that, the phosphor setting on newer versions of VLC smooths out a lot of nastiness.) Very occasionally, though, I'll find one that just looks horrible whatever I do with it. Side point: Sentai's Dokkoida!? springs to mind. That one gets a lot of comments for how lovely it looks. But there's so much pixellation on screen whenever anything moves, it's ridiculous. (Disclaimer - I live in the UK and I import a lot of region 1 discs. No idea how my DVD set up might affect how they display.) Now, I'm pretty sure that a confirmed videophile will be able to tell me why tinkering with VLC's settings isn't a 100% satisfactory solution, but it's usually enough for my needs. I forget the model of my graphics card, but being a graphic designer, everything in my main work PC is pretty beefy. I might have to take a look and see what it is just to assuage my curiosity. |
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leafy sea dragon
Posts: 7163 Location: Another Kingdom |
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What are the most common problems that happen when you hook up an old system to a modern television? I always had the impression that even modern TVs were equipped to handle interlaced signals and that there shouldn't be a problem, light guns notwithstanding. (I never had the pleasure of hooking an old system to a modern TV, as all of my old systems and games were stolen in a burglary before I could try it.)
Plenty. Remember that we're talking about Hulu here, not some anime-specific streaming service. The majority of TV's history is in interlaced, so the majority of TV shows were aired and archived in interlaced. It's problematic if you want to watch an older show and it's not that popular.
I kind of assumed every HD TV that has a composite port would have to be able to handle an interlaced signal, since when that was the dominant kind of plug, progressive signals weren't very popular yet, and they have to take into account that someone will try to plug a device from the SD era into it using the composite port. And every HD TV I've handled has at least a composite port. Some even have co-axial, like my dinky 14" Polaroid from 2008. I have never seen an HD TV that only has component and/or HDMI. |
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Shiflan
Posts: 418 |
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I've never had an older system simply "not work" on a modern TV. That being said, some TVs (and the rest of the setup) work much better than others. These are the main issues as I know them: 1) Chrominance-Luminance separation. On older media like VHS and LD the analog video signal contained both the Chrominance (color) and luminance (brightness) data. If I understand correctly, this dates back decades to the advent of color TV, when the color signal was superimposed on the brightness signal already in use for B&W TV. Before the signal can be displayed on a digital TV the two must be separated. This is done using a "comb filter". Back in the days before HDMI was the norm manufacturers spent quite a lot of effort on the quality of the comb filter as it was critically important to picture quality. These days most hookups are via HDMI so the comb filter is more of an afterthought than anything else. The best comb filters (that I am aware of) are no longer in production; they were found on certain high end Japanese LD players that were never sold in the west, and also in the Mitsubishi Diamondscan rear-projection "big screen TVs". Many modern TVs are simply not very good at this. 2) digital processing. Justin touched on this a bit in his article. Modern TVs contain what is essentially a computer. It does such things as convert interlaced signals to progressive, and upscale video to whatever the native resolution of the LCD panel is. These video processors are actually very powerful these days and also do things like dynamic brightness control, edge enhancement, or even attempt to remove macroblocking from a poorly compressed DVD. The problem is that the software which these systems run is optimized for "real life" video rather than animation. A TV that renders a hollywood movie perfectly might do a horrible job displaying even simple animation. 3) Not really relevant for watching anime, but the aforementioned video processing "computer" in the TV takes a little while to render frames. Thus there is a slight lag between the output signal of the player (or video game console) and the moment that signal is shown on he screen. For video games that require precise timing that can cause problems because what you're seeing on the TV is a fraction of a second behind what's actually going on in the console. |
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leafy sea dragon
Posts: 7163 Location: Another Kingdom |
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Thank you! That actually makes a lot of sense. Regarding comb filters, are they physical devices placed into a TV or a program for the computer inside the TV to do? If it's the latter, couldn't they reuse existing comb filters? If it's the former, is it simply just not worth the money to manufacture good quality ones anymore?
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Galap
Moderator
Posts: 2354 |
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God damn interlacing, and doing inverse telecine. I remember capturing obscure anime off of VHS, and it was pretty demanding to figure out how to do that and have it look good.
I remember the solution ended up being using Donald Graft's deinterlacing filter, plus some other manipulations. Ended up working out but figuring it out was an involved process. |
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Shiroi Hane
Encyclopedia Editor
Posts: 7580 Location: Wales |
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"although Crunchyroll will put up with some frame blending if that's all that's available"
This is giving me flashbacks to some of their catalogue shows that looked like they could well have been ripped from the DVDs themselves. Like https://goo.gl/photos/LmaT8i7jV51n2gkNA (could be worse; these screenshots are from some episodes I purchased from Blinkbox, provided by GONG)
It's even more fun if the NTSC video has been converted to PAL. I keep a collection of my favourite OP/EDs on a memory card for viewing on long journeys etc and some like Konomimi have really suffered (plus I've never had any joy getting de-interlacing to work on Android).
I'd expect the majority of SD TVs are flat panels these days, and there definitely have been HD CRTs - they showed them off on BBC Tomorrow's World in the 80s!
I remember finding out that PS3s will refuse to play a PAL DVD, even if it is Region 1 or region free. I remember looking into importing a PS3 when I first got one, but in order to play games, DVDs and BDs from the UK , Japan and the US I would have needed three separate consoles (a Japanese console would play BDs from the US and Japan and DVDs from the UK and Japan, but not BDs from the UK or DVDs from the US etc.) I should imagine that any TV model that is sold worldwide would support both 50 and 60Hz, rather than having multiple different hardware versions (I guess larger manufacturers might have region specific firmware, but I wouldn't be surprised if a lot of cheap OEM models didn't have anything that fancy) |
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leafy sea dragon
Posts: 7163 Location: Another Kingdom |
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I remember seeing those things in the 90's too. My father liked to stay on top of technological releases, so he'd watch shows, read magazines, and go to conventions about not-quite-consumer-yet machines. The consensus on HD CRTs was "too expensive." Were they ever released into the general consumer markets? I never saw any HD CRTs for sale, only at those conventions. |
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Alan45
Village Elder
Posts: 9873 Location: Virginia |
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leafy sea dragon Wrote:
It depends on your definition of an HD CRT. I had a 36" standard aspect Sony CRT TV that was "HD ready". The tuner did not handle HD broadcasts which didn't matter as during its lifetime only sports shows were broadcast in HD and the cable box superseded the tuner in any case. However, when used with a Bluray player it would show the content in HD. Wide aspect shows were letterboxed of course. The interesting thing is that since picture size is measured on the diagonal, I had to go to a 46 inch wide screen set to maintain the same size when watching standard aspect shows. |
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dragonrider_cody
Posts: 2541 |
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I know at least Sony a few HD CRT models to market. We had them for sale at Best Buy. The picture was actually pretty good, and they were considerably cheaper than the LCD and plasma models available at the time. |
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Shiflan
Posts: 418 |
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Originally they were dedicated IC chips installed somewhere in either the player or the television. A player using a "composite" video cable would send the combined signal to the TV and then the TV's built-in comb filter was used. That setup would have been most common for typical consumer A/V gear. If the connection was done by either S-video or Component cables then the comb filter would be built into the player. Those were found on some higher-end consumer gear. It is not always obvious which is the better setup. S-video was marketed as being an "upgrade" from composite but if your TV happened to have a better filter than your player then the opposite was true. Nowadays this is largely moot. DVDs and Blu-Rays encode the chroma and luminance signals separately so there is no need for a comb filter at all. The only reason they still exist is for backwards comparability. But it seems that feature will likely disappear soon as analog audio and video are pretty much dead in the mainstream market. Earlier this year I went looking for a Blu-Ray player that had an analog audio output on it so I could run the signal through my 2-ch stereo. It was very difficult to find such a thing even though it used to be so common. The best comb filters that I am aware of were from the Japanese MUSE HD-LD players (yes, there was such a thing as HD laserdisc!) and the Mitsubishi TVs I mentioned above. Those were different because they had implemented a particular patent which had just become available. But I don't think there was much demand to keep pushing the envelope on filter design since DVD was the new thing and didn't need one. These days TVs have a powerful computer inside which handles all the video processing. Surely such a chip has the "horsepower" to do a better job than the best tech of 1995. But I don't think the motivation exists for any of the makers to invest in furthering the R&D for such a niche thing. The modern video processing engines are geared around real-life video, not animation. |
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leafy sea dragon
Posts: 7163 Location: Another Kingdom |
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All right, thanks for the answer. So the reason is because there isn't much demand for backwards compatibility with older devices anymore? (I'd guess this will be problematic for retro gamers who want to play on the systems they're originally on. Certainly, I have a number of older game systems, and their lack of compatibility with newer TVs worries me.)
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