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Free TX Speed Racer screening from AICN May 5

Priority to people with kids... at the Drafthouse? I think I'll pass >_>

Have you been to the Drafthouse? Not the kind of place you'd want to go to when it's full of kids.

"Daisato lives a mundane life in a rundown house tagged with insulting and obscenity-riddled graffiti. This middle-aged slacker seems a puzzling subject to be followed by the documentary crew that films his banal daily routine. That is, until he prepares for his “job.” As bolts of electricity rip through the sky, Daisato is transformed into a stocky giant several stories high, sporting tight purple briefs, tattoos and an Eraserhead-style hairdo. In his hand is a big stick – for beating the crap out of monsters. Welcome to the world of Dainipponjin (which translates as “BIG MAN JAPAN”), a sixth-generation superhero defending Japan from outlandish “baddies,” as Daisato calls them. These ridiculous villains include the freak with the comb-over hairdo who pulls down skyscrapers with elastic arms or the revolting beast that lets rip stink clouds equalling the smell of twenty thousand human feces. Surrounded by mystical tradition and ceremony, his predecessors were national champions feted with parades and cheering fans. Today, Daisato’s battles are broadcast late at night to diminishing ratings. He has become the scapegoat of New Japan, whose citizens bitterly complain about the noise and destruction of property he causes. Daisato has his own problems, including an agent insistent on branding him with sponsor advertisements, an Alzheimer-afflicted grandfather who transforms into a giant in dirty underwear and an ex-wife and daughter who are embarrassed by his often cowardly exploits. A wickedly deadpan spin on the pop image of giant Japanese superheroes like Ultraman, DAINIPPONJIN body slams with a stinging dry wit that ricochets to ever-higher levels of audacity. Director and star Hitoshi Matsumoto – one of Japan’s biggest comedians, on the same level as Takeshi Kitano – pulls off a whacked-out and imaginative filmmaking debut, yet still hits upon social issues like the loss of the “Japanese spirit,” the country’s diplomatic relations, the family unit and a rapidly aging population. DAINIPPONJIN is an outrageous portrait of a pathetic, but truly unique hero." - Colin Geddes

Just a short time before George W. Bush announced his intentions to run for the Presidency, the New Haven-born hopeful bought a ranch in tiny Crawford, Texas. From this suitably folksy pulpit, he engineered that down-home, aw-shucks presidential campaign persona that captivated/divided the nation, and then there were those hanging chads and...well, you know the rest. CRAWFORD follows, through the eyes of the town's citizenry themselves, the crazy arc that accompanied two subsequent presidential terms: the press corps filming the same appropriately rural hay bale over and over again, the proliferation of Bush souvenir shops, flocks of tourists, and, later, the arrival of Cindy Sheehan and 20,000 riled-up protesters. The film is an examination of what happens when a town of 705 is thrust into the spotlight, and the irrevocable growing pains that linger in town long after the fuss has died down.