This is my second statement regarding NYMPHET, where I'll explain my reasoning behind the decision to cancel the title.
But first, here's a general timeline:
On Thursday, May 24th, in response to the growing online debates about our upcoming release of NYMPHET, we posted an open letter on our site explaining my views on the title and my decision to hold the title until further notice. As I mentioned in that first letter, my intention was to discuss the title in more detail with various vendors, while keeping an eye on the growing debate. My initial goal was to find a solution that would make everyone happy. (A lofty goal that may be impossible to achieve.)
On Friday, May 25th, I was in constant communication with my distributor about this issue. One of the major book chains had already refused to take the title, and another was unsure and wanted to evaluate it some more. In the meantime, on an almost hourly basis, I was getting notification that one vendor after another was canceling their orders on NYMPHET.
On Tuesday, May 29th, Anime News Network posted my first letter, triggering even further debate online. I was then contacted by various online publications to comment on the controversy. Later that day, I decided to cancel the title once and for all, after six days of research and reflection.
My purpose in detailing the above timeline is to address criticism that we decided to cancel the title merely one day after posting my first letter. This is not true; we posted the letter on Thursday night on Gomanga.com, then sent it to Anime News Network on Friday morning, whereupon they posted it on the following Tuesday. In the meantime, I performed my due diligence in carefully evaluating the whole situation over the course of six days.
There are various reasons I decided to “pull the plug” on NYMPHET, sooner rather than later.
First off, to give more context, if you're not familiar with the behind-the-scenes process of licensing manga from Japan, it has reached a point of being so highly competitive among US publishers, that most of us, including Seven Seas, tend to place offers on titles while they're still being serialized in the weekly magazines, often before they are ever collected into tankoubon (ie. graphic novels). If not, the license may very well get snatched up by the competition. In the case of NYMPHET, we placed an offer on it soon after the first volume of the tankoubon was released in Japan, with an option to license the rest of the series later on.
It was not until these past few days, actually, that I personally took the time to delve more closely into the rest of the series and the specific content of the subsequent volumes. Sure, I'd flipped through them before, and what I saw on a cursory glance seemed harmless enough. But this time I sat down and read the series carefully in Japanese, and what I found in volumes two and three were very disturbing. (Particularly, pages 129-131 in volume three, which are highly problematic.) So much so, that I now have to retract some of what I said in my first letter where I tried to defend the content, because certain scenes in the subsequent volumes are indefensible and inappropriate, in my opinion. (If there is blame to be cast, I'll accept blame on our license acquisition and evaluation process. If you were to add up the large number of licenses we acquire, and the total number of volumes per series, it would come to literally hundreds of volumes that we would need to read and review in order to stay on top of all the content and make sure that it is appropriate. In this case, NYMPHET fell through the cracks in our review process.)
So, my primary reason for canceling NYMPHET is due to my recent realization that later volumes in the series can not be considered appropriate for the US market by any reasonable standard. For those of you who have been defending the title and have expressed anger about its cancellation, as a fan, I understand your frustration. But, at this point, I can only assume that you have not seen certain segments later in the series, just as I hadn't, which very clearly cross the line, and which I can no longer stand by or support in good conscience.
Here are some other concerns and criticisms that I would like to address, in the form of question/answer:
Isn't this a case of Seven Seas caving in to pressure? Why not show some backbone and give the fans what they want instead of just being swayed by a vocal minority?
On the contrary, it was quite clear to me that there were actually two sides to this debate, both very vocal, passionate, and angry. It got to the point where it became a “damned if you do, damned if you don't” type of scenario, where no matter what choice I made, one side or the other would resent me for it. So, I tried my best to make the decision independent of any “peer pressure” and instead based it on the following questions which I asked myself:
1) Are we really doing people a service if so many of them find the material so utterly offensive?
My conclusion: We're not in this business to offend people. If only a few unreasonable people happened to be offended, I would take what they say with a grain of salt. But if a seemingly growing number of reasonable-minded people are offended, the responsible course is to give serious consideration to their gripes. As I outlined above, when I delved deeper into the series and its subsequent volumes, I realized that my initial position was wrong and that some of the content is indeed objectionable, and not something that I can further rationalize or justify.
2) How will this affect the manga market as a whole?
My conclusion: I don't know; I can not predict the future any better than anyone else can, but I certainly acknowledge the possibility, however remote, that the NYMPHET release could become a poster child by the mainstream media for everything that is wrong with manga. I love the manga industry and I delight in my job, and I would rather not take the risk of causing problems that could undermine this industry, especially in light of the escalating media scrutiny we have been getting on this title. (After Publisher's Weekly contacted me for an interview on NYMPHET, it almost seemed like a matter of time before FOX or CNN picked up the story. Call me paranoid, but it's not outside the realm of possibility…)
3) How would this affect our company image on the whole?
My conclusion: If the controversy continues to escalate further, it could reflect very poorly on Seven Seas in the eyes of not only those who oppose NYMPHET within the manga community, but in the eyes of practically anyone who does not understand manga. Since we plan to release a variety of popular, mainstream titles that are geared not only towards young adults, teens, tweens, and children, the risk that this one title could sabotage the rest of our library did not seem like a sound business decision to me. Also, if our public image became severely compromised, it would surely jeopardize our ability to get further licenses from Japanese publishers.
4) What do the vendors think?
My conclusion: As I mentioned above, they began dropping their orders left and right, so their opinion on this matter became pretty clear cut.
By choosing not to release NYMPHET, aren't you guilty of the very thing that you claim to be against: censorship?
Not at all. The term “censorship” actually implies the government stepping in and forcefully silencing free speech. However, in my first letter, I intentionally used the term “censorship” in quotation marks, because in the manga community, “censoring” a manga specifically connotes altering artwork or text. This is a practice we're opposed to at Seven Seas, so given the choice between altering the work or not publishing at all, we choose the latter. This is not an act of censorship, but a principled and voluntary choice.
Doesn't this suggest that you will cancel other risqué or borderline titles that some people may find offensive?
No, as long as they do not cross that line that NYMPHET clearly does, we will not cancel titles at the drop of a hat. As I've attempted to demonstrate here, my decision on this issue was carefully measured and considered. This means that titles from our yuri line and upcoming ???? line (to be announced) are in no danger of cancellation, and are here to stay.
I am very disappointed that you have canceled NYMPHET and will never buy from your company again.
I'm sorry to hear that and sorry to disappoint all you sincere manga fans out there who have been waiting for this title, but I believe I've given rational and justified reasons for my decision. Hopefully, some of our excellent upcoming releases will change your mind. If not, I respect your freedom of choice to spend your dollars elsewhere, but my goal is to publish manga and other content that is so good you simply can't pass it up.
You thought it was over, but the Preview Guide continues with Oshi no Ko and Tis Time for "Torture" Princess!― Welcome to Anime News Network's Winter 2026 Anime Preview Guide! Here's how it goes: our team of critics writes up their impressions instantly, to be posted here as they go along. Each critic will cover as many shows as they can handle, giving you alternate takes on almost every show. The ...
Kazuki is a very boring, nothing character that is strictly driven by his survival and he needs to spend most of the story riding a very thin line.― On the one end, I do appreciate a series that really likes to just cut out all the fat. When Death Flags starts, we don't get any set-up or preamble about our protagonist's past life or how he found himself in the circumstances that he does. He just wak...
The studio that fostered talents like Hayao Miyazaki and Isao Takahata and brought to life Anne of Green Gables, Future Boy Conan, and more opened its doors to offer ANN a tour through where the magic is made.― About an hour's train ride outside of Tokyo, nestled in a quiet neighborhood in Tama City lays one of the anime industry's most storied studios: Nippon Animation. This studio has brought joy...
The Greatest Wolf of My Life is an immensely entertaining story in its first volume.― In any other manhwa, or manga or light novel, a pop star moving into the apartment next door would be the first sign of a budding romance for an ordinary young woman. Not in Ran's The Greatest Wolf of My Life - for Eunbyul, having Kang Bin show up in the shabby rooftop studio next door to hers, it's the beginning o...
Sylvia and Lucas seek to remedy a shared blindspot with an exploration of shoujo anime and live action series.― Sylvia and Lucas seek to remedy a shared blindspot with an exploration of shoujo anime and live action series. Disclaimer: The views and opinions expressed by the participants in this chatlog are not the views of Anime News Network.Spoiler Warning for discussion of the series ahead. Crunc...
2026 mobile/PC game, 10th anniversary event, exhibit, audio drama, song box also announced― The "KonoSuba – God's blessing on this wonderful world! Anime 10th Anniversary Livestream" confirmed on Tuesday that the franchise's previously announced sequel anime is a fourth television anime season. The staff also commemorated the anime's 10th anniversary with a new visual and announced a new mobile/PC g...
In an anime landscape where video game isekai are standard issue, A Wild Last Boss Appeared! is easily one of the more ambitious—and certainly better animated—such titles.― We never technically learn the name of the protagonist of A Wild Last Boss Appeared! (henceforth WLB). In fact, we only catch brief glimpses of what he actually looks like. Still, we do learn that he's one of the all-time best pl...
What does the Narou-to-anime pipeline actually look like? Jerome has answers.― A reader asks asks: “How many light novels that receive an 'official' publication originate on the Shōtetsuka ni Narō (“Narou”( web-publishing platform)?” First off, what the hell is Narou? It's short for Shōsetusuka ni Narō, the massive Japanese website where amateur authors publish free web novels. The English translat...
The voting period is over, and it's time to announce the winners of this year's Readers' Choice Awards!― The voting period is over, and it's time to announce the winners of this year's Readers' Choice Awards! First and foremost, we would like to thank the community for participating in this event.To start…Leading Woman of the Year: Maomao of The Apothecary DiariesOur favorite apothecary does it agai...
Stage play runs on May 2-17 in Tokyo― The "Cardfight!! Vanguard 15th Anniversary: Bushiroad New Year Announcements 2026" event announced on Monday that Bushiroad's ZERO RISE cross-media project will have a television anime, as well as a stage play on May 2-17 at the Hikōsen Theater in Tokyo. The project also presented its animation and character promotional videos, and announced its cast members who...
Starlight Project also marks 9th anniversary with exhibition early this summer― The "Cardfight!! Vanguard 15th Anniversary: Bushiroad New Year Announcements 2026" event announced on Monday that a completely new animated sequel in the Starlight Project franchise is in production at Kinema Citrus. The franchise teased the production under the name "Someday, ___ will reach someone." The event also anno...
Sometimes the only way to save something you love is to destroy it utterly. Sometimes, destroying what you love doesn't save anything at all.― Drops of God, Season 2, has some of the absolute finest acting I have ever seen. Which is both wonderful and devastating, as this sequel to the live-action television series on Apple TV is a difficult and very tightly wound sequel to the live-action televisio...
What starts as comedic social awkwardness soon becomes an example of someone that is a workaholic and plagued by a deep fear of emotional dependency.― I always find it at least a little bit funny when a series portrays an incredibly capable person in a field that requires a lot of social interaction only for the twist to be that they actually have no social skills whatsoever. Maybe there are some pe...
Urusei Yatsura's Takahiro Kamei helms anime with designs by Your Lie in April's Yukiko Aikei― A website opened on Monday to announce that a television anime adaptation of Oreko Tachibana's Firefly Wedding manga will premiere on the Fuji TV network this October. Takahiro Kamei (2022-2024's Urusei Yatsura) is directing the anime at david production, and Yukiko Aikei (Horizon in the Middle of Nowhere, ...
Isle Osaki's story of minor goddess uniting with RPG player from our world― The "Overlap Bunko All-Star Gathering Special 2026 Part I" livestream event announced on Sunday that a television anime adaptation of Isle Osaki's Full Clearing Another World under a Goddess with Zero Believers (Shinja Zero no Megami-sama to Hajimeru Isekai Kōryaku or Clear the world like a game with the zero believers godde...
This is my second statement regarding NYMPHET, where I'll explain my reasoning behind the decision to cancel the title.
But first, here's a general timeline:
On Thursday, May 24th, in response to the growing online debates about our upcoming release of NYMPHET, we posted an open letter on our site explaining my views on the title and my decision to hold the title until further notice. As I mentioned in that first letter, my intention was to discuss the title in more detail with various vendors, while keeping an eye on the growing debate. My initial goal was to find a solution that would make everyone happy. (A lofty goal that may be impossible to achieve.)
On Friday, May 25th, I was in constant communication with my distributor about this issue. One of the major book chains had already refused to take the title, and another was unsure and wanted to evaluate it some more. In the meantime, on an almost hourly basis, I was getting notification that one vendor after another was canceling their orders on NYMPHET.
On Tuesday, May 29th, Anime News Network posted my first letter, triggering even further debate online. I was then contacted by various online publications to comment on the controversy. Later that day, I decided to cancel the title once and for all, after six days of research and reflection.
My purpose in detailing the above timeline is to address criticism that we decided to cancel the title merely one day after posting my first letter. This is not true; we posted the letter on Thursday night on Gomanga.com, then sent it to Anime News Network on Friday morning, whereupon they posted it on the following Tuesday. In the meantime, I performed my due diligence in carefully evaluating the whole situation over the course of six days.
There are various reasons I decided to “pull the plug” on NYMPHET, sooner rather than later.
First off, to give more context, if you're not familiar with the behind-the-scenes process of licensing manga from Japan, it has reached a point of being so highly competitive among US publishers, that most of us, including Seven Seas, tend to place offers on titles while they're still being serialized in the weekly magazines, often before they are ever collected into tankoubon (ie. graphic novels). If not, the license may very well get snatched up by the competition. In the case of NYMPHET, we placed an offer on it soon after the first volume of the tankoubon was released in Japan, with an option to license the rest of the series later on.
It was not until these past few days, actually, that I personally took the time to delve more closely into the rest of the series and the specific content of the subsequent volumes. Sure, I'd flipped through them before, and what I saw on a cursory glance seemed harmless enough. But this time I sat down and read the series carefully in Japanese, and what I found in volumes two and three were very disturbing. (Particularly, pages 129-131 in volume three, which are highly problematic.) So much so, that I now have to retract some of what I said in my first letter where I tried to defend the content, because certain scenes in the subsequent volumes are indefensible and inappropriate, in my opinion. (If there is blame to be cast, I'll accept blame on our license acquisition and evaluation process. If you were to add up the large number of licenses we acquire, and the total number of volumes per series, it would come to literally hundreds of volumes that we would need to read and review in order to stay on top of all the content and make sure that it is appropriate. In this case, NYMPHET fell through the cracks in our review process.)
So, my primary reason for canceling NYMPHET is due to my recent realization that later volumes in the series can not be considered appropriate for the US market by any reasonable standard. For those of you who have been defending the title and have expressed anger about its cancellation, as a fan, I understand your frustration. But, at this point, I can only assume that you have not seen certain segments later in the series, just as I hadn't, which very clearly cross the line, and which I can no longer stand by or support in good conscience.
Here are some other concerns and criticisms that I would like to address, in the form of question/answer:
Isn't this a case of Seven Seas caving in to pressure? Why not show some backbone and give the fans what they want instead of just being swayed by a vocal minority?
On the contrary, it was quite clear to me that there were actually two sides to this debate, both very vocal, passionate, and angry. It got to the point where it became a “damned if you do, damned if you don't” type of scenario, where no matter what choice I made, one side or the other would resent me for it. So, I tried my best to make the decision independent of any “peer pressure” and instead based it on the following questions which I asked myself:
1) Are we really doing people a service if so many of them find the material so utterly offensive? My conclusion: We're not in this business to offend people. If only a few unreasonable people happened to be offended, I would take what they say with a grain of salt. But if a seemingly growing number of reasonable-minded people are offended, the responsible course is to give serious consideration to their gripes. As I outlined above, when I delved deeper into the series and its subsequent volumes, I realized that my initial position was wrong and that some of the content is indeed objectionable, and not something that I can further rationalize or justify.
2) How will this affect the manga market as a whole? My conclusion: I don't know; I can not predict the future any better than anyone else can, but I certainly acknowledge the possibility, however remote, that the NYMPHET release could become a poster child by the mainstream media for everything that is wrong with manga. I love the manga industry and I delight in my job, and I would rather not take the risk of causing problems that could undermine this industry, especially in light of the escalating media scrutiny we have been getting on this title. (After Publisher's Weekly contacted me for an interview on NYMPHET, it almost seemed like a matter of time before FOX or CNN picked up the story. Call me paranoid, but it's not outside the realm of possibility…)
3) How would this affect our company image on the whole? My conclusion: If the controversy continues to escalate further, it could reflect very poorly on Seven Seas in the eyes of not only those who oppose NYMPHET within the manga community, but in the eyes of practically anyone who does not understand manga. Since we plan to release a variety of popular, mainstream titles that are geared not only towards young adults, teens, tweens, and children, the risk that this one title could sabotage the rest of our library did not seem like a sound business decision to me. Also, if our public image became severely compromised, it would surely jeopardize our ability to get further licenses from Japanese publishers.
4) What do the vendors think? My conclusion: As I mentioned above, they began dropping their orders left and right, so their opinion on this matter became pretty clear cut.
By choosing not to release NYMPHET, aren't you guilty of the very thing that you claim to be against: censorship?
Not at all. The term “censorship” actually implies the government stepping in and forcefully silencing free speech. However, in my first letter, I intentionally used the term “censorship” in quotation marks, because in the manga community, “censoring” a manga specifically connotes altering artwork or text. This is a practice we're opposed to at Seven Seas, so given the choice between altering the work or not publishing at all, we choose the latter. This is not an act of censorship, but a principled and voluntary choice.
Doesn't this suggest that you will cancel other risqué or borderline titles that some people may find offensive?
No, as long as they do not cross that line that NYMPHET clearly does, we will not cancel titles at the drop of a hat. As I've attempted to demonstrate here, my decision on this issue was carefully measured and considered. This means that titles from our yuri line and upcoming ???? line (to be announced) are in no danger of cancellation, and are here to stay.
I am very disappointed that you have canceled NYMPHET and will never buy from your company again.
I'm sorry to hear that and sorry to disappoint all you sincere manga fans out there who have been waiting for this title, but I believe I've given rational and justified reasons for my decision. Hopefully, some of our excellent upcoming releases will change your mind. If not, I respect your freedom of choice to spend your dollars elsewhere, but my goal is to publish manga and other content that is so good you simply can't pass it up.
Jason DeAngelis President Seven Seas
May 31, 2007
discuss this in the forum (17 posts) |
Industry Comments homepage / archives