This is my second statement regarding NYMPHET, where I'll explain my reasoning behind the decision to cancel the title.
But first, here's a general timeline:
On Thursday, May 24th, in response to the growing online debates about our upcoming release of NYMPHET, we posted an open letter on our site explaining my views on the title and my decision to hold the title until further notice. As I mentioned in that first letter, my intention was to discuss the title in more detail with various vendors, while keeping an eye on the growing debate. My initial goal was to find a solution that would make everyone happy. (A lofty goal that may be impossible to achieve.)
On Friday, May 25th, I was in constant communication with my distributor about this issue. One of the major book chains had already refused to take the title, and another was unsure and wanted to evaluate it some more. In the meantime, on an almost hourly basis, I was getting notification that one vendor after another was canceling their orders on NYMPHET.
On Tuesday, May 29th, Anime News Network posted my first letter, triggering even further debate online. I was then contacted by various online publications to comment on the controversy. Later that day, I decided to cancel the title once and for all, after six days of research and reflection.
My purpose in detailing the above timeline is to address criticism that we decided to cancel the title merely one day after posting my first letter. This is not true; we posted the letter on Thursday night on Gomanga.com, then sent it to Anime News Network on Friday morning, whereupon they posted it on the following Tuesday. In the meantime, I performed my due diligence in carefully evaluating the whole situation over the course of six days.
There are various reasons I decided to “pull the plug” on NYMPHET, sooner rather than later.
First off, to give more context, if you're not familiar with the behind-the-scenes process of licensing manga from Japan, it has reached a point of being so highly competitive among US publishers, that most of us, including Seven Seas, tend to place offers on titles while they're still being serialized in the weekly magazines, often before they are ever collected into tankoubon (ie. graphic novels). If not, the license may very well get snatched up by the competition. In the case of NYMPHET, we placed an offer on it soon after the first volume of the tankoubon was released in Japan, with an option to license the rest of the series later on.
It was not until these past few days, actually, that I personally took the time to delve more closely into the rest of the series and the specific content of the subsequent volumes. Sure, I'd flipped through them before, and what I saw on a cursory glance seemed harmless enough. But this time I sat down and read the series carefully in Japanese, and what I found in volumes two and three were very disturbing. (Particularly, pages 129-131 in volume three, which are highly problematic.) So much so, that I now have to retract some of what I said in my first letter where I tried to defend the content, because certain scenes in the subsequent volumes are indefensible and inappropriate, in my opinion. (If there is blame to be cast, I'll accept blame on our license acquisition and evaluation process. If you were to add up the large number of licenses we acquire, and the total number of volumes per series, it would come to literally hundreds of volumes that we would need to read and review in order to stay on top of all the content and make sure that it is appropriate. In this case, NYMPHET fell through the cracks in our review process.)
So, my primary reason for canceling NYMPHET is due to my recent realization that later volumes in the series can not be considered appropriate for the US market by any reasonable standard. For those of you who have been defending the title and have expressed anger about its cancellation, as a fan, I understand your frustration. But, at this point, I can only assume that you have not seen certain segments later in the series, just as I hadn't, which very clearly cross the line, and which I can no longer stand by or support in good conscience.
Here are some other concerns and criticisms that I would like to address, in the form of question/answer:
Isn't this a case of Seven Seas caving in to pressure? Why not show some backbone and give the fans what they want instead of just being swayed by a vocal minority?
On the contrary, it was quite clear to me that there were actually two sides to this debate, both very vocal, passionate, and angry. It got to the point where it became a “damned if you do, damned if you don't” type of scenario, where no matter what choice I made, one side or the other would resent me for it. So, I tried my best to make the decision independent of any “peer pressure” and instead based it on the following questions which I asked myself:
1) Are we really doing people a service if so many of them find the material so utterly offensive?
My conclusion: We're not in this business to offend people. If only a few unreasonable people happened to be offended, I would take what they say with a grain of salt. But if a seemingly growing number of reasonable-minded people are offended, the responsible course is to give serious consideration to their gripes. As I outlined above, when I delved deeper into the series and its subsequent volumes, I realized that my initial position was wrong and that some of the content is indeed objectionable, and not something that I can further rationalize or justify.
2) How will this affect the manga market as a whole?
My conclusion: I don't know; I can not predict the future any better than anyone else can, but I certainly acknowledge the possibility, however remote, that the NYMPHET release could become a poster child by the mainstream media for everything that is wrong with manga. I love the manga industry and I delight in my job, and I would rather not take the risk of causing problems that could undermine this industry, especially in light of the escalating media scrutiny we have been getting on this title. (After Publisher's Weekly contacted me for an interview on NYMPHET, it almost seemed like a matter of time before FOX or CNN picked up the story. Call me paranoid, but it's not outside the realm of possibility…)
3) How would this affect our company image on the whole?
My conclusion: If the controversy continues to escalate further, it could reflect very poorly on Seven Seas in the eyes of not only those who oppose NYMPHET within the manga community, but in the eyes of practically anyone who does not understand manga. Since we plan to release a variety of popular, mainstream titles that are geared not only towards young adults, teens, tweens, and children, the risk that this one title could sabotage the rest of our library did not seem like a sound business decision to me. Also, if our public image became severely compromised, it would surely jeopardize our ability to get further licenses from Japanese publishers.
4) What do the vendors think?
My conclusion: As I mentioned above, they began dropping their orders left and right, so their opinion on this matter became pretty clear cut.
By choosing not to release NYMPHET, aren't you guilty of the very thing that you claim to be against: censorship?
Not at all. The term “censorship” actually implies the government stepping in and forcefully silencing free speech. However, in my first letter, I intentionally used the term “censorship” in quotation marks, because in the manga community, “censoring” a manga specifically connotes altering artwork or text. This is a practice we're opposed to at Seven Seas, so given the choice between altering the work or not publishing at all, we choose the latter. This is not an act of censorship, but a principled and voluntary choice.
Doesn't this suggest that you will cancel other risqué or borderline titles that some people may find offensive?
No, as long as they do not cross that line that NYMPHET clearly does, we will not cancel titles at the drop of a hat. As I've attempted to demonstrate here, my decision on this issue was carefully measured and considered. This means that titles from our yuri line and upcoming ???? line (to be announced) are in no danger of cancellation, and are here to stay.
I am very disappointed that you have canceled NYMPHET and will never buy from your company again.
I'm sorry to hear that and sorry to disappoint all you sincere manga fans out there who have been waiting for this title, but I believe I've given rational and justified reasons for my decision. Hopefully, some of our excellent upcoming releases will change your mind. If not, I respect your freedom of choice to spend your dollars elsewhere, but my goal is to publish manga and other content that is so good you simply can't pass it up.
3rd season ended on Friday― The official X/Twitter account for the television anime of Hiromu Arakawa's autobiographical manga Hyakushō Kizoku (The Peasant Noble) announced on Friday that the show is getting a fourth season. #百姓貴族(@anime_hyakusho)December 19 The third season premiered on Tokyo MX, on October 3. The season's final episode aired on Friday. The first season of the anime premiered on th...
Lots of new entries into old franchises are in the news this week, but do we really need all of them?― Welcome back, folks! The year is winding down, but our work with games doesn't! I've been fortunate to have a bit of spending money this month, which means I can add a ton of titles to my collection that I've kept an eye on. Unfortunately, this means that I have an even bigger backlog. Man, remembe...
While you will still be slaying hundreds of enemies and using massive attacks to slay enemy leaders, you do have to pause and take your time to avoid being caught flat-footed.― Hyrule Warriors: Age of Imprisonment is another strong Warriors title that provides plenty of enjoyment for Zelda fans and musou die-hards alike. As I like to do in my reviews, allow me to lay out my background before I get i...
The manga exhibit, which runs from November 19th through March 9th, takes pieces of the permanent collections and tells the story of manga’s origins in from comic strips and scrolls to kamishibai and commercial books in Japan.― While in Paris for (the amazing! wonderful!) Y/CON 11, my wife encountered a poster in the subway for a manga exhibit that had just opened. At the same time, manga journalist...
At the 38th Tokyo Film Festival, we were able to speak with Shōji Kawamori about this upcoming feature film, Labyrinth (and also about Macross finally being released across the wider world).― While this film technically has both idols and giant robots, Labyrinth is about as far from what you'd expect from acclaimed Macross creator and mecha designer Shōji Kawamori. Rather than space battles and gian...
Seven Seas publishes Gorō Aizome's risque romantic comedy manga― Suiseisha announced on Friday that Gorō Aizome's Do You Like Big Girls? (Ōkii Onnanoko wa Suki Desu ka?) manga is getting an AnimeFesta television anime. Suiseisha did not reveal additional details about the anime.Aizome drew the below illustration to celebrate the anime's announcement.
Seven Seas Entertainment licensed the manga and i...
Not sure what's ahead for the winter anime season? Check out the source material in our roundup of manga and light novels getting an adaptation!― It's hardly a rule that you have to read the source material before you watch the adaptation, but what if you want to? A decade ago, anime fans who wanted to read the manga or light novel before the show debuted were out of luck (legally speaking), which ...
If you’ve been reading manga for a while, chances are you’re familiar with the basic set up of Ren Arisugawa Is Actually a Girl.― Norito Asaduki's Ren Arisugawa Is Actually a Girl is an interesting work. Not so much for anything it does within its text, but because of its place within fiction broadly today. It's a digitally published manga in a vertical format, which would suggest that it's a work p...
It's Coop and Chris's turn to open their editorial gifts! Will they find diamonds or coal?― It's Coop and Chris's turn to open their editorial gifts! Will they find diamonds or coal? Disclaimer: The views and opinions expressed by the participants in this chatlog are not the views of Anime News Network. Ranking of Kings, Hypnosis Mic, and Love Stage!! are available streaming on Crunchyroll. Haikyu!...
1st anime debuted in 2014; original manga ended on Friday― The second 2026 issue of Hakusensha's Hana to Yume magazine announced on Friday that a sequel anime is in the works for the anime adaptation of Mizuho Kusanagi's Yona of the Dawn (Akatsuki no Yona) manga. The magazine published the manga's final chapter on Friday, and also announced that it will get an extra chapter and supplementary fan boo...
Short to screen at "Evangelion:30+; 30th Anniversary of Evangelion" event on February 21-23― The "Evangelion:30+; 30th Anniversary of Evangelion" festival, the first festival event for the Neon Genesis Evangelion franchise, will screen the world premiere of a new anime short for the franchise titled "Evangelion Hōsō 30 Shūnen Kinen Tokubetsu Kōgyō" ("Evangelion Broadcast 30th Anniversary Special Scr...
Main cast, staff from recent film Eiga Odekake Kozame Tokai no Otomodachi returns for new season― Kadokawa announced on Thursday that the anime adaptation of Penguin Box's Odekake Kozame (Little Shark's Outings) manga is getting second season in April 2026, and will stream again on YouTube. The announcement also revealed the second season's teaser visual and promotional video, and returning cast and...
Kirby at his zooming-est.― Mario Kart World—as in, not the millionth expansion for Mario Kart 8, but an actual, brand new Mario Kart game—and Sonic Racing: CrossWorlds were already enough to cement 2025's status as a fantastic year for racing games. To get Kirby Air Riders (KAR)—the long-awaited sequel to the widely beloved Kirby Air Ride on GameCube—during the same year is just icing on the cartoon...
Every once in a while, an anime theme song escapes containment to become a mainstream hit and, in the case of singer Yoko Takahashi's "Cruel Angel's Thesis," a cultural phenomenon.― Every once in a while, an anime theme song escapes containment to become a mainstream hit and, in the case of singer Yoko Takahashi's "Cruel Angel's Thesis," a cultural phenomenon. First released in 1995, the iconic Neon...
The story becomes impenetrably incoherent to anyone without a PhD in Akutami’s fictional curse mechanics.― What is it about recent big shonen hits that involve their protagonists engaging in cannibalism? My Hero Academia was bad enough, with Izuku Midoriya inheriting All Might's quirk by ingesting his hair. Then comes Jujutsu Kaisen's Yuji Itadori gobbling down Ryomen Sukuna's mummified finger to ga...
Lucas and Steve unwrap their anime gifts from Lynzee and Rebecca and try to decide if this means they've been naughty or nice.―
Lucas and Steve unwrap their anime gifts from Lynzee and Rebecca and try to decide if this means they've been naughty or nice. Disclaimer: The views and opinions expressed by the participants in this chatlog are not the views of Anime News Network. Spoiler Warning for disc...
The Angel's Egg 40th Anniversary Exhibition may be on the smaller side of anime related exhibitions, however, it's rare seeing an original Yoshitaka Amano piece, let alone a recently drawn one.― 40 years ago, in 1985, two visionary artists in the anime and video game industries, director Mamoru Oshii and artist Yoshitaka Amano, partnered for the experimental post-apocalyptic science-fantasy origina...
This is my second statement regarding NYMPHET, where I'll explain my reasoning behind the decision to cancel the title.
But first, here's a general timeline:
On Thursday, May 24th, in response to the growing online debates about our upcoming release of NYMPHET, we posted an open letter on our site explaining my views on the title and my decision to hold the title until further notice. As I mentioned in that first letter, my intention was to discuss the title in more detail with various vendors, while keeping an eye on the growing debate. My initial goal was to find a solution that would make everyone happy. (A lofty goal that may be impossible to achieve.)
On Friday, May 25th, I was in constant communication with my distributor about this issue. One of the major book chains had already refused to take the title, and another was unsure and wanted to evaluate it some more. In the meantime, on an almost hourly basis, I was getting notification that one vendor after another was canceling their orders on NYMPHET.
On Tuesday, May 29th, Anime News Network posted my first letter, triggering even further debate online. I was then contacted by various online publications to comment on the controversy. Later that day, I decided to cancel the title once and for all, after six days of research and reflection.
My purpose in detailing the above timeline is to address criticism that we decided to cancel the title merely one day after posting my first letter. This is not true; we posted the letter on Thursday night on Gomanga.com, then sent it to Anime News Network on Friday morning, whereupon they posted it on the following Tuesday. In the meantime, I performed my due diligence in carefully evaluating the whole situation over the course of six days.
There are various reasons I decided to “pull the plug” on NYMPHET, sooner rather than later.
First off, to give more context, if you're not familiar with the behind-the-scenes process of licensing manga from Japan, it has reached a point of being so highly competitive among US publishers, that most of us, including Seven Seas, tend to place offers on titles while they're still being serialized in the weekly magazines, often before they are ever collected into tankoubon (ie. graphic novels). If not, the license may very well get snatched up by the competition. In the case of NYMPHET, we placed an offer on it soon after the first volume of the tankoubon was released in Japan, with an option to license the rest of the series later on.
It was not until these past few days, actually, that I personally took the time to delve more closely into the rest of the series and the specific content of the subsequent volumes. Sure, I'd flipped through them before, and what I saw on a cursory glance seemed harmless enough. But this time I sat down and read the series carefully in Japanese, and what I found in volumes two and three were very disturbing. (Particularly, pages 129-131 in volume three, which are highly problematic.) So much so, that I now have to retract some of what I said in my first letter where I tried to defend the content, because certain scenes in the subsequent volumes are indefensible and inappropriate, in my opinion. (If there is blame to be cast, I'll accept blame on our license acquisition and evaluation process. If you were to add up the large number of licenses we acquire, and the total number of volumes per series, it would come to literally hundreds of volumes that we would need to read and review in order to stay on top of all the content and make sure that it is appropriate. In this case, NYMPHET fell through the cracks in our review process.)
So, my primary reason for canceling NYMPHET is due to my recent realization that later volumes in the series can not be considered appropriate for the US market by any reasonable standard. For those of you who have been defending the title and have expressed anger about its cancellation, as a fan, I understand your frustration. But, at this point, I can only assume that you have not seen certain segments later in the series, just as I hadn't, which very clearly cross the line, and which I can no longer stand by or support in good conscience.
Here are some other concerns and criticisms that I would like to address, in the form of question/answer:
Isn't this a case of Seven Seas caving in to pressure? Why not show some backbone and give the fans what they want instead of just being swayed by a vocal minority?
On the contrary, it was quite clear to me that there were actually two sides to this debate, both very vocal, passionate, and angry. It got to the point where it became a “damned if you do, damned if you don't” type of scenario, where no matter what choice I made, one side or the other would resent me for it. So, I tried my best to make the decision independent of any “peer pressure” and instead based it on the following questions which I asked myself:
1) Are we really doing people a service if so many of them find the material so utterly offensive? My conclusion: We're not in this business to offend people. If only a few unreasonable people happened to be offended, I would take what they say with a grain of salt. But if a seemingly growing number of reasonable-minded people are offended, the responsible course is to give serious consideration to their gripes. As I outlined above, when I delved deeper into the series and its subsequent volumes, I realized that my initial position was wrong and that some of the content is indeed objectionable, and not something that I can further rationalize or justify.
2) How will this affect the manga market as a whole? My conclusion: I don't know; I can not predict the future any better than anyone else can, but I certainly acknowledge the possibility, however remote, that the NYMPHET release could become a poster child by the mainstream media for everything that is wrong with manga. I love the manga industry and I delight in my job, and I would rather not take the risk of causing problems that could undermine this industry, especially in light of the escalating media scrutiny we have been getting on this title. (After Publisher's Weekly contacted me for an interview on NYMPHET, it almost seemed like a matter of time before FOX or CNN picked up the story. Call me paranoid, but it's not outside the realm of possibility…)
3) How would this affect our company image on the whole? My conclusion: If the controversy continues to escalate further, it could reflect very poorly on Seven Seas in the eyes of not only those who oppose NYMPHET within the manga community, but in the eyes of practically anyone who does not understand manga. Since we plan to release a variety of popular, mainstream titles that are geared not only towards young adults, teens, tweens, and children, the risk that this one title could sabotage the rest of our library did not seem like a sound business decision to me. Also, if our public image became severely compromised, it would surely jeopardize our ability to get further licenses from Japanese publishers.
4) What do the vendors think? My conclusion: As I mentioned above, they began dropping their orders left and right, so their opinion on this matter became pretty clear cut.
By choosing not to release NYMPHET, aren't you guilty of the very thing that you claim to be against: censorship?
Not at all. The term “censorship” actually implies the government stepping in and forcefully silencing free speech. However, in my first letter, I intentionally used the term “censorship” in quotation marks, because in the manga community, “censoring” a manga specifically connotes altering artwork or text. This is a practice we're opposed to at Seven Seas, so given the choice between altering the work or not publishing at all, we choose the latter. This is not an act of censorship, but a principled and voluntary choice.
Doesn't this suggest that you will cancel other risqué or borderline titles that some people may find offensive?
No, as long as they do not cross that line that NYMPHET clearly does, we will not cancel titles at the drop of a hat. As I've attempted to demonstrate here, my decision on this issue was carefully measured and considered. This means that titles from our yuri line and upcoming ???? line (to be announced) are in no danger of cancellation, and are here to stay.
I am very disappointed that you have canceled NYMPHET and will never buy from your company again.
I'm sorry to hear that and sorry to disappoint all you sincere manga fans out there who have been waiting for this title, but I believe I've given rational and justified reasons for my decision. Hopefully, some of our excellent upcoming releases will change your mind. If not, I respect your freedom of choice to spend your dollars elsewhere, but my goal is to publish manga and other content that is so good you simply can't pass it up.
Jason DeAngelis President Seven Seas
May 31, 2007
discuss this in the forum (17 posts) |
Industry Comments homepage / archives