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EP. REVIEW: March comes in like a lion


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zrnzle500



Joined: 04 Oct 2014
Posts: 3767
PostPosted: Mon Mar 06, 2017 9:54 am Reply with quote
@Blood- This is where maintaining reasonable expectations comes into play. If you are expecting him to be more or less cured of his depression, you are bound to be disappointed, as such a condition is never really permanently "cured" from what I understand. The best we can hope for his for him to be in a somewhat better place, which is definitely possible within two episodes. If you're thinking, well he'll just need to win an important match and then everything will be ok, I don't think that would be for the best either, as what he needs is to be able to survive the inevitable low points in his career and life and winning is not enough to do that. Having that "cure" him would ring false to me.

I don't believe it is as tangential as you seem to think either. There are at least two things that are important to Rei's growth that have happened even just in the last episode. First, he has learned that just getting up to the next rank or even the highest rank will not be the end of his struggles. Far from it. Now that he knows, he won't be crushed by the realization that what he finds difficult about professional shogi won't go away just by getting closer to the top when he gets there. Second, he identifies a game changing move that, among those assembled, only the top player identified, whereas everyone else thought the game was already over, showing his potential to the audience and his mentor, and reinforcing the parallels between him and Souya previously established in the arc, or even earlier with both being professionals since middle school.

And to answer your all caps question, I do and I suspect I'm not the only one who does, and perhaps more importantly Rei does and not in a tacked on way. He is his mentor and also his window into the upper ranks of his profession. Now that certainly doesn't mean that you have to care about what happens to Shimada, but understand that people will see the arc and subsequently the show in differently as a result.
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Bargain Hunter



Joined: 07 Mar 2009
Posts: 23779
PostPosted: Mon Mar 06, 2017 10:32 am Reply with quote
No, I certainly don't expect Rei's story to be wrapped up in a neat little bow, that's for sure. And I acknowledged that Shimada's story did involve Rei. This is where my Western bias comes in. I'm used to shows where the important action directly involves the protagonist. He or she isn't simply an observer of somebody else's story from which he or she derives lessons or he or she isn't a secondary player in somebody else's drama. Again, this kind of thing is fine as an arc in an ongoing story, like the manga. It is merely a sequence in the protagonist's journey. But when you adapt it in a 22-episode anime that is obviously not going to trace the protagonist's entire journey the way the manga will, it takes up a strange and outsized piece of visual/dramatic real estate that I'm straight up gonna say I don't appreciate.

I would have even been okay if this arc had taken place earlier in the show, just as it unfolded here as long as whatever arc ends the TV series is DIRECTLY involved with Rei.
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Seishin Jinrou



Joined: 04 Mar 2016
Posts: 29
PostPosted: Mon Mar 06, 2017 7:28 pm Reply with quote
Since this season will end 1/3 of the way through the manga, we could easily get two more seasons of this length before hitting the end of the published material. Umino has apparently decided to make this a much longer story then Honey and Clover, which isn't a bad thing. Shaft has been so completest with the monogatari material, and this is a successful manga/anime, so I hope that is the case. It will be interesting to see exactly what story the two live action films choose to tell.
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DuskyPredator



Joined: 10 Mar 2009
Posts: 15464
Location: Brisbane, Australia
PostPosted: Sun Mar 12, 2017 3:09 am Reply with quote
I agree that the episode was really happy, that it was showing the sun through the usually gloomy focused skies, and kind of has me hope that Rei gained some insight that he can focus on the positives, and let himself be part of that family unit that he likes so much. That Shimada himself is kind of blinded by his gloom that he does not see the great things.
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chaccide



Joined: 16 Aug 2016
Posts: 295
PostPosted: Sun Mar 12, 2017 3:16 pm Reply with quote
I think Shimada's arc is crucial in convincing Rei that life and happiness exist beyond shogi, and that even when you suffer major loss and humiliation that home and a loving "family" and friends will provide support. He saw what a shogi player in a non-toxic environment could have.
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Parsifal24





PostPosted: Sat Mar 18, 2017 2:54 pm Reply with quote
I really wanted to like this as at one point Chica Umino was one of my favorite Mangaka and the first few episodes had real promise. Yet looking at it now having watched the entire series I'm far different person now at 31 than I was at 25 when I first read Honey and Clover. March Comes in Like a Lion gets the feeling of depression and social anxiety but doesn't really do anything with it unless it becomes plot convenient.

Also the overblown "Studio Shaft" style of directing took away from the series and made it feel overly Byzantine. In conclusion March Comes In Like a Lion is not bad series it just feels more like a wasted opportunity. Hampered by seeming slavish devotion to the source material and overblown directing and artistic choices.

However it is a second season in October http://www.crunchyroll.com/anime-news/2017/03/18/march-comes-in-like-a-lion-animes-second-season-announced-for-october-premiere which I probably won't watch but at least bodes hopeful for the series
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7jaws7



Joined: 17 Aug 2013
Posts: 704
Location: New York State
PostPosted: Sat Mar 18, 2017 11:04 pm Reply with quote
^Using "overblown" to describe Shaft twice in the same paragraph without any other constructive criticism suggests an animosity towards visual creativity.

If you dislike how the source material was animated then instead of saying "ew it's Shaft" give us an example of what bothered you.
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DuskyPredator



Joined: 10 Mar 2009
Posts: 15464
Location: Brisbane, Australia
PostPosted: Sun Mar 19, 2017 4:32 am Reply with quote
I really did not like March first, it reminded me too much of Your Lie in April, and if you told me it was by the same author as Honey and Clover, I would probably be even more against it. But I ended up highly liking it, I thought it was great how it showed what is inside the head of someone with depression, the light parts as a way to cope were great. I really recommend it, even if it feels like it finished of on a bit of a non ending. It was still a sort of the battle with things like depression is an ongoing battle that does not just suddenly end.
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maximilianjenus



Joined: 29 Apr 2013
Posts: 2863
PostPosted: Mon Mar 20, 2017 11:47 pm Reply with quote
chaccide wrote:
I think Shimada's arc is crucial in convincing Rei that life and happiness exist beyond shogi, and that even when you suffer major loss and humiliation that home and a loving "family" and friends will provide support. He saw what a shogi player in a non-toxic environment could have.


seeing this way it's even better because he leanred it form someone who rejected the life and happines that exists beyond shogi.
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Jose Cruz



Joined: 20 Nov 2012
Posts: 1773
Location: South America
PostPosted: Thu Apr 27, 2017 9:30 pm Reply with quote
Its weird for me to think of Shaft doing something completely mainstream in the sense of being a straight drama manga also adapted into a pair of live action films. Although it's true they did that before.

7jaws7 wrote:
^Using "overblown" to describe Shaft twice in the same paragraph without any other constructive criticism suggests an animosity towards visual creativity.

If you dislike how the source material was animated then instead of saying "ew it's Shaft" give us an example of what bothered you.


Shaft's style is indeed very agressive. That's the point though. Criticizing it for being overblown is like criticizing a complex symphony for using too many notes.
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killjoy_the



Joined: 30 May 2015
Posts: 2459
PostPosted: Sat Oct 14, 2017 7:17 pm Reply with quote
While I do agree that the show's content wasn't the best, I felt like the story did have a bit more bite to it than 'just shenanigans while we don't get an arc going'. Having Rei actually enjoy school time, and wanting to share it with the girls later was splendid.
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AksaraKishou



Joined: 16 May 2015
Posts: 1410
Location: End of the World
PostPosted: Sat Oct 14, 2017 7:17 pm Reply with quote
Jose Cruz wrote:
Its weird for me to think of Shaft doing something completely mainstream in the sense of being a straight drama manga also adapted into a pair of live action films. Although it's true they did that before.

7jaws7 wrote:
^Using "overblown" to describe Shaft twice in the same paragraph without any other constructive criticism suggests an animosity towards visual creativity.

If you dislike how the source material was animated then instead of saying "ew it's Shaft" give us an example of what bothered you.


Shaft's style is indeed very agressive. That's the point though. Criticizing it for being overblown is like criticizing a complex symphony for using too many notes.


Complex Symphony -> BECAUSE -> too many notes

Aggressive -> BECAUSE -> ???

That's what jaws7 wants you to fill in.
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Seishin Jinrou



Joined: 04 Mar 2016
Posts: 29
PostPosted: Sat Oct 14, 2017 10:42 pm Reply with quote
I really couldn't stand the premier, which focused on characters I couldn't care less about--a bunch of old men sitting in rooms engaging in boring and useless conversations. I found the closeups of the junk food eating disgusting, and rather hated the naive and idiotic way the characters praised it. I had to start fast-forwarding at one point, and then the episode just ended with nothing significant happening. Terrible chapter to open the season with. I wish shaft would just cut all the extraneous BS and adapt the parts of the manga which are actually about Rei.
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boodagess



Joined: 29 Nov 2008
Posts: 2
PostPosted: Sun Oct 15, 2017 1:51 am Reply with quote
killjoy_the wrote:
While I do agree that the show's content wasn't the best, I felt like the story did have a bit more bite to it than 'just shenanigans while we don't get an arc going'. Having Rei actually enjoy school time, and wanting to share it with the girls later was splendid.
Yeah, this was a season two premiere, we're not gonna just jump right away into the thick of it, merely a nice reintroduction to many of the characters we've met so far. And I disagree with the reviewer calling the tonal disjunction an Achilles heel of the series. This sort of narrative flitting about was one of the appeals of the source material for me: a slice-of-life series with an underlying narrative arc that it was willing to develop at the characters' pace, in all their flaws. I'm personally glad Shaft haven't mussed it up by imbuing the series with more of a propulsive bent, as each chapter often (but not always) jumps from here to there, with the characters still as steady as they go (for the time being anyway). Maybe this sort of tonal whiplash holds little appeal for the reviewer, but being presented with two contrasting stories that I have to process mentally to examine my own feelings about the whole makes the series more... real to me, for lack of a better word. I think I prefer this sort of realism to being beholden to the conventions of drama.
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Merida



Joined: 21 Feb 2012
Posts: 1945
PostPosted: Sun Oct 15, 2017 2:14 am Reply with quote
Well, looks like the animators didn't read Nick's reviews of last season and are still making all those "mistakes" he pointed out over and over (and over) again... Rolling Eyes

While i agree that this wasn't the most exciting episode to start off the new season, i enjoyed it well enough. It's always nice to see Rei having fun and i actually like think those "old men" are fun. Glad this show is back!
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