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Tsuburaya Productions Wins Case for Ultraman's International Licensing Rights

posted on by Karen Ressler
Rights disputed based on supposed 1976 agreement between Chaiyo Productions, Tsuburaya Productions

A jury in the district court in the central district of California ruled unanimously in favor of Tsuburaya Productions on November 20 in the company's legal battle against UM Corporation (UMC) for the international licensing rights for the Ultraman property.

Tsuburaya Productions contested UMC's claim of possessing the international licensing rights for the property. Tsuburaya Productions alleged UMC's claims were based on a "License Granting Agreement" with Thai businessman Sompote Saengduenchai and his company Chaiyo Productions, an agreement which Tsuburaya Productions also considered invalid.

The jury determined that the document of agreement between Tsuburaya Productions and Chaiyo Productions, supposedly written on March 4, 1976 and signed by then-Tsuburaya Productions president Noboru Tsuburaya, was inauthentic.

UMC filed the case in May 2015, after Tsuburaya Productions was alerted to the uploading of videos from early Ultraman series on YouTube by Verdana Entertainment. UMC had sublicensed the rights to Ultra Q, Ultraman, and Ultra Seven to Verdana Entertainment in 2014. Tsuburaya Productions demanded the removal of the episodes, and Verdana Entertainment complied. UMC then filed the case to contest Tsuburaya Productions' claim on the international licensing rights for Ultraman. UMC claimed to own the exclusive licensing rights to Ultraman outside of Japan, through a transfer of the rights in 2008 from Saengduenchai to UMC. Tsuburaya Productions then filed a counter-suit, alleging that the supposed original agreement between Saengduenchai and Tsuburaya Productions made in 1976 was invalid.

This one-page agreement allegedly granted Saengduenchai the international rights to Ultraman and all derivative works in "all territories except Japan for indefinite period from the date of production of the first negative print." The jury's determination in the recent case rested on the admissibility of a digital copy of Saengduenchai's old passport, which would determine whether it was possible for him to be in Japan on March 4, 1976, the date of the alleged signing of the "License Granting Agreement." The judge noted that digital copies such as the one presented in evidence are easily altered or forged, and it could not prove that each separate image of the passport originated from a single document.

Chinese production company BlueArc similarly produced and opened a movie titled Dragon Force: So Long, Ultraman in China on October 1, based on a license it supposedly acquired from Saengduenchai and Chaiyo Productions, which is based again on the same 1976 "License Granting Agreement."

Thanks to I Miss Bionix for the news tip.

Sources: PACER, SciFi Japan (Richard Pusateri) via The Tokusatsu Network


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