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Review

by Bolts,

Conan vs. The Black Organization Anime Series Review

Season 1

Synopsis:
Conan vs. The Black Organization Anime Series Review
Shinichi Kudo is a young high school detective obsessed with Sherlock Holmes. His talents are so great that he even helps out the local police with solving cases. One day, after solving a murder at an amusement park, Shinichi follows two men dressed in black who ambush and try to kill him using a mysterious new drug made by their organization. However, instead of killing him, the drug shrank Shinichi into a grade schooler. Now going under the alias of Conan Edigawa, Shinichi does his best to investigate cases that might help him uncover this Black Organization before they hurt any more people.
Review:

I never thought I would see the day that Detective Conan would get this kind of treatment. Detective Conan is probably one of the most beloved franchises in Japan, going on for over three decades and being one of the few shows that has more episodes than One Piece. Numerous attempts have been made to bring the franchise over to the United States, and I distinctly remember getting into the series when it was rebranded as Case Closed during the early Funimation days. Sadly, the series didn't seem to fully catch on back then, but now there seems to be a bit of a resurgence in the show's overseas popularity. Not only are the movies continuing to be brought stateside with their own English dubs, but now it looks like TMS is making a bit of an initiative to get more casual fans up to speed with some of the major plot points of the series.

There are two main narrative beats to the Detective Conan franchise. The first is the episodic mystery format. After the initial setup, Shinichi tries to live with his childhood friend's father, who works as a private detective and tries to use that as a means of getting involved in murder cases. The theory is that the more murder cases they get involved with, the more likely they will come across this Black Organization. Every week is supposed to be a different series of mysteries that Conan needs to solve, and some of these mysteries can take up to three episodes. While these episodic mysteries make up a majority of the franchise's episode run, most of them are anime originals.

So the majority of the anime franchise consists of filler cases with very few progressing the overarching narrative. I also find it funny that, despite specifically trying to stay close with a detective to get the jump on murder cases, sometimes just random murders will happen around Conan and his friends. The sheer volume of filler for Detective Conan does make it difficult to get into because, unlike One Piece, you could argue that a lot of episodes don't matter, even if it is impressive that there have been hundreds of cases written for these episodes. So why not prioritize the episodes that deal with the second main narrative beat of the series, the Black Organization?

That is a brilliant idea on paper, and it's honestly something that I wish a lot of other long-running franchises would do. The first batch of episodes in Conan vs. The Black Organization has a couple of standard-length episodes and one TV special. All of these episodes are canon, and almost all of them specifically focus on Conan's direct involvement with the Black Organization. The ones that don't involve characters who will most likely tie into the story later. At first glance, this is a great way of introducing newcomers to the franchise because, theoretically, you need to watch these episodes to get the bulk of the story. I also imagine it is a smarter and more cost-effective method because TMS is not trying to dub over a thousand episodes. That makes sense until you realize that they probably should've showcased more.

Focusing on episodes that specifically deal with the main overarching villains of the series is fine until I realized that they are cutting off so much of the meat with the fat. I am trying to catch up on the Detective Conan series as best I can, but even if I didn't, the show makes it very clear that it is cutting corners with the narrative to prioritize these episodes. Just because I'm watching episodes focusing on the Black Organization does not mean they are hitting all of the canon episodes that matter. Some of these episodes have plot points or foreshadow events that occurred in episodes that were not adapted in this format. It's very unsatisfying when a character says something or alludes to something that has happened before, but if your only exposure to Detective Conan were these episodes, you might feel lost. Plus, some characters were introduced in episodes that had nothing to do with the Black Organization at all, but made an appearance here. So even if a character is being built up as having greater importance down the road, their introduction to the series here lacks any definitive importance or fanfare.

If it were up to me, I would have prioritized episodes that were in the original manga rather than just focusing exclusively on the Black Organization. What's here definitely works well enough, but I still feel like I would need to show a casual fan at least two or three other episodes that weren't adapted this way just to make sure that they have the full context of everything that is going on. Maybe TMS is going to go back and adapt more episodes after seeing how well these are received, or maybe there was a restriction on how many episodes they could distribute this way? I don't know, but it is very lackluster despite being impressive that I'm getting something like this at all.

The organization themselves are one of the best parts about these episodes, even if its accomplishments don't amount to much at this point in the series. Not much is known about this organization outside of the fact that a lot of its key members are named after alcoholic drinks, and they seem to have an influence on a lot of major figures throughout the world. During the few times that I did see them, they seemed to be transferring information, threatening political figures, or stealing money. The main figurehead for the organization, Gin, is probably one of my favorite characters in the franchise because of how deliciously evil he is. This guy comes with his audio stings whenever he is on screen, and he is intimidating in every shot.

A lot of that comes down to Nick Huber's performance, who is chewing the scenery with every single line. Another performance that stands out is probably Alexis Tipton as Ai Haibara, who is undoubtedly given the most dramatic material and character work throughout these episodes, given the fact that she is a much more tragic character with ties to the Black Organization. Alexis skirts that line of being sassy and self-deprecating to act as a counterbalance to Conan. Conan's voice did take a little bit of time to get used to, considering how much more familiar I am with his other English performances, but I did eventually warm up to Molly Zhang's interpretation of the character. She sounds reasonably boyish and can pull off convincing a grade schooler that has the mind of a young adult. There was a part of me that would've liked to have seen more of the actors from the original Case Closed dub reprise the same roles that they had here. The dub seemed to have been done in Texas under Studio Nano, and a lot of the actors who worked on that old dub are still working today. Colleen Clinkenbeard, who played Ran in the early Case Closed dub, actually plays a member of the Black Organization here. She did a great job, and I just found it very funny the minute I heard her voice.

These episodes also look and sound good. The episodes seem to be using the remastered footage of the main series, and it's probably some of the best HD cel animation I've seen in quite some time. Everything looks fluid, the designs are charming, and I get to see some rather impressive animation cuts despite this being a series that isn't action-packed. It doesn't match the quality that I have been seeing in the movies, but I don't think it has to. There's also good quality sound with some of the most iconic music tracks in anime. The Detective Conan themes are beautiful, and the heavy use of saxophone throughout the triumphant moments gives the show an audible identity that I would argue still holds up to this day. There was a lot of tender love and care that went into making this series still be presented in the best way possible.

But this is a detective series about the cases themselves? Detective Conan has done a pretty solid job of interweaving murder mystery cases with the overarching plot. I like a lot of the cases that are presented in a vacuum, especially their use of different objects in the environment creatively. Plus, kudos to the English writing staff for being able to work around situations that try to use Japanese linguistics as a part of solving the puzzles. It would be nice if the series gave the audience a little bit more information so they could solve the case alongside Conan, but most explanations at least make sense when he breaks down the cases, and there is a certain type of satisfaction that comes with seeing all of the information pieced together.

I do wish that Conan's interaction with the Black Organization were the result of the cases themselves. Shinichi's first introduction to them is a case of “wrong place, wrong time,” but there is at least one or two other instances throughout these episodes where he just randomly comes across them on the street or something. It would be nice if Conan's detective efforts helped him track them down, considering how big the mystery angle is and how Conan declares that he is going after them. But a lot of the time, it just feels like he ends up randomly coming across situations relating to them and then loses them without a confrontation, so it's a bit unsatisfying.

I don't think I've seen a company explicitly attempt to repackage a long-running series into something more digestible since Dragon Ball Kai. However, I wish a bit more had been done. Getting a few episodes that explicitly focused on character growth or episodes that fleshed out ideas that these episodes flashed back to probably would've made the entire package feel a lot more organic. I still think it's a good idea to release Detective Conan in a more condensed format for casual audiences. Now, it seems as though more episodes are coming out, and I'm looking forward to what the next batch of episodes covers. Maybe things are a bit awkward during this first batch that covers the first chunk of the franchise. Only time will tell, but imperfections aside, this is arguably one of the best times to try to be a Detective Conan fan, and if this format gets more popular, then maybe I can see more episodes of the series being released in the future.

The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.
Grade:
Overall (dub) : B+
Story : B
Animation : B+
Art : A
Music : A

+ Series looks and sounds better then it ever has, mytery cases are solid, Black Organization has a lot of presence (especially Gin)
Some episodes feel missing from this batch, some plot points and character in the episodes that were included feel underwhelming because of what was omitted

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Production Info:
Chief Director:
Kenji Kodama
Yasuichirō Yamamoto
Director:
Nobuharu Kamanaka
Kenji Kodama
Kōjin Ochi
Masato Satō
Yasuichirō Yamamoto
Script:
Masashi Abe
Yūzō Aoki
Chiaki Hashiba
Yūichi Higurashi
Yasushi Hirano
Shūichi Hirokawa
Chika Ichimaru
Tatsurō Inamoto
Toshiki Inoue
Asami Ishikawa
Shigenori Kageyama
Aki Kajiwara
Nobuharu Kamanaka
Takaomi Kanasaki
Yū Kaneko
Yutaka Kaneko
Hiroshi Kashiwabara
Kanji Kashiwabara
Kenji Kodama
Fumiko Komatsuzaki
Kazunari Kouchi
Hiroshi Kurimoto
Fumio Maezono
Hiro Masaki
Chisato Matsuda
Yoshihisa Matsumoto
Jōhei Matsuura
Hiroshi Matsuzono
Junichi Miyashita
Takeshi Mochizuki
Tadashi Morishita
Yasutoshi Murakawa
Kazuo Nogami
Yūki Notsuka
Hideaki Ōba
Hirohito Ochi
Kōjin Ochi
Nobuo Ogizawa
Takeo Ohno
Toshimichi Ōkawa
Takahiro Ōkura
Masaki Ōzora
Umesaburo Sagawa
Umezaburō Sagawa
Masaaki Sakurai
Michiyo Sakurai
Takeharu Sakurai
Masato Satō
Toshiyuki Tabe
Masaki Tsuji
Michiko Tsumura
Chiko Uonji
Yoshio Urasawa
Yasuichirō Yamamoto
Akatsuki Yamatoya
Teruse Yatsu
Storyboard:
Masashi Abe
Yujiro Abe
Yūzō Aoki
Fū Chisaka
Katsumi Endō
Mio Hidenin
Toshiki Hirano
Shūichi Hirokawa
Pyeon-Gang Ho
Yasuyuki Honda
Chika Ichimaru
Takaaki Ishiyama
Susumu Ishizaki
Mashu Itō
Shigenori Kageyama
Nobuharu Kamanaka
Hajime Kamegaki
Sachiko Kamimura
Jirō Kanai
Takaomi Kanasaki
Haruchika Kannazumi
Atsuko Kase
Mitsuko Kase
Kana Kawana
Kenji Kodama
Kanae Komoda
Tomochi Kosaka
Daiki Koyama
Hiroshi Kurimoto
Koichiro Kuroda
Natsuhiko Kyōgoku
Fumio Maezono
Yoshihisa Matsumoto
Jōhei Matsuura
Hiroshi Matsuzono
Yasumi Mikamoto
Tomonori Mine
Shigeru Morikawa
Tsurumi Mukoyama
Gaku Nakata
Kazuo Nogami
Hideaki Ōba
Hirohito Ochi
Kōjin Ochi
Rokō Ogiwara
Akihiro Okuzawa
Mina Ōsawa
Masaki Ōzora
Umesaburo Sagawa
Michiyo Sakurai
Sumito Sasaki
Masato Satō
Katsuya Shigehara
Takuma Suzuki
Toshimasa Suzuki
Masuku Taiga
Hiroaki Takagi
Hirotoshi Takaya
Iwao Teraoka
Minoru Tozawa
Hatsuki Tsuji
Sumio Watanabe
Yasuichirō Yamamoto
Ryō Yasumura
Teruse Yatsu
Akira Yoshimura
Episode Director:
Masashi Abe
Matsuo Asami
Yōsuke Fujino
Yōko Fukushima
Jōji Furuta
Nana Harada
Makiko Hayase
Ayumi Iemura
Susumu Ishizaki
Mashu Itō
Nobuharu Kamanaka
Hajime Kamegaki
Yūki Kawakata
Yoshitsugu Kimura
Kenji Kodama
Masahisa Koyata
Eiichi Kuboyama
Hiroshi Kurimoto
Koichiro Kuroda
Satoshi Kuwabara
Natsuhiko Kyōgoku
Jōhei Matsuura
Hiroshi Matsuzono
Yasuhiro Minami
Keitarō Motonaga
Aisu Mugino
Tsurumi Mukoyama
Yoshitaka Nagaoka
Taiki Nishimura
Kazuo Nogami
Hideaki Ōba
Hirohito Ochi
Rokō Ogiwara
Hiroyuki Okuno
Sumito Sasaki
Ikurō Satō
Masato Satō
Toshiya Shinohara
Takashi Sudō
Yoshihiro Sugai
Masahiko Suzuki
Yoshio Suzuki
Masahiro Takada
Hiroaki Takagi
Yūdai Takamoto
Hirotoshi Takaya
Mari Tominaga
Minoru Tozawa
Yuji Yamaguchi
Yasuichirō Yamamoto
Masakazu Yamazaki
Shigeru Yamazaki
Katsuyoshi Yatabe
Masahiko Yoda
Akira Yoshimura
Unit Director:
Yujiro Abe
Akitarō Daichi
Yoshiyuki Fujiwara
Noriyuki Fukuda
Makiko Hayase
Toshiki Hirano
Naoki Horiuchi
Ayumi Iemura
Aki Imai
Shunsuke Ishihara
Nobuharu Kamanaka
Jirō Kanai
Ryūta Kawahara
Kenji Kodama
Kanae Komoda
Tomochi Kosaka
Hiroshi Matsuzono
Yoshitaka Nagaoka
Gaku Nakata
Taiki Nishimura
Kazuo Nogami
Kōjin Ochi
Mina Ōsawa
Masato Satō
Hiroyuki Seshita
Katsuya Shigehara
Yohei Shindo
Kobun Shizuno
Toshimasa Suzuki
Yoshio Suzuki
Akihiro Takashima
Hirotoshi Takaya
Yasuichirō Yamamoto
Akira Yoshimura
Music: Katsuo Ōno
Original creator: Gōshō Aoyama
Character Design:
Nobuyuki Iwai
Seiji Muta
Masatomo Sudō
Mari Tominaga
Junko Yamanaka
Art Director:
Kazuhiro Arai
Hiroyuki Hasegawa
Junichi Higashi
Tetsuo Imaizumi
Tsutomu Ishigaki
Megumi Katō
Yasutada Kato
Yumiko Kirimoto
Takahiro Koyama
Hiroyuki Mitsumoto
Takamasa Nakakuki
Hirofumi Sakagami
Shunsuke Sakai
Yukihiro Shibutani
Shinichi Tanimura
Ayami Yamaguchi
Shunichirō Yoshihara
Chief Animation Director:
Nobuyuki Iwai
Tomoyuki Kanno
Rei Masunaga
Seiji Muta
Daisuke Niinuma
Keiko Sasaki
Masatomo Sudō
Mari Tominaga
Animation Director:
anna
Masayuki
tofu
Yukiko Akiyama
Ryōtarō Aoba
Kiyotoshi Aoi
Kana Aoki
Reiko Aoki
Atsushi Aono
Shigeki Awai
Jie Qiong Chen
Liang Chen
Xiao Lan Chen
Li Ze Dong
Rika Endo
Rira Endō
Katsunori Enokimoto
Yasushi Fujiki
Maki Fujioka
Rie Fujiwara
Yoshiya Fujiwara
Yuya Fujiwara
Tomoko Fukunaga
Hitoshi Haga
Seiji Hagiwara
Takehiro Hamatsu
Yasutaka Hanabusa
Miyuki Hanawa
Minefumi Harada
Masashi Hasegawa
Katsumi Hashimoto
Masanori Hashimoto
Yoshitsugu Hatano
Miyu Hattori
Jin Long He
Takashi Hirabayashi
Kosuke Hiramatsu
Masayuki Hiraoka
Chiemi Hironaka
Hiroyuki Horiuchi
Wei Hu
Yuntao Hu
Feng Huang
Takashi Hyōdō
Ayumi Iemura
Akane Imada
Ryuta Imaizumi
Mariko Imamura
Ayu Imoto
Yoshikatsu Inoue
Keiichi Ishida
Masayuki Ishihori
Shigeru Ishii
Yumiko Ishii
Shinsuke Ishikawa
Satoshi Ishino
Masahiko Itojima
Nobuyuki Iwai
Gil Yong Jang
Ri Jiu
Tomoyuki Kameda
Yukari Kamiaka
Tomomi Kamiya
Tomoyuki Kanno
Hiroaki Kawaguchi
Akio Kawamura
Akiko Kawashima
Dae Hoon Kim
Ichizō Kobayashi
Katsutoshi Kobayashi
Yukari Kobayashi
Miki Konno
Masahisa Koyata
Aki Kumada
Kaneaki Kusaka
Ho Se Lee
Jeon Jong Lee
Sung Hee Lee
Sung Jin Lee
Fei Liao
Xue Chun Lin
Zi Ye Lin
Guang Long
Hai Luo
Rui Luo
Ying Xing Mao
Rei Masunaga
Tomoyuki Matsumoto
Hyeon Suk Min
Shinichiro Minami
Guang Ming
Kana Miyai
Mako Mochida
Kazuaki Morita
Minoru Morita
Hideyuki Motohashi
Akiko Motoyoshi
Chiharu Mukai
Tsutomu Murakami
Hirobi Muranaka
Hiromi Muranaka
Seiji Muta
Kaoru Nagakawa
Marie Nagano
Miharu Nagano
Ai Nakatani
Yukiko Nakatani
Yukiko Nakaya
Daisuke Niinuma
Nanako Ninomiya
Asako Nishida
Masato Nishikawa
Dai Nishino
Shinobu Nishiyama
Michiyuki Nōjō
Miori Nomura
Rie Ogasawara
Haruo Ōgawara
Jun Ohara
Hirona Okada
Kanako Ono
Miwa Ōshima
Mina Ōtaka
Ken'ichi Ōtomo
Midori Otsuka
Ho Ryeol Park
Jing Yu Quan
Juri Saitō
Shinaki Saito
Hideki Sakai
Keiko Sasaki
Toshiko Sasaki
Mineko Satō
Yuka Satō
Masahiro Sekiguchi
Mare Sekikawa
Tao Yi Shen
Hideaki Shimada
Shōsuke Shimizu
Yoshiharu Shimizu
Yoshihiro Shimizu
Yusuke Shimizu
Ayaka Shimoji
Izumi Shimura
Eun Ah Shin
Ken Shintani
Yūji Shirahata
Kumiko Shishido
Eun Ji So
Naoko Soeda
Mitsuru Sōma
Masatomo Sudō
Michiaki Sugimoto
Sayuri Sugitō
Wei Sun
Falco Suzuki
Katsushi Suzuki
Shinichi Suzuki
Yūsuke Suzuki
Ayumi Takagi
Hiroaki Takagi
Kosei Takahashi
Naoki Takahashi
Nariyuki Takahashi
Tokushō Takahashi
Makoto Takahoko
Hirotoshi Takatani
Hirotoshi Takaya
Akira Takeuchi
Maho Tanabe
Ayako Tanai
Kii Tanaka
Miho Tanaka
Yasushi Tanaka
Keiji Tani
Moriyasu Taniguchi
Shigenori Taniguchi
Ayana Togashi
Eiichi Tokura
Mari Tominaga
Asuka Tsubuki
Ryuji Tsuzuku
Takatsugu Umeda
Yui Ushinohama
Yukari Watabe
Akira Watanabe
Ippeita Watanabe
Li Juan Wei
Mei Xie
Yurika Yamada
Mayumi Yamamoto
Michitaka Yamamoto
Takashi Yamamoto
Yasuichirō Yamamoto
Shunryō Yamamura
Junko Yamanaka
Masakazu Yamazaki
Noriyoshi Yamazaki
Minoru Yamazawa
Jōji Yanase
Guo Fu Yang
Masahiko Yoda
Kaori Yokoe
Hiroto Yokote
Nanae Yonemoto
Kyōko Yoshimi
Hui Hai Yu
Quan Yuan
Na Dan Yue
Yi Zhang
Feng Zheng
Deng Jia Zi
Art design:
Toshiki Amada
Kaoru Aoki
Yasuyuki Honda
Nobutaka Ike
Hiroshi Izumi
Hiroyuki Mitsumoto
Kazunari Roppongi
Takeyuki Takahashi
Sound Director:
Motoi Izawa
Katsuyoshi Kobayashi
Keiko Urakami
Yasuo Urakami
Yasuyuki Urakami
Cgi Director: Masami Ito
Co-Director: Kobun Shizuno
Director of Photography:
Hironobu Horikoshi
Toshihiro Kawada
Takashi Nomura
Takahisa Ogawa
Masaki Yoshida
Producer:
Keiichi Ishiyama
Shuichi Kitada
Hiroaki Kobayashi
Satoshi Kojima
Takeshi Shioguchi
Michihiko Suwa
Kiyoaki Terashima
Masataka Tōdō
Kazuhiko Yagiuchi
Takeshi Yamakawa
Isato Yonekura
Takeshi Yoshida
Masahito Yoshioka
Licensed by: FUNimation Entertainment

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