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Review

by Rebecca Silverman,

Detective Conan: The Crimson Love Letter

Synopsis:
Detective Conan: The Crimson Love Letter
When a friend of Ran's enters a prestigious karuta competition in Osaka, she brings along her father, Conan, and the Detective Boys to watch the show. Things soon take a turn for the dangerous, however, when a karuta champion is found murdered in his home and bomb threats begin turning up for various venues. Conan and Heiji set themselves against the clock as they try and solve the series of crimes. Who could have such a grudge against karuta? And when Kazuha fills in for an injured friend, is she painting a target on her back – one that Heiji and Conan can't save her from?
Review:

The twenty-first Detective Conan (Case Closed) film, Detective Conan: The Crimson Love Letter, brings viewers someplace they're more likely to be familiar with from an entirely different series: a karuta tournament. Having some familiarity with Chihayafuru may actually be a boon for viewers, not just because karuta is a central theme of this film, but also because The Crimson Love Letter doesn't take any time to actually explain karuta. While it's hard to fault them for that too much – the movie was made for Japanese audiences and is primarily a murder mystery – there are definitely some pieces that will get lost if you don't know the basics. I watched this with someone who didn't know anything about the game and ended up spending a fair amount of time explaining bits and pieces of it so that the entirety of the plot made sense to her.

When you come down it, though, really the most important thing to know is that karuta cards are printed with poems from Hyakunin Isshun, an anthology of great tanka by various authors, and that a lot of them are love poems. This almost immediately gives the title of the film a bit more context – tanka were often used in correspondence (particularly in the Heian era), so a love poem could easily be termed a love letter. Crimson, of course, can refer to the color of blood, although it forms two other visual cues in the movie as well: fire and the color of maple leaves in the fall. Maple leaves are a symbol that come up in many Heian tanka, and there are a series of karuta cards that use maple-themed poems, so the moment one of the competitors turns out to be named Momiji (a word for maple), the image of autumn leaves as crimson should come to mind. It's a very interesting color-based thread to trace through the movie, both in terms of the art and the symbolism, and following it can definitely lead you to some clues.

Because Detective Conan is, by and large, what's known as a fair play mystery (meaning it's possible to solve the crimes alongside the detectives), that connection between karuta, color, and the title is an important one. It is not, however, the only major puzzle piece that we get to follow – this franchise tends to be very good with keeping things fair play, and there's a nice mix of obvious and more obscure clues that we can find as Conan and Heiji work with the police – and independently, because there's always that one cop who has an issue trusting the high school kids for some reason – and they're sometimes clues that we have to pick up for ourselves, which makes the process more fun. Conan does have his gadgets, but those are mostly used to escape from burning buildings; Heiji's dirt bike gets a lot more use in the actual crime solving, mostly as occasionally ridiculous transportation. (It's nearly indestructible, which somehow feels more credulity-straining than Conan's radar glasses.) The mystery plot is genuinely interesting and takes a lot of twists along the way to solving it.

The karuta plot serves as both the frame that supports the film as a whole and the glue that holds together the mystery and the romantic subplot. Heiji and Kazuha form the basis of the latter, and while it has its moments (mostly towards the end), it's definitely not as good as the mystery. Mostly this is because Momiji is such an obviously artificial obstacle; even if she wasn't goading Kazuha into making ill-advised bets on the outcome of their match, her attachment to Heiji is so silly and flimsy that it's hard to take seriously in a story where people get their arms broken by shrapnel from an explosion and suffer from smoke inhalation. On the other hand, there's definitely something to watch for in Kazuha and Momiji's showdown that provides one of the major hints as to the root cause of the destruction taking place, so perhaps I'm selling that part of the story short.

The English dub for this film is provided by Bang Zoom rather than Funimation, which means that Wendee Lee is playing Conan, Cristina Vee is Ran, and Lucien Dodge is Heiji. Dodge in particular does an excellent job with delivery, but the whole cast is very strong. The dub also uses the original Japanese names for the characters (Ran not Rachel, etc.), which feels like a particularly good choice for this film since it is set around the uniquely Japanese game of karuta. No one does any accents like you sometimes see and hear for Osaka/Kyoto-based characters, although it is worth noting that Heiji's mother and Momiji do speak using a more extensive and formal vocabulary than the characters who are visiting the region.

Art for the film is a bit of a mixed bag, mostly because Gōshō Aoyama's original character designs have some idiosyncrasies that don't always animate well, like the pointed snouty noses or the huge heads on some of the kids. (And Ran's hair cone, although at this stage of the game it's probably time for me to get over that.) But the use of maple leaves and color is striking (down to Momiji's special manicure), the cards are beautifully rendered, and there's a real sense of closeness and danger to scenes where characters are directly threatened by smoke and flames. The animation is also beautiful, with moments like Ran catching a fainting Kazuha standing out in their smoothness and fluidity. Music isn't particularly striking, but the ending theme is definitely pleasant.

The Crimson Love Letter is an all-around enjoyable film. The mystery is interesting and fair play, the characters' interactions are fun, and the whole thing is very nice to look at. While you'll get more out of it if you're familiar with the franchise (a bit of summary is provided for those who aren't, but it really isn't enough) and, to a lesser degree, karuta, this is a nice way to spend two hours figuring out a crime alongside one of anime's most enduring detectives.

Grade:
Overall (dub) : B+
Story : B+
Animation : A-
Art : B
Music : B

+ Fair play mystery plot, Conan and Heiji are a fun team to watch. Beautiful use of color and animation.
Requires a bit of karuta knowledge to get all of the clues, Momiji/Kazuha rivalry is a little weak.

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Production Info:
Chief Director:
Kenji Kodama
Yasuichiro Yamamoto
Director:
Nobuharu Kamanaka
Kenji Kodama
Kōjin Ochi
Masato Sato
Kobun Shizuno
Yasuichiro Yamamoto
Script:
Masashi Abe
Yuuichi Higurashi
Yasushi Hirano
Shūichi Hirokawa
Chika Ichimaru
Tatsurō Inamoto
Toshiki Inoue
Asami Ishikawa
Shigenori Kageyama
Aki Kajiwara
Nobuharu Kamanaka
Takaomi Kanasaki
Yū Kaneko
Yutaka Kaneko
Hiroshi Kashiwabara
Kanji Kashiwabara
Kenji Kodama
Kazunari Kouchi
Hiroshi Kurimoto
Hiro Masaki
Chisato Matsuda
Yoshihisa Matsumoto
Jōhei Matsuura
Hiroshi Matsuzono
Junichi Miyashita
Takeshi Mochizuki
Yasutoshi Murakawa
Kazuo Nogami
Yūki Notsuka
Hideaki Oba
Hirohito Ochi
Nobuo Ogizawa
Takeo Ohno
Toshimichi Ōkawa
Takahiro Ōkura
Masaki Ōzora
Umesaburo Sagawa
Umezaburō Sagawa
Masaaki Sakurai
Michiyo Sakurai
Takeharu Sakurai
Toshiyuki Tabe
Masaki Tsuji
Michiko Tsumura
Yoshio Urasawa
Yasuichiro Yamamoto
Akatsuki Yamatoya
Teruse Yatsu
Screenplay: Takahiro Ōkura
Storyboard:
Masashi Abe
Yujiro Abe
Fū Chisaka
Katsumi Endō
Mio Hidenin
Toshiki Hirano
Shūichi Hirokawa
Pyeon-Gang Ho
Yasuyuki Honda
Chika Ichimaru
Susumu Ishizaki
Mashu Itō
Shigenori Kageyama
Nobuharu Kamanaka
Hajime Kamegaki
Sachiko Kamimura
Jiro Kanai
Takaomi Kanasaki
Haruchika Kannazumi
Atsuko Kase
Mitsuko Kase
Kenji Kodama
Kanae Komoda
Tomochi Kosaka
Hiroshi Kurimoto
Koichiro Kuroda
Natsuhiko Kyōgoku
Yoshihisa Matsumoto
Jōhei Matsuura
Hiroshi Matsuzono
Yasumi Mikamoto
Tomonori Mine
Shigeru Morikawa
Gaku Nakata
Kazuo Nogami
Hideaki Oba
Hirohito Ochi
Kōjin Ochi
Rokou Ogiwara
Akihiro Okuzawa
Mina Ōsawa
Masaki Ōzora
Umesaburo Sagawa
Michiyo Sakurai
Sumito Sasaki
Masato Sato
Katsuya Shigehara
Kobun Shizuno
Takuma Suzuki
Toshimasa Suzuki
Masuku Taiga
Hiroaki Takagi
Hirotoshi Takaya
Iwao Teraoka
Minoru Tozawa
Hatsuki Tsuji
Sumio Watanabe
Yasuichiro Yamamoto
Ryō Yasumura
Teruse Yatsu
Akira Yoshimura
Episode Director:
Masashi Abe
Matsuo Asami
Yōsuke Fujino
Yōko Fukushima
Takeshi Furuta
Nana Harada
Makiko Hayase
Susumu Ishizaki
Mashu Itō
Nobuharu Kamanaka
Hajime Kamegaki
Kenji Kodama
Masahisa Koyata
Eiichi Kuboyama
Hiroshi Kurimoto
Koichiro Kuroda
Satoshi Kuwabara
Natsuhiko Kyōgoku
Jōhei Matsuura
Hiroshi Matsuzono
Yasuhiro Minami
Keitaro Motonaga
Aisu Mugino
Tsurumi Mukoyama
Yoshitaka Nagaoka
Taiki Nishimura
Kazuo Nogami
Hideaki Oba
Hirohito Ochi
Rokou Ogiwara
Sumito Sasaki
Ikurō Satō
Masato Sato
Toshiya Shinohara
Yoshio Suzuki
Masahiro Takada
Hiroaki Takagi
Hirotoshi Takaya
Mari Tominaga
Minoru Tozawa
Yuji Yamaguchi
Yasuichiro Yamamoto
Masakazu Yamazaki
Shigeru Yamazaki
Katsuyoshi Yatabe
Akira Yoshimura
Unit Director:
Yujiro Abe
Yoshiyuki Fujiwara
Noriyuki Fukuda
Makiko Hayase
Toshiki Hirano
Naoki Horiuchi
Aki Imai
Shunsuke Ishihara
Nobuharu Kamanaka
Jiro Kanai
Ryûta Kawahara
Kenji Kodama
Kanae Komoda
Tomochi Kosaka
Hiroshi Matsuzono
Yoshitaka Nagaoka
Gaku Nakata
Atsushi Nigorikawa
Taiki Nishimura
Kazuo Nogami
Kōjin Ochi
Mina Ōsawa
Masato Sato
Hiroyuki Seshita
Katsuya Shigehara
Yohei Shindo
Keisuke Shinohara
Kobun Shizuno
Yoshihiro Sugai
Toshimasa Suzuki
Yoshio Suzuki
Akihiro Takashima
Hirotoshi Takaya
Yasuichiro Yamamoto
Music:
Ken Miyazawa
Katsuo Ono
Original creator: Gōshō Aoyama
Character Design:
Nobuyuki Iwai
Seiji Muta
Masatomo Sudō
Mari Tominaga
Junko Yamanaka
Art Director:
Kazuhiro Arai
Takayoshi Fukushima
Hiroyuki Hasegawa
Junichi Higashi
Tetsuo Imaizumi
Tsutomu Ishigaki
Megumi Kato
Yasutada Kato
Yumiko Kirimoto
Takahiro Koyama
Hiroyuki Mitsumoto
Takamasa Nakakuki
Hirofumi Sakagami
Shunsuke Sakai
Masaru Satō
Yukihiro Shibutani
Shinichi Tanimura
Ayami Yamaguchi
Shunichiro Yoshihara
Art:
Hironori Hiragōri
Shūichirō Hirayama
Hisashi Niwa
Chief Animation Director:
Nobuyuki Iwai
Tomoyuki Kanno
Rei Masunaga
Seiji Muta
Daisuke Niinuma
Keiko Sasaki
Masatomo Sudō
Mari Tominaga
Animation Director:
anna
Masayuki
tofu
Yukiko Akiyama
Kiyotoshi Aoi
Kana Aoki
Reiko Aoki
Atsushi Aono
Shigeki Awai
Jie Qiong Chen
Xiao Lan Chen
Rika Endo
Rira Endō
Katsunori Enokimoto
Yasushi Fujiki
Maki Fujioka
Rie Fujiwara
Yuya Fujiwara
Tomoko Fukunaga
Hitoshi Haga
Takehiro Hamatsu
Yasutaka Hanabusa
Miyuki Hanawa
Minefumi Harada
Masashi Hasegawa
Katsumi Hashimoto
Masanori Hashimoto
Yoshitsugu Hatano
Miyu Hattori
Takashi Hirabayashi
Masayuki Hiraoka
Chiemi Hironaka
Hiroyuki Horiuchi
Wei Hu
Feng Huang
Kei Hyōdō
Kiyotaka Iida
Akane Imada
Ryuta Imaizumi
Ayu Imoto
Yoshikatsu Inoue
Keiichi Ishida
Masayuki Ishihori
Shigeru Ishii
Yumiko Ishii
Satoshi Ishino
Masahiko Itojima
Nobuyuki Iwai
Yuko Iwasa
Gil Yong Jang
Yukari Kamiaka
Tomomi Kamiya
Tomoyuki Kanno
Hiroaki Kawaguchi
Akio Kawamura
Akiko Kawashima
Dae Hoon Kim
Ichizō Kobayashi
Katsutoshi Kobayashi
Yukari Kobayashi
Masahisa Koyata
Aki Kumada
Kaneaki Kusaka
Jeon Jong Lee
Sung Jin Lee
Xue Chun Lin
Rei Masunaga
Tomoyuki Matsumoto
Shinichiro Minami
Kana Miyai
Minoru Morita
Hideyuki Motohashi
Akiko Motoyoshi
Chiharu Mukai
Tsutomu Murakami
Hiromi Muranaka
Seiji Muta
Kaoru Nagakawa
Miharu Nagano
Ai Nakatani
Yukiko Nakaya
Daisuke Niinuma
Asako Nishida
Shinobu Nishiyama
Michiyuki Nōjō
Miori Nomura
Hiroyuki Notake
Rie Ogasawara
Haruo Ōgawara
Jun Ohara
Hirona Okada
Kanako Ono
Miwa Oshima
Mina Ōtaka
Ken'ichi Ōtomo
Midori Otsuka
Ho Ryeol Park
Juri Saitō
Shinaki Saito
Keiko Sasaki
Toshiko Sasaki
Yuka Satō
Shosuke Shimizu
Yoshiharu Shimizu
Yoshihiro Shimizu
Yusuke Shimizu
Izumi Shimura
Kumiko Shishido
Mitsuru Sōma
Masatomo Sudō
Michiaki Sugimoto
Sayuri Sugitou
Falco Suzuki
Katsushi Suzuki
Shinichi Suzuki
Yūsuke Suzuki
Hiroaki Takagi
Kosei Takahashi
Naoki Takahashi
Nariyuki Takahashi
Tokushō Takahashi
Makoto Takahoko
Hirotoshi Takatani
Hirotoshi Takaya
Akira Takeuchi
Kii Tanaka
Miho Tanaka
Yasushi Tanaka
Keiji Tani
Moriyasu Taniguchi
Shigenori Taniguchi
Ayako Tauchi
Yumenosuke Tokuda
Eiichi Tokura
Mari Tominaga
Asuka Tsubuki
Ryuji Tsuzuku
Yui Ushinohama
Yukari Watabe
Akira Watanabe
Ippeita Watanabe
Mei Xie
Mayumi Yamamoto
Michitaka Yamamoto
Takashi Yamamoto
Shunryō Yamamura
Junko Yamanaka
Masakazu Yamazaki
Noriyoshi Yamazaki
Minoru Yamazawa
Jōji Yanase
Guo Fu Yang
Hiroto Yokote
Nanae Yonemoto
Kyōko Yoshimi
Hui Hai Yu
Yi Zhang
Feng Zheng
Deng Jia Zi
Art design:
Toshiki Amada
Kaoru Aoki
Yasuyuki Honda
Nobutaka Ike
Hiroshi Izumi
Hiroyuki Mitsumoto
Kazunari Roppongi
Takeyuki Takahashi
Sound Director:
Motoi Izawa
Katsuyoshi Kobayashi
Yasuo Uragami
Keiko Urakami
Yasuyuki Urakami
Cgi Director: Masami Ito
Co-Director: Kobun Shizuno
Director of Photography:
Hironobu Horikoshi
Toshihiro Kawada
Hitoshi Nishiyama
Takashi Nomura
Takahisa Ogawa
Masaki Yoshida
Executive producer:
Shin'ya Koishikawa
Masakazu Kubo
Yoshio Nakayama
Keiji Ota
Yoshiharu Suzuki
Shinichiro Tsuzuki
Producer:
Keiichi Ishiyama
Shuichi Kitada
Hiroaki Kobayashi
Satoshi Kojima
Shūhō Kondō
Takeshi Shioguchi
Michihiko Suwa
Kiyoaki Terashima
Masataka Tōdō
Kazuhiko Yagiuchi
Takeshi Yamakawa
Isato Yonekura
Masahito Yoshioka
Licensed by: FUNimation Entertainment

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Detective Conan: The Crimson Love Letter (movie 21)

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