Ritsuko MURAKAMI村上 律子
Family name (in kanji): 村上
Given name (in kanji): 律子
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Ai Yori Aoshi (TV) : Background Art (Studio Easter; eps 1-2)
Alien Nine (special) : Background Art (eps 3-4)
Dark Shell: Lust in the Cage (OAV) : Art Director
Dragon Ball Z Movie 12: Fusion Reborn : Background Art
Explorer Woman Ray (OAV) : Background Art (Studio Eater)
(The) Harvest Night (OAV) : Art Director
Inuyasha (TV) : Background Art (Studio Easter)
Mobile Suit SD Gundam Mk IV (OAV) : Art (ep 1)
Sacrilege (OAV) : Art Director
Sword for Truth (movie) : Prop Cooperation
(The) Twelve Kingdoms (TV) : Background Art (14 episodes
eps 1-3, 5-7, 9-11, 13-14, 42-44)
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Opens with a strong, short arc and then continues on as if surprised by its own longevity and uncertain what exactly to do about it. ― If all of Red Data Girl was as good as its opening three episodes it would be a serious contender. Those episodes form a mostly self-contained arc, a dreamlike supernatural mystery where magic and menace are insinuated rather than stated, where mood and atmosphere are...
The director of this summer's Appleseed Alpha and Space Pirate Captain Harlock discusses those films, the state of Japanese CG and his early days. ― Shinji Aramaki is a true anime legend. After joining Artmic in the early 80s, the young Aramaki went on to contribute mecha designs for numerous series like Mospaeda and Bubblegum Crisis. He eventually graduating to the director's chair for early oversea...
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