Forum - View topicWhat do you think of moe?
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abunai
Old Regular
Posts: 5463 Location: 露命 |
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I think you may be right about the predominance of cuteness being a recent phenomenon -- my point was mainly to illustrate that the phenomenon itself was not so recent as you initially implied. I will stipulate to an increase in the "cute wave" (my gods, that sounds like some screwed-up sentai special attack) beginning in the mid-1970s or thereabouts.
Quite so -- but then again, their art is almost completely divorced from the phenomenon to begin with, so that is hardly surprising, nor conclusive in any way.
Of course not, once you put it that way. If you had done so from the beginning, you'd have made better sense.
Not having read the book in question, I cannot argue this point. But I will say that I see no moe (but plenty of "cute") in both these series.
I did not, but you obviously feel that I did. I would assume that this means I hit you in a sore spot.
Again, I did not. I have not threatened anyone "who crossed my path", rather I have pointed out that certain types of behaviour (specifically hateful speech towards entire groups of fans) was banworthy. This applies to anyone. As for the uncivil behaviour, I have already issued one admonition to two users on either side of the "moe divide", for bickering. Other than that, I have been bending over backwards to give this thread some extra leeway. I tend to do this whenever you, specifically, are involved in a thread -- because, frankly, I find you to be exceptionally good at playing the "outraged innocent" card, and I don't wish to provide you with more fodder. Accordingly, I let threads involving you go a little further afield than I would normally do. Call it a pragmatic standard.
This is not the first time you have accused me of "shutting down" the discussion -- yet, despite this supposed "shutdown", here you are, still whining out loud. For a stifled and oppressed person, you are annoyingly verbose.
I am so pleased that you put it that exact way -- because this gives me a chance to put to death a misapprehension that you and several others have been either labouring under in honest mistake, or deliberately promoting as a tool in debate. I am not a moe fan. I never have been a moe fan. I am an anime fan. I watch pretty much everything in the medium that I can lay hands on, and I enjoy most of it -- including moe. In general, I find most moe shows to be shallow and superficial, for the simple reason that moe is the "flavour of the month" in recent anime production, and the many moe fans out there are eager (and largely uncritical) consumers of anything that falls within this ambit (as is the case with other highly-focussed fan groups, like mecha fans, shounen fans, shoujo fans, etc.). However, this market-driven dynamic does not in any way invalidate moe as a part of the total anime experience. The same dynamic has affected other parts of the anime spectrum before, and will apply to others in years to come. Frankly, I don't really care for Zero no Tsukaima, Amaenaideyo!, Shakugan no Shana, etc. -- they seem to be formulaic, just as so many other series are formulaic, and I find them predictable. What annoys the Hell out of me, however, and what brings me out of my cave, waving my club and yelling imprecations, is the fact that some so-called "real anime fans" have made themselves the arbiters of what is "right" and "wrong" in anime, and have decided that moe = BAD, and that moe fans = SCUM. Nobody makes that kind of statements in these forums while I'm a moderator. It's hate speech, it's arrogant and vile, and I simply will not stand for it. So, if you believe (whether sincerely or in pretense) that I am the "center forward of Team Moe", think again. I am the center forward of Team Anime. All of it, bad or good. Squeaky-clean or sexually-charged. Sugary kid stuff or dark adult nastiness. All of it. - abunai |
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Steel Angel
Posts: 274 Location: Texas |
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I think this fits a lot more people then you realize as far as being an anime fan, regardless of current trends. I will disagree that "moe-fans" are uncritical consumers for what they purchase. They just have more tolerance for the current trend of production companies, and if we are, as you are and say, "I watch pretty much everything in the medium that I can lay hands on", then obviously many titles that have moe elements are going to be a part of that. If that makes us a moe fan, then we are, if it doesn't then we aren't. As a fan of all anime, it really doesn't matter what others say or call me, you, us or whatever. Let them think as they will. Aside from my above remark, i'll agree with everything you said in that quote, and this one below:
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zanarkand princess
Posts: 1484 |
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Yes I suppose it does. Though I did not mean to contradict myself. I would say that not all of moe comes from the cuteness phenomenon but some of it does. The character design does for instance but I think the "save me I am too helpless to even get through the school day without you" personality comes from something completely different such as the japanese otaku's supposed "perfect woman" (yet many guys in anime contradict this by saying they hate useless women) On another note why are mecha and moe becoming so intertwined? So it can appeal to a gundam audience as well as air fans. Oh and by the way I didn't just mean female moe when I started this. What are your thoughts on male moe? I guess it would be shota most of the time right. |
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bonbonsrus
Posts: 1537 Location: Michigan, USA |
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Why would it have to be shota? That is the same as equating feeling moe towards a female as being lollicon. I think that's much too large a leap to take. I recall while watching the extras on Nerima Daikon Brothers that the director specifically said (a few times) that the character Ichiro was designed to be a moe character, so that is a male example perhaps. I personally don't think I can say I felt that way about him, but I do recall that being said. |
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zanarkand princess
Posts: 1484 |
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I wasn't trying to make an assumption but most male moe either has to do with shota or an otome game I actually did find ichiro kind of moe but the thing was I don't think he had the innocent aura that comes with moe. I do have a problem with the fact that instead of something with a girl (who isn't a supposedly "endearing" fool) and a guy it's assumed that girls would prefer yaoi. I think that might contribute to the lack of male moe.
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ikillchicken
Posts: 7272 Location: Vancouver |
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Do me a favor and don't tell me what I "obviously think". Stick to what you think. Anyway, complaints about it being the devil's music would be more akin to people who think moe fans are pedophiles or whatever if anything. It's not so much a quarrel with the actual quality of the material.
Yeah but you added that "to a reasonable extent". You had to because nothing can truly be proven definitively invariant and factual. Whether something is objective simply depends on what standard of reasonableness you want to apply. Essentially, true objectivity is an impossibility. The only possible way to still use the term is in a relative manner. Within the context of a conversation about anime, I think it is reasonable to describe the general standards of quality in writing, storytelling, character development, animation, music, etc. as "objective" because it is relatively certain compared to to the alternative of what specific genres of anime one personally enjoys. I thought that was clearly enough implied that I didn't need to clarify it by explaining all this. Moving past these semantics, it comes back to my original point. The merits of traditional anime such as writing, storytelling, character development, animation, music, etc. are apparent enough. Regardless of personal taste or preferences, what is the merit of moe? |
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abunai
Old Regular
Posts: 5463 Location: 露命 |
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Be careful with that line of argument. That is the exact same scientific relativism that is used to argue that Creatio- I mean, "intelligent design", should be taught in schools alongside evolution, because "Evolutionism is just a theory". Sure, there is a very real effect in the "reasonableness filter" that you choose to apply, but we're talking about art, here. There is not, and never has been, an effectively objective filter for art. It's all subjective -- how can it help but be anything else? You can never say "X is objectively crap", when speaking of art, whereas "I think X is crap" is always a credible statement (allowing for snobs who poo-poo something because they publicly don't want to admit to "low-brow" tastes, while privately devouring it -- not that I'm suggesting anything at all in the context of this thread, of course). I'll buy "high-brow / high culture" and "low-brow / low culture" though, because these are less value-judgements than descriptions of the kind of self-perception that the intended audience has.
If you wish to preface every post by saying that you define "objective" as "according to subjective consensus", by all means. I'll think it silly, but it will be allowable. It'll still be a misuse of the word "objective".
The merit? Hmm. That's an old, old argument in art. Sure, some works of art present themselves as having "merit". There's a clear and indisputable difference in artistic intent between something like Picasso's Guernica, and something like the latest issue of Hustler Magazine -- but I will argue that there is plenty of merit of a different kind in the latter, depending on the needs of the audience. Sure, the "high-falutin'" artwork is more likely to garner public acclaim, win awards, gain grant money and commissions for the artist, etcetera, but is it fundamentally "better"? If somebody finds a need served in a work of art, whether it be high discourse on the impermanence of the human condition or low appeal to the regions beneath the belt... does the work of art not have merit, then? Regardless of its nature? Denying the "merit" of an artwork because we find it offensive or even because we do not personally gain any satisfaction from it, is the thin end of a wedge that leads to book burnings and concepts like Entartete Kunst. Best not to take the first step down that road. Nobody is forcing you to consume the art that you don't like, after all. There are plenty of artworks that I don't like, even artworks that others indisputably gain something from. Sure, I don't like James Joyce or Ernest Hemingway, and I think their works are vastly overrated -- but I would never go so far as to suggest that they didn't have any merit, since it is an obvious truth that millions of people have gained some satisfaction from them. My attitude to them is mine, it's entirely subjective, and I would never dream of claiming the status of "objectivity" for it. Likewise, I don't really read pornographic magazines or watch pornographic films, but I support their right to exist. How else would we know of the subtle and mysterious effect of the pizza delivery guy on the female libido? - abunai |
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rti9
Posts: 1241 |
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Whoa, this thread is blowing things way out of proportion. Ironic that some moe-haters point out how shallow and ridiculous moe is by writing shallow and ridiculous posts. Some arguments here are so absurd that they resemble those of anime haters who argue that anime is for children and all that stuff.
I was avoiding this thread because I'm not really into moe. The idea of reading through what everyone's opinion regarding it wasn't really attractive, but Zalis116's posts ended up being really interesting because they offer a perspective most posters here (including I) lack. I bet if this had been the opening post, this thread would have been much more interesting. It's incredibly easy to hate moe, but the fact remains that it sells. And extremely well. So well, it is repetitively used throughout several titles. It is kind of frustrating to see the romance genre relying so heavily on this one element, but if that is what bring in the cash to studios there isn't much we can do about it. There are always books and live-action as alternative. All this moe may be helpful sometimes. I have no idea how the money flows inside the anime industry, but I find it believable that sometimes the profit that comes from moe is used to create other titles besides "moe titles". Another good thing (on the case of romance): shows like Kare Kano, Bokura ga Ita, and the works of Makoto Shinkai contrast so heavily with moe that it becomes easy to spot them (in a time when over 200 titles are released per year, that is incredibly helpful). Also it is thanks to distinctive presence of moe that authors can come up with shows like TMHS and Ouran. |
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Top Gun
Posts: 4603 |
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I kind of feel like the question in the original post is pointless, in a sense, since there seem to be about twenty different functioning definitions of the term "moe," each one with its own breadth. (The fact that this thread has seemingly turned into an etymology argument seems to reinforce this.) Since the original poster wasn't entirely clear as to what definition was being referenced here, I guess we're all kind of left to comment on our own interpretations of it.
From everything I've gathered, in its most general sense, the term "moe" refers to feelings of affection or protection toward a person or object, usually something that most people would define as "cute." I find the target of that definition to be perfect acceptable; in fact, I'd go so far as to argue that it's simply human nature. It's basic parental instinct to feel affection toward a young child or want to protect them from harm, particularly if that child is upset or in danger. By the same token, kittens or puppies trigger that natural "omg cute!!!" response that seems ingrained into us. Along these lines, I view anime series that play the "cute boy/girl in trouble" card to simply be capitalizing on these natural human responses, which makes perfect sense in my book. On the other hand, if you're talking about the specific show genre of "guy surrounded by fawning girls" that the term also seems to apply to...that's when I do have an issue. I've never willingly watched a series of that nature, and I doubt that I ever will, since I'd probably be pulling my hair out less than ten minutes in. I find the whole concept of characters whose sole drive in life seems to be pandering to their "one true love" to be sickeningly unrealistic, and more than a little bit degrading to the female species. To be fair, I'd probably have almost as much distaste for old-school harems of the Tenchi Muyo form, but at least those have the inherent advantage of featuring female characters with actual personalities and spirit. Even the image of the huge-eyed, vapid-stare "moeblob" makes me grit my teeth; in my opinion, they're just an utter waste of animated oxygen. I like that point that someone made earlier about the dichotomy between "old-school" and "new-school," and how that relates to one's feelings on the moe genre. If it hasn't become abundantly clear by now, I'm in the decidedly old-school camp. As one Bond theme song once said, "Martinis, girls, and guns" are what I find entertaining; overall, I like my anime full of lots of action, buxom action babes, and plenty of explosions. As such, the intensely melodramatic, cloyingly sentimental, and angst-packed mold that so many of these sorts of shows fit into is just about anathema to me. As far as my tastes in fictional females go, as the great Spike Spiegel once said, "I love a woman who can kick my ass." Moeblobs need not apply. (And before anyone jumps over me for the "unrealistic" comment, I'm perfectly aware that the vast majority of anime, including just about every show I enjoy, is completely and unapologetically unrealistic. However, I find it intensely easy to suspend disbelief for the background fantastic elements that pervade so much of anime, whether they be rubber-limbed men, ninjas with super powers, or guys swinging around huge swords. Even though women like Motoko Kusanagi or Faye Valentine swing way to the unrealistic side of gung-ho, they're characters with developed personalities and wills of their own. In contrast, the thought of a harem-esque moe series purported to be set in something resembling our own world, yet populated by female characters with no independence or will of their own, just makes me scratch my head and change the channel.) |
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wizardz199
Posts: 112 Location: Hayward, CA |
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I love Moe! I fins such characters as Mikuru Asahina and Chiyo chan charming and cute. Misa from Death Note is also very Moe, and sometimes she is annoying but is always very cute. Moe is a huge driving force in anime fandom. You say no to that face!
http://guru.theotaku.com/results/670_Mikuru_Asahina.jpg |
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zanarkand princess
Posts: 1484 |
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as hare hare yukai says iroiro yosou ga dekisou de dekinai mirai
sore demo hitotsu dake wakaru yo. I will always be able to say no to that face Oh and in the first post I was talking about this kind "guy surrounded by fawning girls" |
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Boomerang Flash
Posts: 1021 |
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This passage touches upon two interesting points. The first agrees with an important assertion made by moe haters: The attitude of moe fans is what caused the (supposed) increasing dominance of moe titles. I am going to make the following assumptions about the regular ANN forum user that posts in the Anime section. 1. The user likes anime and watches anime on a regular basis. 2. The user likes to discuss anime with others who share his interest. The moe haters believe that moe titles are taking over the industry. This can be interpreted in one of at least two ways and still be true. 1. The fraction of titles released that are moe centric is increasing. However, due to the increase in total number of titles, the number of other titles remain essentially constant. 2. The fraction of titles released that are moe centric is increasing. The number of other titles is decreasing because the total number of titles has not increased proportionally. I haven't taken a careful look at the titles released recently, so I don't know if either is true. If I make the assumption that you correctly perceived the moe trend in recent times, then the "'flavour of the month'" label suggests that at least the fractional increase is true. I will start the examination with this assumption. Of the two interpretations, the second is the more serious for anyone who dislikes moe. The number of possible titles from which he can choose is decreasing, which makes it more difficult for him to find a title that he likes. This causes problems for him to satisfy his enjoyment of anime. The first is less serious, since the number of titles he can choose from has not decreased; he merely has to look through a longer list, and it may not be substantially longer such that the extra time needed becomes crippling. However, it can cause problems in finding other fans with whom to discuss anime, since an increase in the total number of titles released does not imply that the number of fans accessible to a particular fan increases. In the worst case scenario, the fan is a regular attendee at the local anime fan club, whose membership has not increased but shows an increasing tendency towards discussing moe. If we assume that the poster would like to continue watching anime, then it isn't necessarily correct in saying that he can simply ignore moe and moe fans. There are two places in which to lay blame: the companies for catering to the wants of the fans or the fans for having such wants. The first amounts to a criticism of the market economy. The second, though more personal to other users, is actually more justified, even though the expression of such hate in its full form in a forum of discussion is still usually unacceptable. The second point is more constructive. Your analysis of moe implies that the major cause for the low median quality (and by quality, I mean, of course, by the subjective standards of the critical and fan elites) of moe titles is because the companies can get away with low quality. It does not imply that low quality is an inherent consequence of moe being a major element (I think we can safely and without the benefit of support dismiss the notion that any presence of moe implies low quality as the ignorance of a few extreme haters). It has been argued by many moderates in this topic that moe, in moderate doses, can be entertaining or endearing. I find that this is too moderate. Moe, when correctly applied, can become an integral element of a thoughtful plot that is superior to analogous setups that are devoid of moe. The example to support this argument is Gunslinger Girl. Out of nearly 2000 ratings, Gunslinger Girl has, as of this post, the following statistics: Median rating: Very good Arithmetic mean: 7.9932 (Very good-.00), std. dev.: 1.6133, rank: #487 Weighted mean: 7.8827 (Very good-.11), rank: #437 Bayesian estimate: 7.88106 (Very good-.11), rank: #256 The title is quite well received according to the sample self-selected to acquire the ANN rating. Common phrases used to review the title include "The writing does an excellent job of making the girls, handlers, and fratello relationships all distinctive from each other, which balances out a total lack of ongoing plot." [1] "The animation supports these scenes reasonably well, bolstered in places by CGI effects and tricks of perspective to give a greater sense of motion without resorting to standard anime shortcuts." [2] "And now in finishing, this is a very enjoyable series, with my only complaint being that it was so short." [3] "All in all, I really enjoyed this series. Gunslinger Girl could have easily devolved into one of the aforementioned anime archetypes, but instead it manages to maintain a good deal of its integrity and originality." "As mentioned before, when action scenes occur, they are nothing short of exceptional." [4] It isn't placed among the very best, and it doesn't appeal to all viewers, but it is safe to say that this is a well received title that is considered high quality. We can certainly see that the inclusion of moe has not caused Madhouse to skimp on the animation. The more problematic question is whether the title is moe. I find that it is. The younger half of each fratello consists of a teenaged girl--a young teenaged girl, I believe. The design does not incorporate the stereotypically large eyes of moe characters, although this is a diverging choice made by Madhouse that is particularly noticeable if compared side by side with the manga and season two. However, the girls are young and cute. So far as characterization goes, Henrietta and Rico fall into the innocent, eager, and energetic category that so often is stereotyped by the sickeningly sweet and hyper character. Angelica is more subdued but has the benefit of spoiler[the common plot associated with the reset or deletion of a robot's memory, except it applies to a human cyborg.] Triela is is a tsunderekko. Claes is probably the least moe, but she still has the benefit of being a meganekko. They exhibit a degree of helplessness and dependence to the point that Rico states that she'd die for Jean and do anything for him, and Henrietta is constantly worried about whether she is performing up to Giuseppe's expectations. The girls' plight, of course, attracts the sympathy of the audience and should draw on the desire to protect their innocence--particularly urgent, given that the girls are assassin cyborgs in a violent world. In fact, the handlers have the potential to embody this tendency, with the best examples being Giuseppe and Hillshire. While the series does not adopt the extreme character design of moe shows, the element is certainly a prominent aspect. Now, suppose the moe element is removed. We then need to replace the innocence and energy of the girls with some other characterization. One possible technique is to give them a mechanical behavior. This removes the girls from human sufficiently that it would not make sense to have the fratello relationship, and it robs the series of much of the sympathy. Another technique is to give them a more cynical and aware outlook. In this case it is difficult, if not impossible, to condemn the actions of the agency as morally deplorable. Both alternatives rob the series of its potential to occupy the moral grey area for so long and focus on the human interactions between the girls themselves and between the fratello, and the latter forces the series onto the well-worn track of a revolt against the oppressive agency. There are doubtlessly other alternatives, but I don't think any will result in a comparable perception of quality will also allow the series to have something akin to its present form--that of an interesting and thoughtful look at the lives of crippled or nearly dead girls given a second chance at a life--maintained rather happily but at the discretion of the handlers--, and the relationship they have with the handlers. We see, then, that moe is not only not inherently detrimental but can be used as a necessary element in producing a thoughtful and touching story. The blanket condemnations and even apologetic compromises seem to make little sense. |
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Steel Angel
Posts: 274 Location: Texas |
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Just a comment, and I'm not disagreeing with you because of whom it's being said from, but the title you're using for the argument.
I personally saw no moe elements in this series. Yes there are young girls in the series, but that does not equate moe. Their stories are about what they have become. To this end they have become humans whom have been given temporary life, but are no more and no less tools as the government sees them, as do a few of the handlers. A major part of the story element for this series asks the viewer if these girls are still even human or not (as opposed to nothing more then trained expendable killers) , and explores if even the handlers themselves can see these girls as nothing more then tools, or if they still some how manage to see them as human beings. As to the girls themselves, it is explicitly stated that each and every girl is "bound", through brain washing and surgery, to their handlers. Any of the girls notions of wanting to protect their handlers, or to make them happy is a product of these acts that are done to them. These girls did not consent to this action, remember they are tools of the government and nothing more. If a girl is unable to do her duties to a satisfactory level, which includes working with and protecting her handler, they are deemed a failure and scrapped. Yes there are times with in the series that show these young girls behaving exactly as such (young girls), but i'd hardly say that was moe. |
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Boomerang Flash
Posts: 1021 |
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There are a few factual errors I need to correct before proceeding with the argument.
The series answers the parenthetical question quite incontrovertibly: The girls are not expendable. In episode 1, spoiler[the director supports Giuseppe's decision to use the minimum amount of medication necessary to support the brainwashing on the grounds that Henrietta is too valuable to have her lifespan reduced by increased dosage.]
We are shown two cyborgs who fit the description you provided. spoiler[Claes, whose handler was killed and who can't be bonded to another handler, ] and spoiler[Angelica, whose memory loss indisputably affects her ability to perform a mission in the later episodes.] Neither was scrapped. The former was used as an experimental subject in testing limitations of cyborg parts, and the latter is hospitalized for long periods of time. They are otherwise treated exactly the same as the functional cyborgs. So much for factual corrections. Now, unto the extrapolations. You have made the classic mistake of assuming Gunslinger Girl follows the same well-trodden path that most fictions involving humans converted to living weapons take. It does not. Theoretically, the handlers can be cruel to the cyborgs. In practice, only spoiler[Jean and Lauro] actually behave in such a manner. The other handlers do treat the girls as girls. That is the entire reason for Marco's spoiler[current apathy toward Angelica.] This kind of contrast between the handler attitude--where they are compelled to treat the cyborgs as human--is only possible by humanizing the cyborgs, and it is most believable when they are given sympathetic personalities. You're missing an important question, and you must address it in order to dismiss the notion that Gunslinger Girl is moe. I touched upon it in my last post, but here it is in another form: Why innocent young girls? Why not grown men salvaged from war? Why not ragged orphan boys from the back alleys? The answer is moe. For justification, refer to my last post. |
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Steel Angel
Posts: 274 Location: Texas |
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False. Not bothering to quote you're first statement, this can be invalidated because spoiler[a different handler later said they wanted theirs to have an increased dosage, which was done ] ...so a completely irrelevant point. As to the quoted: Scrapped does not mean killed, it means removed from the project, spoiler[and in both cases were, they were not allowed to work with said handlers in the field, thus they were scrapped] i'm sorry you need this crap spelled out for you because you're in such a hurry to say someone is wrong. As for the rest, you make the subjective argument that how you saw the series is the only way it can be seen. You also seem hell bent on trying to say I'm incorrect, when in fact the basis of the girls being shown spoiler[ as human and/or cyborg or both is given, it is then left for] the viewer to decide whether the ends justify the means. The reason for not addressing certain issues is because of opinionated people like you, as there are enough arguments in the thread already. The kicker is your arguing over an opinion, as if opinions can be right or wrong. I should of known not to make any damn post that commented with anything you said. Well thats easy enough to solve so go on and spout some more superficial ..... cause its gonna fall on deaf ears as far as im concerned, the only thing i have left for ya is the finger. Last edited by Steel Angel on Tue Jul 29, 2008 9:30 pm; edited 1 time in total |
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