Creating a Fanclub: Director Sou Toyama on Kirio Fan Club

by Rebecca Silverman,

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Kirio Fanclub is not your typical tale of high school love. Aimi and Nami eschew many of the romanticized aspects we've come to expect from anime high school girls: they're weird and loud and more than a little goofy while still taking themselves and their crush on classmate Kirio very seriously. We sat down with director Sou Yoyama to discuss his upcoming adaptation of Chikyu no Osakana Ponchan's manga and what choices he made to bring the story to life.


One thing I really love about the original manga is that Aimi and Nami are not portrayed as “idealized high school girls.” Instead, they are depicted as slightly odd but lovable characters. In the anime adaptation, how are you thinking about expressing this charm? Also, are there any particular directing choices or techniques you are consciously using to highlight their slightly foolish and awkward, very teenage-like qualities?

Sō Toyama:You're absolutely right — the most important thing, I believe, is not to exaggerate them, but to portray them realistically as ordinary high school girls.

For that reason, in the anime, we are trying to avoid typical exaggerated expressions often seen in animation, such as heavy deformation or symbolic visual effects, as much as possible.

Additionally, we are carefully and realistically directing each moment that highlights their awkwardness and their slightly foolish sides, making sure those traits feel natural and relatable rather than overly comedic.

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How do you feel this work portrays adolescence as a stage of life? Do you think its depiction feels more realistic compared with other works?

TOYAMA: Yes, I believe it is portrayed very realistically.

Adolescence is a time when everyone begins to deeply question the meaning of their own existence and the purpose of their lives. I think this work is a very real story about boys and girls in adolescence, one that places a direct and honest focus on those feelings and experiences.

In the original manga, even from Volume 1, there are moments where the tone shifts from a very comedic atmosphere to something quite serious. Do you think these tonal shifts are one of the charms of this work?

TOYAMA: Yes, I think it's very appealing.

At its core, the series is fun to read as an entertaining, comedic story, but just when you let your guard down, a serious development or deeper human drama suddenly emerges. It's a source material that never lets you relax completely — and that unpredictability is part of its charm.

The title is Kirio Fanclub, but do you feel that this story is really about Kirio himself? Also, what do you think is the meaning behind the choice to never show Kirio's face?

TOYAMA: I think it is a story about Kirio himself, but at the same time, it is also a story about Aimi and Nami — and through them, it can ultimately become a story for the readers and viewers as well.

By keeping Kirio's eyes hidden, readers and viewers are encouraged to imagine and construct their own image of who Kirio is. Through that process, they can become more deeply immersed in the emotions of the two girls and in the unfolding of the story.

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For you as a director, what does it mean to be a “fan”? And in this work, how do you think the idea of being a fan of someone is portrayed?

TOYAMA: For me, being a fan of someone means enriching and deepening one's life. When you become a fan, you naturally develop the desire to connect more with that person and to learn more about them. I believe that desire helps expand your own knowledge and becomes a source of motivation and energy for the future.

Throughout the series, what kinds of feelings or impressions would you like viewers to take away from the story?

TOYAMA: Beyond simply experiencing the uniquely adolescent drama of Aimi and Nami, as I mentioned earlier, I hope viewers might also reflect — in their own way — on what gives their lives meaning, or what they are living for.

That said, it doesn't have to be taken that deeply. I would also be very happy if audiences simply enjoy the series and have fun watching it.

Finally, could you share a message for overseas fans who are looking forward to this series?

TOYAMA: I believe there are already many anime depicting Japanese high school life that are watched overseas. Among them, this work stands out as a truly realistic, grounded, and universally relatable human drama.

I hope you will enjoy the comedy, and at the same time, also experience the series as a heartfelt drama.


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Photo Courtesy of Pony Canyon
After moving to Shizuoka Prefecture in childhood, Sō Toyama began playing soccer and was eventually selected for the Japan High School National Soccer Team. However, as soccer was not yet as popular at the time, he began exploring other paths and developed a strong interest in acting and theater. Through connections made there, he eventually became involved in writing scripts for anime.

After participating as series composition and scriptwriter on titles such as Yadamon, he transitioned into storyboard and directing work. He later served as director for the OVA Ajisai no Uta and worked as an episode director on Pokémon the Movie series, among other projects.

With SATELIGHT, he contributed as an episode director on Helck and Tasūketsu, handling direction for several key episodes. He now serves as the director of Kirio Fanclub.


Kirio Fanclub streams on HIDIVE.


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