Forum - View topicChicks On Anime - Fansubs (Pt 2)
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enurtsol
Posts: 15233 |
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The $ is used in many countries, so I'm not sure where you are, but in America, US$20-30 per 120 min has been the standard for years now. It'll go down even lower as boxset releases (usually 325 min) for US$40-50 become more prevalent. Even in the days of sub VHS, it was never as bad as averaging US$50-70 for 45-90 min. On average, as bad as it got was US$40 for 60 min.
4Kids and DVDs don't even mesh since 4Kids hardly releases anime DVDs, as their foci are on TV ads and merchandise licensing. And the few times they do release DVDs, it's usually super cheap because it's dub only, sold at Wal-Mart et al., and thus sell a lot to their kids audience (actually, the kids' parents). OTOH, DVDs actually released by anime companies, generally the dubs are not too much altered and also include the original Japanese with subs for those who don't like the dub.
Yeah, just generally not the ones you mentioned.
Well, dunno about science, but the yellow subs date back to the sub VHS days. The companies and fans settled on a compromise that's acceptable to both sides. White subs on white or bright backgrounds don't look readable, and since that scenario occurs more often than yellow on yellow, that's how they settled. Aesthetics was not the primary priority. So those who complain about yellow, t'was your fellow fans who outvoted you.
That doesn't look white but rather off-white on my screen. Not sure if DVD's limited color palette could even use that. Anyways, the sub color is kinda supposed to clash, instead of blending in, for greater readability. As mentioned, aesthetics was not the priority. Soft-subs also improved upon the hard-sub VHS days.
It's not just R1; that's a limitation of the DVD spec. In order to get the DVD specs out ASAP, the content makers and DVD manufacturers compromised on many specs, and so the subtitle spec became an afterthought. IIRC, it was limited to 4 parts: usually the sub color, the border, anti-aliasing, and the invisible color background. So if you want to keep the last 3, at a time, you can only have 1 sub color for multiple speakers. Font can be different though, and many times, the 2nd speaker's sub is italicized to differentiate. This shouldn't be an issue anymore with Blu-Ray.
It's not just that but also distribution. Big media companies like 20th C Fox have their own distribution channels worldwide, so they can distribute that same Simpsons DVD on multiple markets with minimal changes. So for efficiency, they need only make 1 master disc; 1 disc global, 1 disc to rule them all. Worldwide anime licensing doesn't work that way. At least not yet. Besides, similar tricked-up anime would never sell in the magnitude of The Simpsons to be in the same price anyways.
But of course you still bought those Funi 50 eps since you fully support One Piece done right, right?
Oh please, 4Kids couldn't care less about fansub fans - or even just anime fans. 4Kids dropped One Piece because they couldn't sell merchandise licenses of it for children's products. FUNi just picked it up afterwards. Let's see how many fans actually support the DVDs like they say they would.
Besides altering the looks for repackagings (such as combining 2 previous volumes into one volume or into thinpaks), there's also a business reason for re-issues. Some stores like Wal-Mart simply will not re-stock "old" SKUs. In order for those retailers to even just put your product on the shelf --the same product that you released 2 or 3 years ago-- you have to make it seem like a new product. Stop with the conspiracy, please.
I think that's not a problem for people here. Fortunately, that doesn't happen much nowadays. |
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TheresaJayne
Posts: 70 Location: UK Berkshire |
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12 pages with only a couple of interesting posts, geez,
The problem as has been mentioned more than once is the lack of getting it outside of the USA. I saw an advert here on ANN today, Watch Ramen Fighter Miki Part 7 I clicked it and it said "Sorry due to licencing restrictions we cannot let you see what we just said you could watch" This is why fansubs will be alive and well into the next century, when the license holders finally realise that if they spend the extra dollar on a world wide license then they will see less fansubs and more people buying, BTW anyone know where i can get fansubs of Ramen Fighter Miki? (j/k lol) |
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Parvati-IV
Posts: 72 |
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So, let's say everything in the next two anime seasons was made available as a same day stream. While that would make the fans happy, where would the money for the companies come from? Do ads make that much? If it means a delayed or lack of R1 release, would Japanese sales alone be enough? I've heard that some coapnies consider overseas sales and calculate them in when making a show. Would an R1 licensor want to touch it if it was already available for free on the internet? So far we haven't seen any of the legit streams on crunchyroll get a DVD release. Would we see the amount of anime being made shrink dramatically?
I don't know the answers, but I wanted to toss out some food for thought. What do you guys think would happen with that scenario? Last edited by Parvati-IV on Wed Feb 11, 2009 4:48 am; edited 1 time in total |
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dragoneyes001
Posts: 873 |
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1)you quoted something mistakenly it was about bleach only having about 50 eps. 2) 4KIDS was getting huge bad press with youtube parodies of their one piece release getting hundreds of thousands of hits <<< kind of thing their PR people notice. yes they do buckle to public ridicule when the numbers are big enough. as for funimations release isn't it also dubbed? don't think I could handle a new voice for lufy after nearly 400 eps. here try looking at this it sounds horrible: http://www.onepieceofficial.com/movie/ 3)conspiracy? repackaging something in a manner it can be deceiving is fraudulent not conspiratorial. 4) if your in R1 then it is happening here because its companies like 4kids who make junk of good anime to market it
CR is using the money from subscribers to pay TV Tokyo for streams aired an hour after live airing in japan if they do manage to get 40k subscribers in 3 yrs at an average of $59 each for a years subscription they will have 2.36 million dollars to pay for TV Tokyo's streams that year that's not exactly huge money but will definitely be paying for stream rights and also makes those series available to those who can't pay. |
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petran79
Posts: 122 |
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Every country with a deleveloped media industry does the same. and some other similarities: They rent DVDs, burn them illegaly and return those to the video rental store. Lets see. 10 DVDs would have cost 300 $. 10 rented DVDs only 30 $. Plus they can visit any neighbouring Asian country to get bootlegs by the tons. They also download torrents, whether DVD-rips, Raw or fansubbed. Who buys a lot of merchandise? The otaku? Because every country has otaku. Sure they contribute a lot but I'd never bother watching anime if it was targetted at the otaku market or buy otaku crap to say that I contribute to the industry.. Even if new anime distributions through torrents ceased to exist, something which I doubt (Napster and Audiogalaxy are classic examples), there would still be a lot of older and forgotten series waiting to be fansubbed. There is a considerable part of older viewers who prefer to buy old or forgotten anime. |
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LordRedhand
Posts: 1472 Location: Middle of Nowhere, Indiana |
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Well in terms of viewing, I'd say the dub actually is closer to getting as close as possible experience as the Japanese viewer and let me explain why.
1. Short of learning Japanese myself to a level that is good enough to watch an anime series Raw I need another way to view the series. 2. Becuase most anime do not have lines of text at the bottom of the screen, watching a series with subtitles is not the same experience as watching a series itself, and definetely not the same experience of the viewer in Japan. 3. I know what some of you will say about reading subtitles, but regardless of how fast a reader you are your eyes are drawn down, away from the action and animation that the director intended for you to see. 4. Therefore a dub in my native language (English) is as close as possible a viewing experience as I can get to the Japanese. On TV it's even better prospect. As to subtitles, (like with Punie-Chan, subtitle only release) I want the subtitles to be as clear/readable as possible, and to not detract from the viewing itself. Subtitles that try to blend in actually run counter to this, becuase then I have to focus harder to read them, thus missing more of what I'm suppossed to be seeing. Others have described the limitations of the DVD subtitling better than I. |
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crilix
Posts: 208 |
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Last edited by crilix on Wed Feb 11, 2009 5:30 am; edited 1 time in total |
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LordRedhand
Posts: 1472 Location: Middle of Nowhere, Indiana |
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Are closed captions though the standard? i.e. every anime has them all the time.... As shows over here have the option for closed captions but you couldn't say it was the norm to say watch the Simpsons with lines of text at the bottom. |
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crilix
Posts: 208 |
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It depends on the station, but yes, they are a widely used standard. Even fansubbers use them to translate from for a number of anime series.
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enurtsol
Posts: 15233 |
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Oops, my bad.
Uh, not 4Kids. Anime fans have been ridiculing them to hell and back for years. They don't care about anime fans. They only care about kids whom they could sell licensed merchandise to.
It's dubbed and subbed, so you can keep listening to the Luffy you got used to. And no, I don't think the Funi dub is horrible. You're just too used to the original Luffy after nearly 400 eps. That's fine; we're often predisposed to the first voice we encounter.
If it's fraudulent, it's fraudulent to the stores who won't re-stock old SKUs. They're not trying to fool you - they're trying to fool those stores.
Dude, 4Kids hardly releases anime anymore. They make up like less than 1% of the industry now. It's time for you to move on. You even cited AnimEigo. AnimEigo! Who releases a new anime only every 4 years! Like the Yawara Olympics! Methinks your info is outdated. Last edited by enurtsol on Wed Feb 11, 2009 5:39 am; edited 1 time in total |
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LordRedhand
Posts: 1472 Location: Middle of Nowhere, Indiana |
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While I can believe that fansubbers would use a closed captioned raw to start their "translation" process, I doubt that the standard viewer uses them, even with anime "weird" terminology, as some things are meant to be found out, not explained right away.
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dragoneyes001
Posts: 873 |
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I know for a fact that kids seeing one piece on 4KIDS were barely able to understand the story line it was so distorted since people I know who's kids watched it said so themselves also from people posting about it online and those people were not watching it for long because it was so disjointed. so its kind of hard to sell stuff to an audience that's not watching the show. but then again you don't seem to be able to connect the dots between a fan and a merchandise purchaser! they go hand in hand since people who like something will watch it on TV even if they have seen it online/downloaded and the same fans are the ones who would buy the licensed merchandise because its not going to be the naruto fans buying one piece products unless they happen to also be one piece fans. also your missing the other point!(peer pressure) when there was hundreds of thousands of hits on the anti 4Kids one piece stuff kids who might have watched it considered it unpopular and stopped watching it. kind of like how the Internets number one insult is FAG not because all those kids are homophobic but its repeated so frequently its a knee jerk reaction for them to use it.kids are very susceptible to peer trends. |
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LordRedhand
Posts: 1472 Location: Middle of Nowhere, Indiana |
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Ummm I can tell you as being a kid once, I didn't particarly care for the story of series like Sailor Moon, Voltron, He-Man and The Masters of the Universe or TMNT. Most kids wouldn't notice or care about the changes to the series or the story. All they care abnout is entertainment value, and if they can watch One Piece and say "I was entertained." then the show did what it was suppossed to. |
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Cait
Posts: 503 |
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Exactly, a commercial failure is a commercial failure, regardless of the supposed "influence" of fansubbers' complaints. People who have already seen a different version of an anime (fansub, raw) are always going to complain about any and all differences from that version, regardless of merit or quality. The reason the 4Kids license of One Piece and the Nelvanna license of Card Captor Sakura failed was ultimately due to their own inabilities to put out an altered product that was viable in the market to the mainstream (because that is who those companies market to, not the niche anime market). What the anime "elitists" think is only going to drive one very small niche market (the Pioneer subs of CCS and the complete redub of OP by FUNi, neither of which really had the greater financial impact to prove they "fixed" the mainstream problem of the original edits). Either way, it is an old and flat argument to blame non-anime publishers for publishing non-anime products. They are few and far between in even existence and don't apply to the R1 anime industry's actual efforts to put out products that are as close to the originals as is possible. |
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Unit 03.5-ish
Posts: 1540 Location: This space for rent |
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So I guess this means if fansubs disappeared overnight, companies would no longer have a means by which to judge what anime to bring over here. Because like I said, market trends and marketability apparently don't matter. I think it's rather arrogant on the part of fansubbers and fansub watchers to think that they are what drives the decisions of R1 companies to bring titles here. |
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