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INTEREST: Terumi Nishii: Netflix's Bigger Budgets Haven't Trickled Down to Actual Animators


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JohnHawk



Joined: 22 Apr 2015
Posts: 83
PostPosted: Tue Jul 21, 2020 1:07 pm Reply with quote
I refuse to believe Netflix shows have bigger budgets than the average programming when half of them are cg that looks like total shit
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CrypticPurpose



Joined: 15 Jan 2020
Posts: 321
PostPosted: Tue Jul 21, 2020 1:14 pm Reply with quote
JohnHawk wrote:
I refuse to believe Netflix shows have bigger budgets than the average programming when half of them are cg that looks like total shit

...did you read the article? They specifically said that none of that extra money actually makes it to the production level - it all gets absorbed by general operations, so the larger budget ends up having close to zero impact on final quality.
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MarshalBanana



Joined: 31 Aug 2014
Posts: 5317
PostPosted: Tue Jul 21, 2020 1:21 pm Reply with quote
Quote:
"It's like if it rains in a desert. It gets swallowed by the sand, and it's not enough to make plants grow."
So until things are out of the red, nothing will change. And I'm sceptical that it will even after/if that ever happens.
JohnHawk wrote:
I refuse to believe Netflix shows have bigger budgets than the average programming when half of them are cg that looks like total shit
An offensively ugly looking cg Anime still costs a lot of money.
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Actar



Joined: 21 Nov 2010
Posts: 1074
Location: Singapore
PostPosted: Tue Jul 21, 2020 1:23 pm Reply with quote
Everyone says to support streaming services to support the anime companies. Does any of the money even reach them?
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Piexouar



Joined: 19 Jun 2020
Posts: 40
PostPosted: Tue Jul 21, 2020 1:27 pm Reply with quote
*Pretends to be shocked*
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Erufailon4



Joined: 18 Jun 2019
Posts: 193
Location: Finland
PostPosted: Tue Jul 21, 2020 1:41 pm Reply with quote
Actar wrote:
Everyone says to support streaming services to support the anime companies. Does any of the money even reach them?


The money goes to the companies that fund the shows in the first place, but not the animation studio unless they're one of the funders. So it kinda depends on your definition of "anime company".
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Kougeru



Joined: 13 May 2008
Posts: 5527
PostPosted: Tue Jul 21, 2020 2:13 pm Reply with quote
Actar wrote:
Everyone says to support streaming services to support the anime companies. Does any of the money even reach them?
at this point the only way I can find to support a company directly is to send them a check in the mail or buy company-specific merchandise but the only company I know that does international sales of such merchandise is Kyoani since they own most their licenses.


I'm not really in shock by this news and I hope stuff like this pushed companies away from Netflix. They're not a good company. Sure they get more exposure to casuals but that's about it... No casual subs to Netflix specifically for said anime, it's usually "I have Netflix already so I'll try this show"
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Ryuji-Dono



Joined: 26 Apr 2018
Posts: 1210
PostPosted: Tue Jul 21, 2020 2:55 pm Reply with quote
Kougeru wrote:
Actar wrote:
Everyone says to support streaming services to support the anime companies. Does any of the money even reach them?
at this point the only way I can find to support a company directly is to send them a check in the mail or buy company-specific merchandise but the only company I know that does international sales of such merchandise is Kyoani since they own most their licenses.


I'm not really in shock by this news and I hope stuff like this pushed companies away from Netflix. They're not a good company. Sure they get more exposure to casuals but that's about it... No casual subs to Netflix specifically for said anime, it's usually "I have Netflix already so I'll try this show"


So, move to Crunchyroll or FUNimation instead? I want to know because I'm referring if you were speaking objectively.
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Hoppy800



Joined: 09 Aug 2013
Posts: 3331
PostPosted: Tue Jul 21, 2020 3:18 pm Reply with quote
In conclusion, chasing the overseas markets has done jack to help animators. This experiment is a huge failure for all but those on top and they are back to square one. So not even this choice is screwing over the industry in more ways than one, the animators aren't even benefiting from overseas money, animators that NEED the money the most.
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MarshalBanana



Joined: 31 Aug 2014
Posts: 5317
PostPosted: Tue Jul 21, 2020 3:31 pm Reply with quote
Kougeru wrote:
Actar wrote:
Everyone says to support streaming services to support the anime companies. Does any of the money even reach them?
at this point the only way I can find to support a company directly is to send them a check in the mail or buy company-specific merchandise but the only company I know that does international sales of such merchandise is Kyoani since they own most their licenses.
Trigger also have an online store, I got the first Little Witch Academia film from there .
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KefkaesqueXIII



Joined: 30 Nov 2015
Posts: 122
PostPosted: Tue Jul 21, 2020 4:06 pm Reply with quote
MarshalBanana wrote:
Kougeru wrote:
Actar wrote:
Everyone says to support streaming services to support the anime companies. Does any of the money even reach them?
at this point the only way I can find to support a company directly is to send them a check in the mail or buy company-specific merchandise but the only company I know that does international sales of such merchandise is Kyoani since they own most their licenses.
Trigger also have an online store, I got the first Little Witch Academia film from there .

Trigger also has their own Patreon page, for that matter.
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lossthief
ANN Reviewer


Joined: 14 Dec 2012
Posts: 1393
PostPosted: Tue Jul 21, 2020 4:15 pm Reply with quote
Ryuji-Dono wrote:

So, move to Crunchyroll or FUNimation instead? I want to know because I'm referring if you were speaking objectively.


On a purely business level there's not much any given consumer can do to impact change within the current system. So long as animators are largely freelance workers and anime studios work on pre-budgeted contracts, the success or failure of anything besides the rare original work that has the studio on the production committee is irrelevant to how much the animators get paid. In the same way buying from a particular retail store won't have any effect on that store's employees getting paid, there's just not an avenue for consumption as advocacy. Any change will have to come in the form of more direct activism, either via animators unionizing, broader cultural change within the industry that better values the most essential workers in it, or legal reform to increase pay and working conditions.
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ZiharkXVI



Joined: 29 Jan 2009
Posts: 348
PostPosted: Tue Jul 21, 2020 4:19 pm Reply with quote
Its not surprising, but disappointing given the fact that the animation is often the best part of any Netflix anime (minus some of the 3d garbage - although I suspect that it still was very difficult work even if the product isn't attractive). The general quality of any Netflix anime in other areas (story, characters, flow, etc.) is sorely lacking.
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Яeverse



Joined: 16 Jun 2014
Posts: 1140
Location: Indianapolis
PostPosted: Tue Jul 21, 2020 4:21 pm Reply with quote
JohnHawk wrote:
I refuse to believe Netflix shows have bigger budgets than the average programming when half of them are cg that looks like total shit


I never understood how increasing budget increases how good an anime looks. Paying an artist more money doesnt mean their artwork will exponentially increase in looks. At some point time and skill become the more limiting factors.

Also CG should be expensive...software licenses for commercial purposes are expensive, add on packages are expensive, modifying software, hardware, training and service contracts are expensive. I was sure companies complained about remotevanime work beimg expensive because of buying More licenses.
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Lord Vaultman



Joined: 03 Mar 2017
Posts: 810
PostPosted: Tue Jul 21, 2020 4:22 pm Reply with quote
JohnHawk wrote:
I refuse to believe Netflix shows have bigger budgets than the average programming when half of them are cg that looks like total shit


Oh it happens to non 3d shows as well. Netflix stealing season 2 rights for adventures of saiki k from funimation is a prime example. Same with teasing takagi san season 2
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