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REVIEW: Super Dimensional Fortress Macross DVD 1


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jgreen



Joined: 14 Mar 2005
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Location: St. Louis, MO
PostPosted: Thu Dec 22, 2005 10:33 pm Reply with quote
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Anyway, why should we need to consider different standards for anime TV series vs. movies? Animation quality is animation quality (or artistic quality is artistic quality, et al), regardless of whether we're talking about series, OVAs, or movies. There's nothing "apples and oranges" about it. That does, of course, mean that movies will generally have higher technical merit grades than series, but to do it any other way as a reviewer would be to give a title a qualified grade. That's like saying to a student, "oh, you really only did C work, but since you're a special education student we'll give you a B instead because you're above average for special ed students." (Okay, that does actually sometimes happen, but that's beside the point.)


Um, no offense, but are you kidding me? Movies and TV series are two completely different mediums, and are trying to accomplish completely different purposes. Movies are self-contained, have high budgets, and little to no scheduling constraints. TV shows are serial in nature, typically have less money than a 2 hour movie to make several times that amount of content, and tight weekly schedules.

To me, holding a TV show to the standards of a movie is like trying to hold a newspaper to the standards of a novel. They're two completely different things.

Here's the review philosophy that makes the most sense to me, written by Augie De Blieck, one of the most widely read comics reviewers on the internet:

Augie De Blieck wrote:
When it comes to reviewing philosophies, I think the most important one I subscribe to is also the most basic: Don't judge a comic based on what you want it to be, but rather on what it wants to be. It's such a no-brainer to me that I'm having a difficult time working out how to expand on it.


Macross didn't want to be Nausicaa, it wanted to be a great mid-80s mecha show. And, in my opinion anyway, it was.

Oh, and Tom & Jerry was a theatrical feature also, as was Looney Tunes, which is why both had such higher production values than, say, the Flintstones. Does that make either one of them inherently better?
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Pat Payne



Joined: 08 Feb 2004
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PostPosted: Fri Dec 23, 2005 5:26 pm Reply with quote
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There's nothing "apples and oranges" about it. That does, of course, mean that movies will generally have higher technical merit grades than series, but to do it any other way as a reviewer would be to give a title a qualified grade. That's like saying to a student, "oh, you really only did C work, but since you're a special education student we'll give you a B instead because you're above average for special ed students."


No, it's more like "we're going to give Daddy Warbucks an A because he could afford to hire expensive tutors, whereas The Nameless Urchin, although he did his best, and was clearly as good as Daddy Warbucks, didn't have his money and therefore gets an F." that's the main reason that there should be a diffeence in grading TV and movies. Movies have a bigger budget to spend on refinements in the animation. Macross was done on a shoestring budget, and, by and large, did an amazing job with all of the setbacks and problems that plagued the show's production, from having the show's episode couint repeatedly slashed, to a sponsor bailing on them to an entire episode being lost on a bullet train.
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Key
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PostPosted: Fri Dec 23, 2005 6:11 pm Reply with quote
jgreen wrote:
Um, no offense, but are you kidding me? Movies and TV series are two completely different mediums, and are trying to accomplish completely different purposes. Movies are self-contained, have high budgets, and little to no scheduling constraints. TV shows are serial in nature, typically have less money than a 2 hour movie to make several times that amount of content, and tight weekly schedules.


Different mediums, maybe - although made-for-TV movies blurs this line. Different purposes? No. Both are still telling a story, whether it's a self-contained one or split over many episodes. Yes, the storytelling has to be structured differently (although how are movies different than self-contained episodes, beyond length?), but it's still storytelling. The only place where the medium/purpose difference matters is when comparing a series to a movie summary/remake of the same series.

Quote:
To me, holding a TV show to the standards of a movie is like trying to hold a newspaper to the standards of a novel. They're two completely different things.


Not a proper comparison, since they aren't even the same type of literature.

Quote:
Here's the review philosophy that makes the most sense to me, written by Augie De Blieck, one of the most widely read comics reviewers on the internet:

Augie De Blieck wrote:
When it comes to reviewing philosophies, I think the most important one I subscribe to is also the most basic: Don't judge a comic based on what you want it to be, but rather on what it wants to be. It's such a no-brainer to me that I'm having a difficult time working out how to expand on it.


Macross didn't want to be Nausicaa, it wanted to be a great mid-80s mecha show. And, in my opinion anyway, it was.


And by the standards of mid-80s mecha shows, it may well be all that. But again, refer to my "special education" comments in my previous post. "Mid-80s mecha TV shows" is not a genre and time period renowned for sterling storytelling and technical merits, so a D grade by current standards for animation could well be equivalent to a C grade for shows of that time and genre. Likewise, since mecha storytelling has improved quite a bit (on average) over the years, a B- grade overall could be equivalent to a B+ or A- if only that specific time and genre is considered.

As for the Augie de Blieck quote, I can't buy that becuase it smacks too much of a self-esteem-based approach to grading. Current American standards for grading in education encourage (or in some cases require) teachers to grade using rubrics based on set standards: this and this must be accomplished to merit an A grade as compared to a B grade, for instance. I approach anime review grading in much the same way (and the fact that I am a teacher by trade probably has a lot to do with that). The kind of relativistic approach favored by de Blieck can produce an inaccurate evaluation of true competency in a subject area when used in education, and I feel it would produce an inaccurate evaluation of a title's quality in a particular aspect of production if applied to anime reviews.

Enh. What it all comes down to is that there's no way I could honestly give a B or A to Macross on animation just because "it's one of the best of its time and type" when you have titles like GITS: SAC or Paranoia Agent out there which are so far superior to it on animation quality - or even something closer to its time period like DBZ, for that matter.
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kyosuke75



Joined: 24 Dec 2005
Posts: 4
PostPosted: Sat Dec 24, 2005 5:52 am Reply with quote
Yeah there were definitely some fugly episodes on macross and makes you wonder, who the hell allowed AnimeFiend to animate some of the episodes.

But then again, the animation industry is all about keeping within your budget and producing episodes by the dozens in order to maximize your profits.

Its just business and sometimes quality gets sacrificed for quantity. But all in all, the story is much better than the crap being shoveled out today despite some horrible animation.

But when it comes down to it, its the story that counts. You can have some top quality animation, but if the story is lacking, then its all for nothing.

I would rather watch macross any day with its intriguing story line than some fan-serviced rapid fan boy anime that just shows a bunch of cleavage and panty shots and no story, unless that's what i'm looking for.

MACROSS RULES!
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kyosuke75



Joined: 24 Dec 2005
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PostPosted: Sat Dec 24, 2005 6:05 am Reply with quote
I think i could give macross an A because at the time (1982), there wasn't anything like it that preceeded it (other than Gundam and maybe Yamato) and it really hit a lot of themes (Racial equality, brutality of war) that wasn't really apparent in 80's mecha shows.

I believe it was very influencial because it set another standard of how anime shows should be, not just about the awesome mecha design but character development and the triumph of the human spirit.

I think Macross was also influencial because it also utilized music in anime as a standard for other anime to follow. Obviously if we compare it today with Evangleion or GITS of course it would pale in comparison, but if we think of the standards of anime back in 1982, Macross had very outstanding production design.

I am so looking forward to the ADV dvd release. I have really enjoyed their dvds as of late, especially the Gatchaman series.
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Pat Payne



Joined: 08 Feb 2004
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PostPosted: Sat Dec 24, 2005 11:13 am Reply with quote
[quote="kyosuke75"]I think i could give macross an A because at the time (1982), there wasn't anything like it that preceeded it (other than Gundam and maybe Yamato) and it really hit a lot of themes (Racial equality, brutality of war) that wasn't really apparent in 80's mecha shows.
[quote]

I wouldn't have given Macross an "A", per se, most likely a "B" (I would have given it an A if they hadn't let AnimeFreak and StarPooch animate some of the episodes), but you're right that it hit upon themes that the Jaopanese had not seen in anime before. Let's take your first example: Racial equality. Claudia LaSalle was the first, IIRC, non-stereotypical competent black woman on Japanese TV. Before that, if blacks were depicted at all, they were portrayed in the stereotypical African lunk image that we in the States had discarded by the '60s. Claudia, on the other hand was intelligent, competent, level-headed, the equal of Misa and the other Japanese members of the cast. That had to count for something in a historically xenophobic Japanese culture.

And spealing of animation quality, certainly, IMHO, if there was no Macross, there would have been no Evangelion or Gunbuster or Abenobashi Shopping Arcade or any of those other beautifully-animated GAINAX shows, as it was Macross that helped occasion the forming of GAINAX.
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jgreen



Joined: 14 Mar 2005
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PostPosted: Sat Dec 24, 2005 9:51 pm Reply with quote
I hope you realize I'm not trying to be an antagonistic prick here or anything.....I just happen to disagree with your review, and am enjoying the debate.

Key wrote:
And by the standards of mid-80s mecha shows, it may well be all that. But again, refer to my "special education" comments in my previous post. "Mid-80s mecha TV shows" is not a genre and time period renowned for sterling storytelling and technical merits, so a D grade by current standards for animation could well be equivalent to a C grade for shows of that time and genre. Likewise, since mecha storytelling has improved quite a bit (on average) over the years, a B- grade overall could be equivalent to a B+ or A- if only that specific time and genre is considered.


The philosophy that time period shouldn't be taken into account doesn't really make much sense either, though. Macross has HUGE historical import in the development of anime on both sides of the Pacific. Macross defined a genre, and has had an influence on every single mecha show to come since.

The movie "Citizen Kane" did the same thing. It was revolutionary for its time, using direction and camera techniques that had never been done before. And yet, when compared to a modern day movie, it could possibly be described as slow-paced and stuffy because it doesn't have the developments created in the decades since its creation. That doesn't stop every movie critic from putting "Citizen Kane" at the top of their lists of the greatest films of all time

Am I saying that Macross is the Citizen Kane of anime? Well, no....but if you take historical importance into account, i would hazard to say that earns it a B+/A- rather than a C+ overall.

Quote:
As for the Augie de Blieck quote, I can't buy that becuase it smacks too much of a self-esteem-based approach to grading. Current American standards for grading in education encourage (or in some cases require) teachers to grade using rubrics based on set standards: this and this must be accomplished to merit an A grade as compared to a B grade, for instance. I approach anime review grading in much the same way (and the fact that I am a teacher by trade probably has a lot to do with that). The kind of relativistic approach favored by de Blieck can produce an inaccurate evaluation of true competency in a subject area when used in education, and I feel it would produce an inaccurate evaluation of a title's quality in a particular aspect of production if applied to anime reviews.


Yeah, but it's a lot more useful to the people using the letter grades to judge whether or not they should buy it. Following your philosophy, everyone's collections would be nothing but "Akira", "Grave of the Fireflies", and "Nausicaa". No one would own "Ranma 1/2" or "Dragon Ball Z" or "Sailor Moon" or any of the other hugely popular anime series because the animation sucks by comparison.

Quote:
Enh. What it all comes down to is that there's no way I could honestly give a B or A to Macross on animation just because "it's one of the best of its time and type" when you have titles like GITS: SAC or Paranoia Agent out there which are so far superior to it on animation quality - or even something closer to its time period like DBZ, for that matter.


DBZ and Macross have pretty comparable animation.....it's just that DBZ hides it better by having the characters sit perfectly still during the non-action scenes.
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Key
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PostPosted: Sun Dec 25, 2005 10:16 am Reply with quote
jgreen wrote:
I hope you realize I'm not trying to be an antagonistic prick here or anything.....I just happen to disagree with your review, and am enjoying the debate.


You've not said anything that I'd consider antagonistic. Your arguments so far have been reasonable (and, most importantly to me, articulate) even though I don't agree with some of them. And besides, I love a good debate. Smile

Quote:
The philosophy that time period shouldn't be taken into account doesn't really make much sense either, though. Macross has HUGE historical import in the development of anime on both sides of the Pacific. Macross defined a genre, and has had an influence on every single mecha show to come since.


Gundam defined the genre, Macross popularized it. Still, as noted in the review, in the historical scheme of things it's important for that alone.

Quote:
The movie "Citizen Kane" did the same thing. It was revolutionary for its time, using direction and camera techniques that had never been done before. And yet, when compared to a modern day movie, it could possibly be described as slow-paced and stuffy because it doesn't have the developments created in the decades since its creation. That doesn't stop every movie critic from putting "Citizen Kane" at the top of their lists of the greatest films of all time


Citizen Kane would be a 4-star movie by the standards of any era, and some of the top movie dramas nowadays have similar pacing to it. It even stands up well on the technical front since it's often been lauded for its superior use of lighting and shadows. To use an earlier example, the 1933 "King Kong" also doesn't take a rating hit by current standards because all the non-FX elements which made it such a great movie are still solid and movies generally aren't penalized for special effects that aren't sharp by current standards because they were at the technical limit of the time period. (Even so, I still would rate the current remake a little higher because I prefer the different take on the beauty-beast relationship in it. But that's a total side point.) Macross's production wasn't a case where better production methods weren't possible; they just weren't used because of budgetary constraints and because standards for series animation weren't as high at that time.

As for the Story or Overall grades, do keep in mind that the review is only for the first volume (eps 1-6) and is only based on the first three episodes since the others weren't available for review. Story and Overall grades certainly may be better for later volumes and for the series as a whole, but I can only grade on what I see.

Quote:
Key wrote:
As for the Augie de Blieck quote, I can't buy that becuase it smacks too much of a self-esteem-based approach to grading. Current American standards for grading in education encourage (or in some cases require) teachers to grade using rubrics based on set standards: this and this must be accomplished to merit an A grade as compared to a B grade, for instance. I approach anime review grading in much the same way (and the fact that I am a teacher by trade probably has a lot to do with that). The kind of relativistic approach favored by de Blieck can produce an inaccurate evaluation of true competency in a subject area when used in education, and I feel it would produce an inaccurate evaluation of a title's quality in a particular aspect of production if applied to anime reviews.


Yeah, but it's a lot more useful to the people using the letter grades to judge whether or not they should buy it. Following your philosophy, everyone's collections would be nothing but "Akira", "Grave of the Fireflies", and "Nausicaa". No one would own "Ranma 1/2" or "Dragon Ball Z" or "Sailor Moon" or any of the other hugely popular anime series because the animation sucks by comparison.


Just because a title doesn't get a top grade doesn't mean it's not entertaining; quality and entertainment value are not the same thing (at least not in my view). The American movie "The Fifth Element" is one of my all-time-favorite "fun" movies to watch, but I certainly wouldn't consider it a 4-star movie. And I quite enjoyed the live-action Sailor Moon series even though there's no way any sane person could sensibly give it better than a 2-star rating based on quality.

The trickiest part of doing grading for reviews - and the place where reviewers will often differ the most over a particular title - is in deciding how to weight entertainment value vs. quality when giving a grade in categories like Story and Art. I generally tend to grade more on quality and leave an evaluation of entertainment value to the text. (Look back through my reviews, I've probably said something like "this isn't the best of titles, but it certainly won't bore you" on more than one occasion.) That's also why I'll sometimes specifically say in the review whether or not I'm recommending a title, and for what kind of audience.


Last edited by Key on Mon Dec 26, 2005 7:01 pm; edited 1 time in total
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jgreen



Joined: 14 Mar 2005
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PostPosted: Mon Dec 26, 2005 11:49 am Reply with quote
I understand what you're saying on some levels, but at the same time, if I see a C rating on something, I'm going to think it's on the level of, say, "Burn Up Excess" (a series I'm watching now and am enjoying, but as a guilty pleasure....the animation is wretched and the stories are beyond retarded, but it's goofy fun), rather than one of the most infamous and beloved anime of all time.
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