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Joe Mello



Joined: 31 May 2004
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PostPosted: Mon Jan 26, 2026 10:23 am Reply with quote
The problem with the binge model is that those who want to consume a story quickly often forget about it just as fast, so things like merchandise and home video sales decrease and the number of "why isn't anime good anymore" conversations increase. (Also, I'm of the opinion that binging as a general behavior is probably something that should not be viewed positively but that's way outside the scope of this website.)

I have no problem with MAPPA securing the bag, but it should come with increased scrutiny.
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AnswerJerome



Joined: 17 Mar 2025
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PostPosted: Mon Jan 26, 2026 11:12 am Reply with quote
Joe Mello wrote:
The problem with the binge model is that those who want to consume a story quickly often forget about it just as fast, so things like merchandise and home video sales decrease and the number of "why isn't anime good anymore" conversations increase. (Also, I'm of the opinion that binging as a general behavior is probably something that should not be viewed positively but that's way outside the scope of this website.)

I have no problem with MAPPA securing the bag, but it should come with increased scrutiny.

Yo Dude! The press release from Netflix mentioned that MAPPA will steer the partnership creatively and commercially as far as licensing and merchandising is concerned.

I had fish and chips and beers with a top anime producer in London recently. It was a fab night out. We had pints in the pub Dylan Thomas used to frequent and terrorize. My Japanese pal explained to me that amajor frustration for him and many of his colleagues in the biz in Japan is that shows that drive merch sales at home do bugger all business overseas.

Keeping this fact in mind, Netflix may not be betting on MAPPA creating the next global anime merch franchise on their behalf. Perhaps! They would be just as happy with a domestic success story as a starting point.
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Juno016



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PostPosted: Mon Jan 26, 2026 12:12 pm Reply with quote
My neighbor's kids I used to babysit are out with their own kids taking walks, I am struggling to sit on the floor to do yoga without my back aching, and anime is increasingly becoming binge model junk snacks. I'm getting so old... Why do I still watch Pokemon?

*ahem* Thank you, AnswerJerome! I've been trying to explain the current struggles of the anime industry despite global success to some friends for a while now and this Mappa situation has been a particular sore spot. I'm not personally a fan of streaming. I will continue to support physical releases and renting. That said, the future is and has always been in streaming. If we want a weekly model again, we need to offer incentives and compete with binge streaming. I like the middle ground of releasing small batches, but I am worried about AI incorporation and, as a translator myself, it worries me that translation is seen as an obstacle cost to distribution rather than part of the art form of the anime experience for non-Japanese speakers. Alas, I will pick my battles. Prioritize people making enough to live over being thrown on the streets to find other contract work or salary studios. I hope Mappa can figure itself out soon.
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Sinxi and heylog



Joined: 08 May 2025
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PostPosted: Mon Jan 26, 2026 1:03 pm Reply with quote
The reaction to this news of mappa and Netflix collabing once again has been weird. The fact that this needed an answerman says something, people were either dooming about mappa, netflix or just forgetting that Netflix can also simulcast, this article seems like it also forgot that netflix can simulcast as well (and that one side that was worrying if mappa is going woke)
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Wyvern



Joined: 01 Sep 2004
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PostPosted: Mon Jan 26, 2026 2:46 pm Reply with quote
Not even Netflix fully believes in the binge model anymore. Look at the way they released the final season of Stranger Things, with batches of episodes released on major holidays (Thanksgiving, Christmas, and New Year's Eve.) That was done specifically to prompt fan discussion, since those were days when people were sure to have lots of free time to watch the episodes and then talk about them.

So while Netflix is reluctant to do away with the binge model, I think it's slowly on the way out. Most other streamers don't use it, and there's no evidence that it benefits a show's popularity. Right now, Netflix seems to still use binge releases for most of its shows, but it varies based on the perceived audience reception. If Netflix is this adamant to get into the anime business, then hopefully they're also capable of doing some market research and figuring out that the core anime audience benefits more from weekly releases in order to sustain interest. Of course, they might still decide that they're more interested in reaching casual viewers who might respond more readily to having a whole season of Chainsaw Man or whatever ready to stream immediately. We'll see.
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FlowerAiko



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PostPosted: Mon Jan 26, 2026 3:27 pm Reply with quote
Can’t help but disagree on the binge watching take. I think there is a reason that most modern streamers sans Netflix moved to the weekly model from the binge model. Weekly releases still let you watch the episode when you feel like it, and cultural analysis, discussion, and stretching a release from a day to months helps keep shows in people’s minds. The more something is the talk of the town, the more it lingers, and the more people want to watch it. Hell, even Netflix seems to be figuring this out with the Stranger Things “batch drops” as opposed to just dumping the whole season like they have historically.
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AnswerJerome



Joined: 17 Mar 2025
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PostPosted: Mon Jan 26, 2026 4:34 pm Reply with quote
Wyvern wrote:
Not even Netflix fully believes in the binge model anymore. Look at the way they released the final season of Stranger Things, with batches of episodes released on major holidays (Thanksgiving, Christmas, and New Year's Eve.) That was done specifically to prompt fan discussion, since those were days when people were sure to have lots of free time to watch the episodes and then talk about them.

So while Netflix is reluctant to do away with the binge model, I think it's slowly on the way out. Most other streamers don't use it, and there's no evidence that it benefits a show's popularity. Right now, Netflix seems to still use binge releases for most of its shows, but it varies based on the perceived audience reception. If Netflix is this adamant to get into the anime business, then hopefully they're also capable of doing some market research and figuring out that the core anime audience benefits more from weekly releases in order to sustain interest. Of course, they might still decide that they're more interested in reaching casual viewers who might respond more readily to having a whole season of Chainsaw Man or whatever ready to stream immediately. We'll see.


NETFLIX is already the world's largest streamer of legitimately licensed anime content. They have over 325 million subscribers globally across 190 territories. Netflix claims that 50% of its subscribers watch anime. Anime viewership on Netflix has more than tripled over the past 5 years, with over 1 billion anime views alone in 2024. Anime accounts for approximately 4.6% of Netflix's entire content offering. It does all this while offering a fraction of the anime content that Crunchyroll does.

It sounds a lot to me, like it does to you, that it is the casual market that Netflix is most concerned about. I get why it pisses off some of the dedicated audience when a highly anticipated new anime series goes to them exclusively and is then binge-dropped. But! Anime is a business after all, and most of you have Netflix! In the grand scheme of things, it isn't really important.

I always advise producers on the biggest new series to go non-exclusive. That is a great way to make Netflix simulcast the series, as they did with Dandadan. It is also a great way to broaden out the audience and build a proper franchise with long-tail licensing and merchandise vehicle.
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Dr. Wily



Joined: 09 Nov 2007
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PostPosted: Mon Jan 26, 2026 7:53 pm Reply with quote
I wouldn't mind the binge model for anime so much if it didn't mean that an annoying percentage of anime fans will fall over themselves to post unmarked spoilers on every platform and forum imaginable (if not, you know, tell you to your face) so you either have to marathon a season of content immediately or go on total media blackout until you can also finish the season.

The worst part is it's not like that old "Snape kills Dumbledore!" video from back in the day where the guy spoiling stuff is just trying to be a tool, the anime folks are just excited but just don't care that other people haven't had the time to binge everything in a day or less.
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Alan45
Village Elder



Joined: 25 Aug 2010
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PostPosted: Mon Jan 26, 2026 8:30 pm Reply with quote
Answerman Wrote:
Quote:
I have to say, if this month is any indicator, 2026 is going to be an absolutely relentless year in terms of anime industry news around partnerships, consolidation, investment and collapses.


And every time one of these changes is announced, there will be threads here with serious weeping, wailing and gnashing of teeth as to the death of the anime industry. This in spite of the fact that the current model was obviously unsustainable. My question is, Just what do you propose to do about it?

As fans, all we can do is sit back and watch what happens. Worst case is that many of us may have to find a different hobby. Otherwise, be selective about what you watch and make the best of the situation.
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AnswerJerome



Joined: 17 Mar 2025
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PostPosted: Tue Jan 27, 2026 12:54 am Reply with quote
Alan45 wrote:
Answerman Wrote:
Quote:
I have to say, if this month is any indicator, 2026 is going to be an absolutely relentless year in terms of anime industry news around partnerships, consolidation, investment and collapses.


And every time one of these changes is announced, there will be threads here with serious weeping, wailing and gnashing of teeth as to the death of the anime industry. This in spite of the fact that the current model was obviously unsustainable. My question is, Just what do you propose to do about it?

As fans, all we can do is sit back and watch what happens. Worst case is that many of us may have to find a different hobby. Otherwise, be selective about what you watch and make the best of the situation.


It isn't the "death of the anime industry," so please do not gnash those teeth just yet. The industry is changing is all. I am attempting to articulate to my readers that MAPPA has likely chosen this partnership with Netflix because they are a reliable partner who is offering them a financial lifeline to maintain, sustain, and grow their studio, and that is a good thing. So what if it means that more of the programs they produce over the next few years go out in a bingeable box set instead of a weekly simulcast.

Anime studios responsibility is to make great animation and ensure it is delivered on time. Because the majority of output is going onto a local tv broadcast schedule, we get to enjoy today what is considered a modern anachronism - weekly appointment viewing. A recognizable hallmark of anime fandom today, which has only been made possible by streaming. And streaming has made anime 100 times more popular than it used to be, and that comes with some negative consequences as the producers struggle to keep up with demand.

I think anime fans should dial down their expectations of producers, creators, and studios, and learn more about the business of anime production. And to get some perspective.

The ANN reader survey on this subject has been educational to me. It shows that there is a massive knowledge gap between anime-watching audiences and the business decisions anime producers make. There doesn't seem to be any real understanding of the reality on the ground. You need to know where your food and your anime comes from.
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anime-prime



Joined: 17 Mar 2020
Posts: 81
PostPosted: Tue Jan 27, 2026 10:58 am Reply with quote
AnswerJerome wrote:


I think anime fans should dial down their expectations of producers, creators, and studios, and learn more about the business of anime production. And to get some perspective.

The ANN reader survey on this subject has been educational to me. It shows that there is a massive knowledge gap between anime-watching audiences and the business decisions anime producers make. There doesn't seem to be any real understanding of the reality on the ground. You need to know where your food and your anime comes from.
Can you elaborate on what you mean about the results of the survey?

This survey? animenewsnetwork.com/survey/991/result

I don't see what's wrong with the results of the survey. Which question is the one with the alleged huge knowledge gap between producers and audiences?
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AnswerJerome



Joined: 17 Mar 2025
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PostPosted: Tue Jan 27, 2026 11:21 am Reply with quote
anime-prime wrote:
AnswerJerome wrote:


I think anime fans should dial down their expectations of producers, creators, and studios, and learn more about the business of anime production. And to get some perspective.

The ANN reader survey on this subject has been educational to me. It shows that there is a massive knowledge gap between anime-watching audiences and the business decisions anime producers make. There doesn't seem to be any real understanding of the reality on the ground. You need to know where your food and your anime comes from.
Can you elaborate on what you mean about the results of the survey?

This survey? animenewsnetwork.com/survey/991/result

I don't see what's wrong with the results of the survey. Which question is the one with the alleged huge knowledge gap between producers and audiences?


Happily!

Firstly! There seems to be no acknowledgement from the fandom that MAPPA, like every other independently owned anime studio, is struggling to survive. Has it ever been any different? Studios struggle to stay afloat from one project to the next.

MAPPA's owners and management obviously want to keep the studio as an an ongoing concern, so they've decided to strengthen their partnership with NETFLIX. Why? Wouldn't the big production planning companies, and major manga publishers want to keep MAPPA on the board for their own projects? So! Why isn't anyone asking what's going on?

I suspect that MAPPA was in discussions with domestic partners who either didn't come to the table with an offer as lucrative as Netflix's or they baulked at the idea of a JV or co-ownership opportunity. Or MAPPA was asking for too much!. Either way. They have gone with Netflix and their future i assured for now. That is a good thing right?

That is what I thought, and then I read the survey and was dismayed to see how little support MAPPA was receiving from ANN's readers.

The business of anime isn't always about delivering exactly what the fandom wants, despite the fandom being incredibly demanding, and the industry being petrified of failing to deliver to it. Yes. You are very powerful, and very influential. even if you don't think you are.

My interpretation of the survey results are that the negative response is driven primarily by the fact that one of the most popular anime studios of the past two decades who have produced some of the biggest anime/manga adaptations of that time including (Attack On Titan - the latter parts, JJK, CHainsaw Man) have removed themelves from the Production Committee way of doing things. It means they will not be adapting any new Shonen Jump manga adaptations. I think that hurts for a lot of fans who love their adaptation work.

The other major development that I believe hurts fans, is that by going all in with Netflix, future MAPPA productions will probably not be distributed in a weekly, linear simulcast fashion. These productions will debut in Japan and everywhere else simultaneously, and as such, will likely be binge-dropped. That goes against what fans want. Apparently.

There has been more information was revealed today by NETFLIX in their 2026 Anime Slate announcement about the MAPPA partnership. As reported by Jamie Lang at Cartoon Brew...

"A key recent example is the company’s broadened partnership with MAPPA, which came into clearer focus today. The deal expands beyond traditional global streaming rights to include the platform’s involvement in early-stage development and production of MAPPA titles, with Netflix aiding in financing, marketing, and merchandising of co-developed properties, and serving as their exclusive global distributor.

According to The Hollywood Reporter, sources close to the deal say the companies will operate outside Japan’s production committee system. Anime production has historically relied on layered financing structures that spread costs and decision-making (as well as financial risk) across broadcasters, publishers, and merchandisers. By contrast, the Netflix-MAPPA deal concentrates authority in the hands of just two companies, giving MAPPA clearer ownership over its output, while also granting Netflix a stronger say in the creative and commercial trajectory of each project. For better or worse."

I was in a bad mood and feeling extra salty. But yeah! I stand by my opinion. Anime fans need to get more interested in the business of anime in order to better understand the decisions that are being made by the people who make the anime they love.

I hope this helps answer your question. Very Happy
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anime-prime



Joined: 17 Mar 2020
Posts: 81
PostPosted: Tue Jan 27, 2026 3:57 pm Reply with quote
AnswerJerome wrote:
anime-prime wrote:
AnswerJerome wrote:


I think anime fans should dial down their expectations of producers, creators, and studios, and learn more about the business of anime production. And to get some perspective.

The ANN reader survey on this subject has been educational to me. It shows that there is a massive knowledge gap between anime-watching audiences and the business decisions anime producers make. There doesn't seem to be any real understanding of the reality on the ground. You need to know where your food and your anime comes from.
Can you elaborate on what you mean about the results of the survey?

This survey? animenewsnetwork.com/survey/991/result

I don't see what's wrong with the results of the survey. Which question is the one with the alleged huge knowledge gap between producers and audiences?


Happily!

Firstly! There seems to be no acknowledgement from the fandom that MAPPA, like every other independently owned anime studio, is struggling to survive. Has it ever been any different? Studios struggle to stay afloat from one project to the next.

MAPPA's owners and management obviously want to keep the studio as an an ongoing concern, so they've decided to strengthen their partnership with NETFLIX. Why? Wouldn't the big production planning companies, and major manga publishers want to keep MAPPA on the board for their own projects? So! Why isn't anyone asking what's going on?

I suspect that MAPPA was in discussions with domestic partners who either didn't come to the table with an offer as lucrative as Netflix's or they baulked at the idea of a JV or co-ownership opportunity. Or MAPPA was asking for too much!. Either way. They have gone with Netflix and their future i assured for now. That is a good thing right?

That is what I thought, and then I read the survey and was dismayed to see how little support MAPPA was receiving from ANN's readers.

The business of anime isn't always about delivering exactly what the fandom wants, despite the fandom being incredibly demanding, and the industry being petrified of failing to deliver to it. Yes. You are very powerful, and very influential. even if you don't think you are.

My interpretation of the survey results are that the negative response is driven primarily by the fact that one of the most popular anime studios of the past two decades who have produced some of the biggest anime/manga adaptations of that time including (Attack On Titan - the latter parts, JJK, CHainsaw Man) have removed themelves from the Production Committee way of doing things. It means they will not be adapting any new Shonen Jump manga adaptations. I think that hurts for a lot of fans who love their adaptation work.

The other major development that I believe hurts fans, is that by going all in with Netflix, future MAPPA productions will probably not be distributed in a weekly, linear simulcast fashion. These productions will debut in Japan and everywhere else simultaneously, and as such, will likely be binge-dropped. That goes against what fans want. Apparently.

There has been more information was revealed today by NETFLIX in their 2026 Anime Slate announcement about the MAPPA partnership. As reported by Jamie Lang at Cartoon Brew...

"A key recent example is the company’s broadened partnership with MAPPA, which came into clearer focus today. The deal expands beyond traditional global streaming rights to include the platform’s involvement in early-stage development and production of MAPPA titles, with Netflix aiding in financing, marketing, and merchandising of co-developed properties, and serving as their exclusive global distributor.

According to The Hollywood Reporter, sources close to the deal say the companies will operate outside Japan’s production committee system. Anime production has historically relied on layered financing structures that spread costs and decision-making (as well as financial risk) across broadcasters, publishers, and merchandisers. By contrast, the Netflix-MAPPA deal concentrates authority in the hands of just two companies, giving MAPPA clearer ownership over its output, while also granting Netflix a stronger say in the creative and commercial trajectory of each project. For better or worse."

I was in a bad mood and feeling extra salty. But yeah! I stand by my opinion. Anime fans need to get more interested in the business of anime in order to better understand the decisions that are being made by the people who make the anime they love.

I hope this helps answer your question. Very Happy
Thanks for the reply. Gonna try to tackle the main points separately.

Acknowledging MAPPA's predicament:
While the fandom doesn't usually think about the financial flows for the studios, they very much do think about the production workload and whether or not the staff is being overworked. And MAPPA has just about the worst reputation among the fandom in that regard. While workload and financial flow aren't quite the same thing, there is enough overlap that I think the fandom isn't completely oblivious to MAPPA's internal problems and issues of sustainability.

Lack of Poll support for MAPPA:
I think the voters are more negative about Netflix than they are about MAPPA. Of course people want MAPPA to be profitable and have less stressful workloads, but they don't like the idea of Netflix getting directly involved in the production for one reason or another. The poll even suggests as much as the vast majority voted that Netflix shouldn't have the majority of the creative control. All the negative thoughts basically boil down to Netflix involvement (and being stuck with making original content as you previously listed, since MAPPA doesn't exactly have the best track record with their originals in the last decade). While many are annoyed about Netflix's release strategy as you said, I think that's less of an issue compared to lack of new shounen jump adaptations and the potential production meddling from Netflix.

Anime Fans need to enroll in Anime Business 101:
Even if everyone mastered in Anime Business 101, I am not sure it would change the outcome much. Logically, many people do understand the WHY behind the decision. It doesn't mean though that they need to be happy or even ambivalent about it. Most fans exclusively watch the mainstream anime like shounen jump adaptations. If their favorite studio is suddenly taken off the table then that means there's going to be more popular manga that could have went to MAPPA to animate but instead went to Studio PowerPoint.

Is it selfish to care about the anime that you're gonna watch more than the financial security and stress load of MAPPA? Maybe. But at the end of the day all anime fans want is to enjoy the anime they are watching to the fullest, and people are allowed to express their disappointment and wariness of the deal which affects them while still wishing the best for MAPPA's staff and business. Anime fans would be thrilled about the prospect of animators being paid more and studios having as much production time as they want. On the other hand, they want stellar Jump adaptations and no production interference just as much if not more. As an anime insider, it makes sense you'd care more about long term studio stability. Normal fans however care more about the produced anime themselves.

To sum everything up, I think the poll could have been improved with more targeted questions and that it's not showing a lack of MAPPA support as much as a lack of Netflix support.
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ditto526



Joined: 03 May 2012
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PostPosted: Tue Jan 27, 2026 7:05 pm Reply with quote
So Much for any more Blue-ray, When was the last time Netflick released a disc?
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bglassbrook



Joined: 29 Aug 2006
Posts: 1250
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PostPosted: Wed Jan 28, 2026 2:09 am Reply with quote
Conventional wisdom used to be that weekly releases helped prevent folks from dumping their subscriptions after a month, but Netflix has been keeping themselves afloat for all these years. Either folks are just that super forgetful or conventional wisdom has its finger somewhere other than on consumers' pulse.

If they were a more conventional company, then snapping up a studio like MAPPA after the studio/logistical juggernaut of Warner might be seen as putting together some interesting pieces (aka finding a rug that ties the room together.) However, that doesn't really fit Netflix's general method, so such buying sprees are bound to induce greater anxiety than Sony's wave of conquest (because that rug will look just as nice rolled-up in a corner of the storehouse.)

ditto526 wrote:
So Much for any more Blue-ray, When was the last time Netflick released a disc?

Almost 2.5 years for rentals. More recent for selling their own series, except they are done by the producing studio (looks to be going on 7+ years for first-party releases,) and are still far rarer than any of the others.
Joe Mello wrote:
and home video sales decrease

Netflix executive: *unsnaps South Park cable company shirt* Really? Tell me more.
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