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JohnHawk
Joined: 22 Apr 2015
Posts: 86
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 Posted: Sun Oct 17, 2021 2:56 pm |
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Is it still the same studio cause uh
S3 wasnt the awful cg of the original seasons but the studio was *not great*
Sad to see one of the biggest shounens in Japan by sales constantly get hit with the low budget poor quality anime stick which has resulted in it gaining 0 traction in the west.
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lomez
Joined: 14 Mar 2018
Posts: 27
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| Posted: Sun Oct 17, 2021 3:06 pm |
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| JohnHawk wrote: | | one of the biggest shounens in Japan |
It's published in a seinen magazine.
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MagicPolly
Joined: 26 Nov 2020
Posts: 1748
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| Posted: Sun Oct 17, 2021 3:20 pm |
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| JohnHawk wrote: | | Is it still the same studio cause uh
S3 wasnt the awful cg of the original seasons but the studio was *not great*
Sad to see one of the biggest shounens in Japan by sales constantly get hit with the low budget poor quality anime stick which has resulted in it gaining 0 traction in the west. |
Since it's coming out next year I assume the studio will be the same, but since Studio Signpost is a subsidiary of Pierrot, the quality is more dependant on the staff (feel free to correct me, I'm not 100% sure how production works)
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Matros
Joined: 22 Feb 2021
Posts: 440
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| Posted: Sun Oct 17, 2021 3:35 pm |
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| MagicPolly wrote: | | JohnHawk wrote: | | Is it still the same studio cause uh
S3 wasnt the awful cg of the original seasons but the studio was *not great*
Sad to see one of the biggest shounens in Japan by sales constantly get hit with the low budget poor quality anime stick which has resulted in it gaining 0 traction in the west. |
Since it's coming out next year I assume the studio will be the same, but since Studio Signpost is a subsidiary of Pierrot, the quality is more dependant on the staff (feel free to correct me, I'm not 100% sure how production works) |
This is correct, the staff and time are the key factors that make or break a production. S3 actually benefited from the delay due the the pandemic a lot.
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